Vodič za studentska djela
Autorska prava Ovo se djelo smatra i dalje zaštićenim autorskim pravima. Pat Steir je rođen/a 1940. godine i nema zabilježen datum smrti; autorsko pravo traje 70 godina nakon smrti umjetnika. Slika je ovdje prikazana u edukativne svrhe; prava ostaju u vlasništvu nositelja prava.
U kontekstu
Or — Pat Steir
Originalne dimenzije su 183 × 488 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine. Preveliko je kako bi se prikazalo u razmjeru na ovoj stranici.
Red iznad: godine. Red ispod: dob umjetnika na početku i na kraju svakog razdoblja, pri čemu se rođenje računa kao nula.
Naslikano kada je umjetnik imao 33 godina. 1 od ukupno 9 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.
▲ ovo djelo, 1973 svaka datirana slika, desetljeće po desetljeće
Prva djela: do 1982 Glavni radni år: 1982–1997 Kasna djela: od 1997
Ta tri dijela dijele djela koja u ovom katalogu imaju naveden datum na prvo četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: tanki segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života
Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.
Još djela koja se mogu postaviti uz ovo: wahooart.com/hr/art/similar/pat-steir-or-D38TRP-en/
Izmjereno na temelju slike
Glavna boja
Rosy Brown #b8ac9e
Spremljena paleta
Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji
Deset vodećih zemalja
Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.
Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 12 djela ovog umjetnika, od kojih je 5 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece
Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.
Umjetnik i muzej
Pat Steir, born Iris Patricia Sukoneck in Newark, New Jersey, in 1940, is an American painter and printmaker whose work has profoundly shaped the landscape of contemporary art. Her journey from early conceptual influences to her now-iconic “Waterfall” paintings—dynamic explorations of gravity, gesture, and chance—is a testament to her relentless curiosity and profound engagement with both artistic tradition and the unpredictable nature of creative process. Steir’s career, spanning over five decades, is marked by a consistent refusal to adhere to conventional boundaries, forging a unique visual language deeply rooted in Eastern philosophy and a fascination with the interplay between control and abandon.
Steir's artistic trajectory began at Pratt Institute in New York City during the late 1950s, where she was initially influenced by the teachings of Richard Lindner and Phillip Guston—figures whose diverse approaches to painting provided a crucial foundation for her own explorations. Returning to Pratt in 1962, she graduated with a BFA and quickly established herself within the burgeoning New York art scene. Early exhibitions at the High Museum of Art in Atlanta and the Museum of Modern Art in New York demonstrated her emerging talent, showcasing a willingness to challenge existing artistic norms. This period also saw Steir working as an illustrator and book designer, experiences that honed her observational skills and deepened her understanding of visual communication—qualities she would later translate into her groundbreaking paintings. Crucially, her time at Pratt exposed her to the burgeoning conceptual art movement, fostering a critical awareness of the role of ideas within artistic practice.
Steir’s career truly took flight in the late 1970s and early 1980s with the creation of her now-famous “Waterfall” paintings. These monumental works, characterized by cascading torrents of thick, white paint layered over rich black surfaces, represent a radical departure from traditional painting techniques. Influenced by her growing interest in Eastern philosophy—particularly Taoism and Buddhism—Steir embraced the concept of wu wei (non-action), allowing gravity and chance to dictate the flow of paint across the canvas. She began experimenting with pouring, splashing, and throwing paint, relinquishing conscious control over the process and inviting the inherent unpredictability of the medium to shape the final image. As Steir herself described, these paintings were not about depicting a waterfall but rather “painting out of the painting and into space,” creating immersive environments that evoked the sublime forces of nature. The series’ genesis was also informed by her studies of Chinese ink-splashing techniques, where artists sought to capture the essence of natural phenomena through spontaneous gestures.
Building upon the success of the “Waterfall” series, Steir expanded her artistic practice into immersive installations in the mid-1980s. These site-specific works transformed gallery spaces into dynamic environments, blurring the boundaries between painting, sculpture, and performance. Steir’s approach to these installations mirrored her painting process—embracing chance and allowing the architecture of the space to influence the composition and flow of paint. Simultaneously, she continued to develop her printmaking skills, producing a series of limited-edition prints that explored similar themes of control, chaos, and the relationship between artist and material. Her collaborations with Crown Point Press resulted in critically acclaimed works that further solidified her reputation as a pioneering figure in contemporary art.
Pat Steir’s influence extends far beyond her own body of work. Her willingness to embrace chance, her deep engagement with Eastern philosophy, and her innovative use of materials have inspired generations of artists. Her work has been exhibited extensively at major museums around the world, including the Tate Gallery in London, the Brooklyn Museum, and the Metropolitan Museum of Art in New York. Steir’s paintings are now held in significant collections across the United States and abroad, a testament to her enduring artistic vision. Her legacy lies not only in the beauty and complexity of her art but also in her courageous exploration of the creative process—a constant reminder that true artistry emerges from the delicate balance between intention and surrender. She remains a vital voice in contemporary art, continuing to push boundaries and challenge conventional notions of painting and sculpture.
wahooart.com/hr/art/download/pat-steir-or-D38TRP-en/
Pogledajte pažljivije
Or — Pat Steir
Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.
Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.
"Or" autora Pat Steir ima proporcije Panoramic djela dimenzija 183 x 488 cm.
Svijetlo-tamni kontrast djela "Or" zabilježen je kao Statement. Kontrast opisuje razliku u intenzitetu između svijetlijih i tamnijih područja.
"Or" autora Pat Steir koristi Neutrals paletu boja. Ta paleta sažima opći koloristički karakter djela.