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Forest Landscape with Bathing Children
Ručno oslikana uljana reprodukcija od $181 35 × 29 cm
Isti veličine kao i original $202 45 × 37 cm Naručite u izvornim dimenzijama →
Najpoznatije djelo umjetnika Carl Ebert je Forest Landscape with Bathing Children (1867), koje se nalazi u muzeju Bavarske državne slikopisne zbirke, u gradu München. Uz Evening Landscape (1875) i Landscape society in a park, to su tri djela koja svi prepoznaju. Naš katalog sadrži 5 djela umjetnika Carl Ebert; ovih 5 ispod su djela koja svijet najčešće posjećuje, a svako od njih navodi godinu nastanka, muzej u kojem se nalazi i razlog njegovog značaja.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Carl Ebert | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Carl Ebert je stvarao umjetnost tek 9 godina, od 1867 do 1875: pratite to razdoblje godinu po godinu, kroz djela koja su mu donijela ime.
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne zbirke, München. Sljedeći su Evening Landscape (1875) i Landscape society in a park.
46 godina: Forest Landscape with Bathing Children datira iz 1867, a Carl Ebert je rođen/a 1821.
Naš katalog sadrži 5 djela umjetnika Carl Ebert, datiranih od 1867 do 1875.
Većina njih se nalazi u Bavarske državne slikopisne zbirke (München) i Lenbachhaus (München). Gornja tablica navodi muzeje jedan po jedan.
Najstarije djelo na ovoj stranici je iz Forest Landscape with Bathing Children (1867), a najnovije iz Evening Landscape (1875).
Forest Landscape with Bathing Children i Evening Landscape su među 2 djela na ovoj stranici koja se nalaze u muzeju Bavarske državne slikopisne zbirke, München.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.