Franz Ehrlich, 1907 – 1984

100 najpoznatijih djela Franz Ehrlich

Slika koja je proslavila Franz Ehrlich je 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan); nalazi se u muzeju Bauhaus Dessau Foundation, Dessau-Roßlau. LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand) (1949) i 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin) slijede nakon njih u srcima kolekcionara i posjetitelja muzeja. Od 101 djela umjetnika Franz Ehrlich u našem katalogu, ovih 100 najcenjenijih, a svako je predstavljeno s datumom nastanka, muzejom i onim što ga izdvaja.

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Portret Franz Ehrlich
Franz Ehrlich · 1907 – 1984
Rođen · umro
1907 – 1984, Reut
Pokret
Bauhaus
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101
Najpoznatije djelo
3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)
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Bauhaus Dessau Foundation

Franz Ehrlich: deset remek-diela

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan) od Franz Ehrlich
1

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)

Acrylic On Canvas · Bauhaus Dessau Foundation, Dessau-Roßlau

A Blueprint for Utopia: Examining Franz Ehrlich’s “3rd FLOOR” The architectural drawing titled “3rd FLOOR,” created by Franz Ehrlich in 1956, transcends mere technical documentation; it embodies the aspirations of a nation grappling with its identity after decades under Nazi oppression and subsequent Soviet influence. This meticulously crafted plan for a foreign representation of the German Democratic Republic—specifically designed for the Leipzig Trade Fair—offers a fascinating glimpse into the ethos…

LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand) (1949) od Franz Ehrlich
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LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand)

1949 · Ink On Paper · Bauhaus Dessau Foundation, Dessau-Roßlau

To gaze upon this drawing is not merely to observe lines on paper; it is to step into the very sinews of early 20th-century commerce and innovation. This plan view, documenting the LBH Building Machinery Woodworking Machinery Hall 5 at the Leipzig Trade Fair in 1949, transports us directly to a moment when industry was meticulously laid bare for public scrutiny. The work by Franz Ehrlich possesses an almost archaeological…

4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin) od Franz Ehrlich
3

4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin)

Acrylic On Canvas · Bauhaus Dessau Foundation, Dessau-Roßlau

Franz Ehrlich (1907–1984), a German architect, calligrapher, and graphic designer whose work spanned Bauhaus principles to communist affiliation, remains an enigmatic figure in the annals of modernist design. While his name might not resonate with mainstream audiences today, Ehrlich’s contribution to architectural thought and artistic expression—particularly embodied in “4 Armchairs. 1 Bench,” a meticulously rendered drawing conceived for the Office of the Vice President of the Academy of Sciences of…

Bookshop Hauptstraße / Transversal section (FDGB Bookshop (1949) od Franz Ehrlich
4

Bookshop Hauptstraße / Transversal section (FDGB Bookshop

1949 · Acrylic On Canvas · Bauhaus Dessau Foundation, Dessau-Roßlau

Franz Ehrlich's pencil drawing, "Bookshop Hauptstraße / Transversal Section," transcends mere architectural representation; it embodies a profound stillness and intellectual curiosity—qualities intrinsically linked to the spaces of learning. Executed in 1949 during the formative years of Bauhaus Dessau’s influence on German art and design, this piece speaks volumes about the era's commitment to clarity, functionality, and understated elegance.

The new city is built on labour... (Design for competition Dresden) (1952) od Franz Ehrlich
5

The new city is built on labour... (Design for competition Dresden)

1952 · Acrylic · Bauhaus Dessau Foundation, Dessau-Roßlau

Franz Ehrlich's 1952 sketch, "The New City is Built on Labour...", isn’t merely a design proposal for a competition in Dresden; it’s a poignant testament to post-war reconstruction and the enduring spirit of a city striving to rebuild itself. Captured with a restrained graphite palette against aged paper, the image possesses an immediate intimacy – as if we've stumbled upon a forgotten blueprint, imbued with the hopes and anxieties of…

