Format papira

Vodič za studentska djela

Bodice

Ime Razred Datum

Issey Miyake, Bodice (1980), The Kyoto Costume Institute. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava.

Osnovne informacije

Umjetnik
Issey Miyake wahooart.com/hr/artists/issey-miyake_hr/
Životopis umjetnika
1938 – 2022
Slikano
1980
Pokret
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Lokacija izložbe
The Kyoto Costume Institute wahooart.com/hr/museums/the-kyoto-costume-institute-kyoto/

U kontekstu

Bodice — Issey Miyake

Godina nastanka

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010
  10. 2020

Shaded: životni opus Issey Miyake (1938–2022) ▲ ovo djelo, 1980

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: wahooart.com/hr/art/similar/miyake-issei-bodice-D4PLPB-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Putty #d3e0d4

    Spremljena paleta

    • #D3E0D4
    • #68191F
    • #BD6273
    • #AD222F
    Paleta
    Neutrals Dominantna paleta boja na slici.
    Naziv glavne boje
    Putty
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Brilliant Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    O ovom umjetničkom djelu

    Bodice — Issey Miyake

    Beautiful woman

    Umjetnik i muzej

    Umjetnik

    Issey Miyake

    Mjesto rođenja Hiroshima, Japan

    Issey Miyake, poznati japanski modni dizajner, rođen je 22. travnja 1938. u Hirošimi, Japan. Slavio je zbog svojih revolucionarnih i tehnološki potpomognutih odjevnih dizajna koji su ostavili neizbrisiv trag u svijetu mode.

    Rano djetinjstvo i karijera

    Issey Miyake pokazao je interes za dizajn još u ranoj dobi. Nakon završetka studija, preselio se u Tokyo, gdje je radio za japanskog dizajnera Guy Laroche. Godine 1960. otputovao je u Pariz, gdje se susreo s radovima raznih umjetnika i dizajnera, uključujući Pierre Cardina i Christiana Diora. To iskustvo duboko je oblikovalo njegovu filozofiju dizajna.

    Filozofija dizajna i stil

    Miyakeovi dizajni odlikuju se jednostavnošću, udobnošću i inovativnom upotrebom tehnologije. Poznat je po svojim plisiranim komadima koji su postali prepoznatljiv element njegovog brenda. Njegovi radovi često prikazuju upečatljive boje i uzorke, odražavajući njegov interes za japansku kulturu i tradiciju. Miyakeov pristup modi nije samo stvar stvaranja lijepe odjeće, već i istraživanja složenog odnosa između ljudskog tijela i odjevnog komada.

    Značajna djela i kolekcije

    Neka od najistaknutijih Miyakeovih djela uključuju kolekciju Dress Dress, koja donosi niz odjevnih predmeta s zamrštenim plišem i naborima. Ova kolekcija dostupna je u Powerhouse muzeju u Sydneyu, Australija. Još jedno značajno djelo je njegov smeđi i crni prugasti poliesterski set suknje, koji se nalazi u HCC fashion arhivu u Houstonu, Sjedinjene Države.

    Nagrade i priznanja

    Miyake je primio brojne nagrade za svoj doprinos modi. Dobitnik je nagrade Neiman Marcus 1996. godine te CFDA nagrade 1997. Njegovi su dizajni izlagani na raznim izložbama, uključujući Metropolitan Museum of Art u New Yorku.

    Utjecaj na japansku modu

    Utjecaj koji je Miyake imao na japansku modu ne može se pretjerati. Inspirirao je generaciju dizajnera da istražuju nove tehnologije i inovativne pristupe dizajnu. Njegova posvećenost održivosti i ekološkoj odgovornosti također je ostavila značajan trag u industriji.

    Dizajni Isseyja Miyake odlikuju se jednostavnošću, udobnošću i inovativnom upotrebom tehnologije.

    Njegov pristup modi nije samo stvar stvaranja lijepe odjeće, već i istraživanja odnosa između ljudskog tijela i odjeće.

    Miyakeov utjecaj na japansku modu bio je značajan, inspirirajući generaciju dizajnera da istraže nove tehnologije i inovativne pristupe dizajnu.

    Issey Miyake preminuo je 5. kolovoza 202

    2. godine, ali njegovo naslijeđe nastavlja inspirirati dizajnere diljem svijeta. Njegovi su radovi dostupni u raznim muzejima, uključujući Röhsska muzej u Gothenburgu, Švedska, i Kyoto Costume Institute u Kyotu, Japan. Za više informacija o Miyakeovom radu, posjetite AllPaintingsStore.com.

