The Filling Factory (1916) najpoznatije je djelo umjetnika Charles Ginner, koje se nalazi u muzeju Nacionalna galerija Kanade u gradu Ottawa. Flask Walk, Hampstead at Night (1933) i The River Lune, Lancaster (1950) su sljedeća dva djela koja svijet najbolje poznaje. Od 3 djela umjetnika Charles Ginner u našem katalogu, izdvajamo ovih 3 koja su najtraženija među kolekcionarima i posjetiteljima muzeja, uz godinu nastanka, naziv muzeja i priču o svakom od njih.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
3 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Charles Ginner | Slike iz ovog popisa |
|---|---|---|---|
 Nacionalna galerija Kanade |
Ottawa | 1 | The Filling Factory |
 Fenton House |
London | 1 | Flask Walk, Hampstead at Night |
 Art Gallery of New South Wales |
Sydney | 1 | The River Lune, Lancaster |
The Filling Factory (1916), Nacionalna galerija Kanade, Ottawa. Sljedeći su Flask Walk, Hampstead at Night (1933) i The River Lune, Lancaster (1950).
38 godina: The Filling Factory datira iz 1916, a Charles Ginner je rođen/a 1878.
Naš katalog sadrži 3 djela umjetnika Charles Ginner, datiranih od 1916 do 1950.
Većina njih se nalazi u Nacionalna galerija Kanade (Ottawa), Fenton House (London) i Art Gallery of New South Wales (Sydney). Gornja tablica navodi muzeje jedan po jedan.
Najstarije djelo na ovoj stranici je iz The Filling Factory (1916), a najnovije iz The River Lune, Lancaster (1950).
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
Born in Cannes, France, to British parents, Charles Isaac Ginner began his path toward becoming a painter despite initial parental disapproval. After a period of convalescence following an illness, he moved to Paris in 1899 to study architecture. He eventually transitioned to art, studying at the Academie Vitti and the Ecole des Beaux Arts. During his time in Paris, he worked under teachers such as Paul Gervais and Hermenegildo Anglada Camarasa. In 1909, Ginner traveled to Buenos Aires, Argentina, where he held his first one-person show, an event that helped introduce post-Impressionism to South America.
In 1910, Ginner settled in London, becoming a key member of the Camden Town Group. His work often focused on urban subjects and landscapes, characterized by a meticulous detailing of buildings and trees in his watercolours. During both World Wars, he served in official capacities, including work for the Canadian War Records and as an Official War Artist during the second conflict, where he specialized in painting harbour scenes and bombed buildings in London.
Ginner's painting style was marked by several distinct characteristics and affiliations:
Throughout his career, Ginner was associated with several prominent groups, including the London Group and the Cumberland Market Group. His work is held in various collections, including the Tate Gallery and the National Portrait Gallery, the latter of which contains a precise self-portrait of the artist.