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The Mill Valley, Karekare Bay
Ručno oslikana uljana reprodukcija od $181 40 × 25 cm
Isti veličine kao i original $453 126 × 80 cm Naručite u izvornim dimenzijama →
The Mill Valley, Karekare Bay (1899) najpoznatije je djelo umjetnika Frank Wright, koje se nalazi u muzeju Auckland Art Gallery Toi o Tāmaki u gradu Auckland. The Close of day (1909) i Morning after rain (1912) su sljedeća dva djela koja svijet najbolje poznaje. Od 5 djela umjetnika Frank Wright u našem katalogu, izdvajamo ovih 5 koja su najtraženija među kolekcionarima i posjetiteljima muzeja, uz godinu nastanka, naziv muzeja i priču o svakom od njih.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Frank Wright | Slike iz ovog popisa |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland. Sljedeći su The Close of day (1909) i Morning after rain (1912).
39 godina: The Mill Valley, Karekare Bay datira iz 1899, a Frank Wright je rođen/a 1860.
Naš katalog sadrži 5 djela umjetnika Frank Wright, datiranih od 1899 do 1912.
Većina njih se nalazi u Auckland Art Gallery Toi o Tāmaki (Auckland) i Te Whare O Rehua Sarjeant Gallery. Gornja tablica navodi muzeje jedan po jedan.
U razdoblju 1910s: 2 od ukupno 5 djela na ovoj stranici datira iz tog vremena, među kojima je i Morning after rain.
Najstarije djelo na ovoj stranici je iz The Mill Valley, Karekare Bay (1899), a najnovije iz Morning after rain (1912).
The Mill Valley, Karekare Bay, The Close of day i Morning after rain su među 4 djela na ovoj stranici koja se nalaze u muzeju Auckland Art Gallery Toi o Tāmaki, Auckland.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.