Untitled (Leipzig Spring Trade Fair 1949, plan view exhibition stand SANAR) (1949) od Franz Ehrlich
7

Untitled (Leipzig Spring Trade Fair 1949, plan view exhibition stand SANAR)

1949 · Graphite Pencil · Bauhaus Dessau Foundation, Dessau-Roßlau

To gaze upon this piece is not merely to look at an old drawing; it is to step directly into the meticulous, hopeful atmosphere of post-war reconstruction. This architectural plan, documenting the exhibition stand for SANAR at the Leipzig Spring Trade Fair in 1949, transcends its function as a mere technical diagram. It captures a moment of profound societal yearning—the desire to rebuild, to trade, and to establish normalcy after…

110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure) (1949) od Franz Ehrlich
8

110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure)

1949 · Print · Bauhaus Dessau Foundation, Dessau-Roßlau

This arresting piece, "110.4% plan fulfilment in Leipzig. Report by Leipzig City Council," offers more than just a depiction; it presents a carefully curated moment of civic aspiration frozen in time. Created in 1949, this work emerges from the immediate aftermath of global upheaval, carrying the weight and earnest optimism characteristic of post-war German art. The very title suggests an adherence to collective goals—a tangible measure of success presented as…

A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) (1976) od Franz Ehrlich
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A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan)

1976 · Drawing · Bauhaus Dessau Foundation, Dessau-Roßlau

To gaze upon this drawing is not merely to observe lines on paper; it is to step into the very sinews of thought and collaboration. This depiction, titled A.D.W. Main Building Ground Floor 1Rst Working Design V.2, offers a meticulous glimpse into an academic heart—the Academy of Sciences. It functions as more than just a floor plan; it is a captured moment of intellectual potential, a diagram of human endeavor…

63 - 64 (Painting with violin, New Year (1964) od Franz Ehrlich
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63 - 64 (Painting with violin, New Year

1964 · Colored Pencil · Bauhaus Dessau Foundation, Dessau-Roßlau

This captivating piece, "63 - 64 (Painting with violin, New Year)," immediately draws the viewer into a realm of delicate fantasy. It is a truly unique confluence where the structured elegance of a musical instrument meets the unrestrained vitality of nature's bloom. At its heart lies a violin, not merely depicted, but seemingly grown—a beautiful marriage of crafted wood and organic life. The composition centers around this focal point, from…

Još Franz Ehrlich remek-dla, od 11 do 100

1933 (photo-sculptural advertising project) (1933) od Franz Ehrlich
#11

1933 (photo-sculptural advertising project)

1933 · Bauhaus Dessau Foundation

The image presents a black and white photograph of a work titled 1933, which functions as a photo-sculptural advertising project. The composition is centered on a clock face…

2-family house (Floor plan) (1939) od Franz Ehrlich
#12

2-family house (Floor plan)

1939 · Bauhaus Dessau Foundation

To gaze upon this architectural rendering by Franz Ehrlich is not merely to look at lines on paper; it is to step into the very blueprint of a…

Painting with violin (1979) od Franz Ehrlich
#14

Painting with violin

1979 · Bauhaus Dessau Foundation

A violin rests at the center of a quiet, structured world. It is a shape of curves caught within a grid of straight lines. The instrument is not…

Floor plan Sleeping room (with interior furnishings) (1962) od Franz Ehrlich
#16

Floor plan Sleeping room (with interior furnishings)

1962 · Bauhaus Dessau Foundation

A Quiet Reflection on Space: Franz Ehrlich’s Floor Plan for “Neues Leben – Neues Wohnen” Franz Ehrlich's "Floor plan Sleeping room (with interior furnishings, for the exhibition neues…

TABLE AND UPHOLSTERED BENCH (1955) od Franz Ehrlich
#64

TABLE AND UPHOLSTERED BENCH

1955 · Bauhaus Dessau Foundation

In the quiet precision of Franz Ehrlich’s 1955 drawing, Table and Upholstered Bench, we encounter a profound dialogue between structural integrity and domestic comfort. This graphite pencil work…

PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan) (1962) od Franz Ehrlich
#75

PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan)

1962 · Bauhaus Dessau Foundation

In the quiet intersection of architecture and fine art lies the profound beauty of PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan), a masterful work by the German visionary…

SALES COUNTER (1957) od Franz Ehrlich
#77

SALES COUNTER

1957 · Bauhaus Dessau Foundation

In the delicate lines of "SALES COUNTER," created in 1957 by the visionary German artist Franz Ehrlich, we are transported to a moment frozen in time. This captivating…

2 SINGLE BEDS B RANGE (Standardized unit furniture (1966) od Franz Ehrlich
#78

2 SINGLE BEDS B RANGE (Standardized unit furniture

1966 · Bauhaus Dessau Foundation

In the quiet, monochromatic realm of Franz Ehrlich’s 1966 drawing, 2 SINGLE BEDS B RANGE, we are invited into a space where utility and elegance exist in perfect,…

ARMREST CHAIR (with tubular steel frame) (1970) od Franz Ehrlich
#79

ARMREST CHAIR (with tubular steel frame)

1970 · Bauhaus Dessau Foundation

Franz Ehrlich's 1970 drawing, "ARMREST CHAIR (with tubular steel frame)," isn’t merely a schematic of a chair; it’s a distilled essence of mid-century modern design philosophy. Created during…

1970 (New Year (1970) od Franz Ehrlich
#80

1970 (New Year

1970 · Bauhaus Dessau Foundation

In the quiet intersection of memory and minimalism, Franz Ehrlich’s "1970 (New Year)" stands as a profound meditation on the passage of time. This evocative work, captured through…

LIVING ROOM CABINET od Franz Ehrlich
#99

LIVING ROOM CABINET

Bauhaus Dessau Foundation

In the quiet intersection of functional design and artistic expression lies the Living Room Cabinet, a captivating study by the German master Franz Ehrlich. This particular piece, extracted…

Painting with violin (1973) od Franz Ehrlich
#100

Painting with violin

1973 · Bauhaus Dessau Foundation

Painting with Violin – An Exploration of Geometric Abstraction The artwork presented here—a watercolor on paper depiction titled “Painting with Violin”—offers a glimpse into the artistic sensibilities of…

Slike umjetnika Franz Ehrlich prema razdoblju

Motivi koje je Franz Ehrlich najčešće slikao

Četiri teme koje se najčešće pojavljuju među ovim remek-djelima, uz najbolji primjer svake od njih.

Gdje vidjeti slike umjetnika Franz Ehrlich

1 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Franz Ehrlich Slike iz ovog popisa
Bauhaus Dessau Foundation, Dessau-RoßlauBauhaus Dessau Foundation Dessau-Roßlau 100 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand), 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin)

Franz Ehrlich, desetljeće po desetljeće: kultno djelo svakog od njih

  1. 1930s
    1933 (photo-sculptural advertising project) (1933) od Franz Ehrlich
    11. od 100

    1933 (photo-sculptural advertising project)

    Godine 23 – 32 · Bauhaus Dessau Foundation

    The image presents a black and white photograph of a work titled 1933, which functions as a photo-sculptural advertising project. The composition is centered on a clock face…

  2. 1940s
  3. 1950s
  4. 1960s
  5. 1970s
  6. 1980s

Remek-djela umjetnika Franz Ehrlich: pitanja i odgovori

Po kojem je slikarstvu Franz Ehrlich najpoznatiji/a?Prikaži odgovor

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), Bauhaus Dessau Foundation, Dessau-Roßlau. Sljedeći su LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand) (1949) i 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin).

