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On the Coast of France
Ručno oslikana uljana reprodukcija od $181 39 × 26 cm
Isti veličine kao i original $271 77 × 51 cm Naručite u izvornim dimenzijama →
Najpoznatije djelo umjetnika John Appleton Brown je On the Coast of France (1875), koje se nalazi u muzeju Muzej likovnih umjetnosti, u gradu Boston. Uz New England Landscape (1887) i A Showery May Morning, to su tri djela koja svi prepoznaju. Naš katalog sadrži 6 djela umjetnika John Appleton Brown; ovih 6 ispod su djela koja svijet najčešće posjećuje, a svako od njih navodi godinu nastanka, muzej u kojem se nalazi i razlog njegovog značaja.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora John Appleton Brown | Slike iz ovog popisa |
|---|---|---|---|
 Muzej likovnih umjetnosti |
Boston | 5 | On the Coast of France, New England Landscape, A Showery May Morning |
 Harvard Art Museums |
Cambridge | 1 | Pond in the Woods |
Od 1875 do 1887, karijera umjetnika John Appleton Brown traje 13 godina, nešto više od deset godina: evo pregleda godinu po godinu, uz najpoznatija djela svake godine.
On the Coast of France (1875), Muzej likovnih umjetnosti, Boston. Sljedeći su New England Landscape (1887) i A Showery May Morning.
31 godina: On the Coast of France datira iz 1875, a John Appleton Brown je rođen/a 1844.
Naš katalog sadrži 6 djela umjetnika John Appleton Brown, datiranih od 1875 do 1887.
Većina njih se nalazi u Muzej likovnih umjetnosti (Boston) i Harvard Art Museums (Cambridge). Gornja tablica navodi muzeje jedan po jedan.
Najstarije djelo na ovoj stranici je iz On the Coast of France (1875), a najnovije iz New England Landscape (1887).
On the Coast of France, New England Landscape i A Showery May Morning su među 5 djela na ovoj stranici koja se nalaze u muzeju Muzej likovnih umjetnosti, Boston.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
Born in West Newbury, Massachusetts, John Appleton Brown was an American landscape painter who worked primarily in oils and pastels. His artistic journey began with studies under Alfred Thompson Bricher before he traveled to France in 1866. During his time in France, he studied under Emile Lambinet, a protégé of Jean-Baptiste-Camille Corot. By the 1870s, Brown had become a successful painter in Boston, exhibiting his work at the Boston Art Club and various prominent galleries. In 1874, he and his wife, the artist Agnes Augusta Bartlett, traveled to France to study and paint, eventually displaying his work at the Paris Salon of 1875.
Brown's career saw him move from the artistic circles of Boston to an artists' colony in England in 1886, where he worked alongside figures such as John Singer Sargent. He also spent summers on Appledore Island among the Isles of Shoals, painting seascapes like Storm at the Isles of Shoals. In the 1890s, his success led him to move to New York City. His technical skill was recognized on a grand scale when he received a medal at the World's Columbian Exposition in 1893. He died in New York City in 1902.
Brown was noted for his lyrical landscapes, particularly those of the rural New England countryside. In the 1880s, he adopted a brighter palette and frequently painted images of fruit trees in full flower, earning him the sobriquet "Appleblossom Brown." His works were often described as tender and delicate, capturing the essence of nature. His repertoire included a variety of natural scenes, such as:
His ability to capture light and shadow was celebrated by critics, with some noting his evocative treatment of clouds and water. His art even served as inspiration for poetry and book illustrations, such as his collaboration with Lucy Larcom for the book Landscape in American Poetry.