Still Life with Green Bowl (1935) najpoznatije je djelo umjetnika Hermann Euler, koje se nalazi u muzeju Bavarske državne slikopisne zbirke u gradu München. Od 2 djela umjetnika Hermann Euler u našem katalogu, izdvajamo ovih 2 koja su najtraženija među kolekcionarima i posjetiteljima muzeja, uz godinu nastanka, naziv muzeja i priču o svakom od njih.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026.
1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Hermann Euler | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 2 | Still Life with Green Bowl, Strauss |
1935 je godina svakog datiranog remek-djela umjetnika Hermann Euler na ovoj stranici: evo ih, poredanih prema popularnosti.
Still Life with Green Bowl (1935)
35 godina: Still Life with Green Bowl datira iz 1935, a Hermann Euler je rođen/a 1900.
Naš katalog sadrži 2 djela umjetnika Hermann Euler.
Većina njih se nalazi u Bavarske državne slikopisne zbirke (München). Gornja tablica navodi muzeje jedan po jedan.
U razdoblju 1935: 2 od ukupno 2 djela na ovoj stranici datira iz tog vremena, među kojima je i Still Life with Green Bowl.
Still Life with Green Bowl i Strauss su među 2 djela na ovoj stranici koja se nalaze u muzeju Bavarske državne slikopisne zbirke, München.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.