Koja su deset najznačajnijih djela umjetnika Franz Ehrlich?Prikaži odgovor

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand), 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin), Bookshop Hauptstraße / Transversal section (FDGB Bookshop, The new city is built on labour... (Design for competition Dresden), CABINET DISPLAY CASE, Untitled (Leipzig Spring Trade Fair 1949, plan view exhibition stand SANAR), 110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure), A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) i 63 - 64 (Painting with violin, New Year. Gornji popis prikazuje godinu i muzej za svako od njih.

Koliko je djela naslikao Franz Ehrlich?Prikaži odgovor

Naš katalog sadrži 101 djela umjetnika Franz Ehrlich, datiranih od 1933 do 1981.

U kojim muzejima mogu vidjeti remek-djela umjetnika Franz Ehrlich?Prikaži odgovor

Većina njih se nalazi u Bauhaus Dessau Foundation (Dessau-Roßlau). Gornja tablica navodi muzeje jedan po jedan.

Kada je Franz Ehrlich naslikao svoja remek-djela?Prikaži odgovor

U razdoblju 1960s: 32 od ukupno 100 djela na ovoj stranici datira iz tog vremena, među kojima je i CABINET DISPLAY CASE.

Koja su prva i posljednja poznata djelo Franz Ehrlich?Prikaži odgovor

Najstarije djelo na ovoj stranici je iz 1933 (photo-sculptural advertising project) (1933), a najnovije iz 1 piece filing cabinet (with tubular steel feet and marble tabletop) (1981).

Koji su bili omiljeni motivi Franz Ehrlich?Prikaži odgovor

Architecture (16), Floor plan (14) i Technical drawing (10), od ukupno 100 djela na ovoj stranici.

Koju je tehniku preferirao/la Franz Ehrlich?Prikaži odgovor

Drawing: 12 od ukupno 100 djela na ovoj stranici.

Koji umjetnički pravac zastupa Franz Ehrlich?Prikaži odgovor

Bauhaus, kao što pokazuju slike na ovoj stranici.

Koja se remek-djela Franz Ehrlich nalaze u muzeju Bauhaus Dessau Foundation?Prikaži odgovor

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand) i 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin) su među 100 djela na ovoj stranici koja se nalaze u muzeju Bauhaus Dessau Foundation, Dessau-Roßlau.

Život umjetnika Franz Ehrlich

Rano djetinjstvo i obrazovanje

Franz Ehrlich, znameniti njemački arhitekt, kaligraf i grafički dizajner, rođen je 1907. godine. Njegove formativne godine obiljele su urođene sklonosti prema umjetnosti, što ga je navelo na upis u prestižni Bauhaus u Dessauu od 1927. do 1930. godine. Ova izvrsna institucija odigrala je ključnu ulogu u oblikovanju Ehrlichove umjetničke perspektive, uvodeći ga u avantgardne pokrete tog vremena.

Umjetnička karijera i komunistička pripadnost

Ehrlichova povezanost s komunističkom partijom imala je dubok utjecaj na njegov život i karijeru. Godine 1935. nacistički režim ga je uhitio i zatvorio, što je bio događaj koji je značajno izmijenio putanju njegovih umjetničkih težnji. Unatoč tim izazovima, Ehrlich je nastavio doprinositi svijetu umjetnosti, ostavljajući za sobom naslijeđe koje je istovremeno inspirativno i potiče na razmišljanje.

Značajna djela

Neka od najistaknutijih Ehrlichovih djela uključuju:

Muzeji i kolekcije koje čuvaju radove Ehrlicha

WahooArt.com posjeduje opsežnu kolekciju Ehrlichovih djela, uključujući ona gore spomenuta. Fondacija Bauhaus Dessau (Dessau-Roßlau, Njemačka) također je značajno čvorište njegovih umjetničkih poduhvata.

Naslijeđe i utjecaj

Doprinosi Franca Ehrlicha svijetu umjetnosti višestruki su i odražavaju njegov široki raspon interesa i talenata. Njegova iskustva, kako kreativna tako i osobna, nude dragocjen uvid u presjek umjetnosti i politike tijekom ključnog trenutka u njemačkoj povijesti.