Daniel Saint, 1778 – 1847

Daniel Saint: 5 najpoznatijih slika

Portrait de Mme Savary, duchesse de Rovigo (1840) najpoznatije je djelo umjetnika Daniel Saint. Portrait of the duchess of berry i Unknown Man su sljedeća dva djela koja svijet najbolje poznaje. Od 7 djela umjetnika Daniel Saint u našem katalogu, izdvajamo ovih 5 koja su najtraženija među kolekcionarima i posjetiteljima muzeja, uz godinu nastanka, naziv muzeja i priču o svakom od njih.

Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.

Portret Daniel Saint
Daniel Saint · 1778 – 1847
Rođen · umro
1778 – 1847, Saint-Lô
Djela u našem katalogu
7
Najpoznatije
Portrait de Mme Savary, duchesse de Rovigo (1840)
Najviše djela u
Nationalmuseum

Top 10: najpoznatija djela umjetnika Daniel Saint

Lady with a Greyhound (1842) od Daniel Saint
5

Lady with a Greyhound

1842

Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

Ručno oslikana uljana reprodukcija od $181 24 × 41 cm

Gdje vidjeti slike umjetnika Daniel Saint

2 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Daniel Saint Slike iz ovog popisa
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

Daniel Saint kroz godine: remek-djela svake godine

Između 1840 i 1842, u ukupno 3 godina, Daniel Saint je naslikao svako datirano djelo na ovoj stranici: evo ih, godinu po godinu.

  1. 1840
  2. 1842
    Lady with a Greyhound (1842) od Daniel Saint
    Rang 5 od 5

    Lady with a Greyhound

    Godine 64

    Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

Radove umjetnika Daniel Saint: često postavljana pitanja

Koje je najpoznatije djelo umjetnika Daniel Saint?Prikaži odgovor

Portrait de Mme Savary, duchesse de Rovigo (1840). Zatim slijede Portrait of the duchess of berry i Unknown Man.

U kojoj je dobi Daniel Saint naslikao/la Portrait de Mme Savary, duchesse de Rovigo?Prikaži odgovor

62 godina: Portrait de Mme Savary, duchesse de Rovigo datira iz 1840, a Daniel Saint je rođen/a 1778.

Koliko ima slika umjetnika Daniel Saint?Prikaži odgovor

Naš katalog sadrži 7 djela umjetnika Daniel Saint, datiranih od 1840 do 1842.

Gdje mogu vidjeti najpoznatija djela umjetnika Daniel Saint?Prikaži odgovor

Većina njih se nalazi u Nationalmuseum (Stockholm) i Château de Chambord (Chambord). Gornja tablica navodi muzeje jedan po jedan.

Koje je najranije poznato djelo Daniel Saint, a koje najnovije?Prikaži odgovor

Najstarije djelo na ovoj stranici je iz Portrait de Mme Savary, duchesse de Rovigo (1840), a najnovije iz Lady with a Greyhound (1842).

Koje se slike umjetnika Daniel Saint nalaze u kolekciji Nationalmuseum?Prikaži odgovor

Unknown Man i Charles X, King of France and Navarre su među 2 djela na ovoj stranici koja se nalaze u muzeju Nationalmuseum, Stockholm.

Gdje mogu kupiti reprodukciju Daniel Saint?Prikaži odgovor

Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.

Daniel Saint: biografija

The Delicate Touch of Parisian Miniature Painting

Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

A Revolution of Light and Texture

What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

Legacy and Imperial Recognition

The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

  • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
  • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
  • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
  • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.