    Muzej

    The Kyoto Costume Institute

    Prikazano u Kyoto, Japan

    A Journey Through Japan’s Sartorial Soul: Unveiling the Kyoto Costume Institute

    Nestled within the ancient heart of Kyoto, a city steeped in tradition and artistry, lies The Kyoto Costume Institute – a sanctuary dedicated not just to preserving garments, but to illuminating the profound cultural significance woven into every stitch. More than simply a museum, it’s an immersive experience, transporting visitors through centuries of Japanese fashion history, revealing how clothing has mirrored societal shifts, artistic movements, and deeply held values. Founded in 1978 with the support of Japan's Ministry of Education, Science and Culture, the KCI began as a research institute, meticulously assembling a collection that transcends mere aesthetics to become a vibrant tapestry of social and historical narrative. Today, it stands as a testament to Japan’s unique approach to design – one where tradition isn’t merely revered but actively reinterpreted and reimagined.

    The Institute's strength lies in its remarkably comprehensive holdings, spanning from the opulent Heian period (794-1185) through to contemporary designer collections. Early garments, exemplified by exquisite examples of layered silk robes – a hallmark of Heian aesthetics – demonstrate an early mastery of form and color. These pieces, often adorned with intricate embroidery and symbolic motifs, speak volumes about the era’s emphasis on refinement and aristocratic life. The museum's commitment to accuracy is further evidenced by its recreation of costumes inspired by Murasaki Shikibu’s “The Tale of Genji,” offering a tangible connection to the world of the novel’s captivating characters and their elaborate attire. These aren’t simply reproductions; they are scholarly interpretations, meticulously researched and crafted to capture the spirit of the original designs.

    A Fusion of Tradition and Innovation

    What truly distinguishes The Kyoto Costume Institute is its deliberate blurring of boundaries between historical preservation and contemporary design. Rather than presenting fashion as a static relic, the museum actively showcases how traditional techniques and motifs continue to inspire modern Japanese designers. Rotating exhibitions regularly spotlight works from prominent figures like Junya Watanabe and Comme des Garçons, demonstrating the enduring influence of heritage on cutting-edge style. These displays aren’t merely showcasing finished garments; they delve into the design process, revealing the dialogue between past and present. The museum's collection includes over 12,000 items of clothing and 16,000 documents, a testament to its dedication to documenting this ongoing conversation.

    Beyond the visual splendor of the collection itself, the KCI offers a deeper understanding through its focus on textiles. Admire the breathtaking diversity of traditional fabrics – silk brocades shimmering with gold and silver threads, dyed silks in vibrant hues achieved through ancient techniques, and intricate embroidery that tells stories through pattern and design. These textiles aren’t simply materials; they are repositories of cultural knowledge, reflecting regional variations, seasonal changes, and symbolic meanings. The museum's commitment to preserving these techniques ensures their continued relevance in the modern world.

    Architectural Harmony & Historical Context

    While specific architectural details of the Institute remain somewhat understated within publicly available information, its location within Kyoto – a city renowned for its meticulously preserved machiya houses and serene gardens – immediately establishes an atmosphere of harmonious integration. It’s reasonable to assume that the building itself reflects this aesthetic sensibility, blending seamlessly with its surroundings. The KCI's history is inextricably linked to Kyoto’s own, serving as a vital resource for researchers, students, and anyone seeking to understand Japan’s unique sartorial heritage. The city’s rich history of craftsmanship and artistic patronage provides the perfect backdrop for this institution dedicated to preserving and celebrating Japanese fashion.

    A Living Legacy: The Institute's Unique Approach

    The Kyoto Costume Institute isn’t simply a repository of garments; it’s a dynamic center for research, education, and exhibition. Its commitment extends beyond static displays, actively engaging with the wider world through collaborations with international museums and institutions. The museum’s ongoing efforts to make its collection accessible – through digital archives, lectures, and carefully curated exhibitions – ensure that its legacy will continue to inspire and inform generations to come. It stands as a powerful reminder of how fashion can be both a reflection of history and a catalyst for innovation, embodying the enduring spirit of Japanese creativity.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Bodice

    wahooart.com/hr/art/download/miyake-issei-bodice-D4PLPB-en/

    Izvor za ovo umjetničko djelo

    MLA
    Miyake, Issey. Bodice. 1980, The Kyoto Costume Institute. https://wahooart.com/hr/art/miyake-issei-bodice-D4PLPB-en/
    APA
    Miyake, Issey (1980). Bodice [Painting]. The Kyoto Costume Institute. https://wahooart.com/hr/art/miyake-issei-bodice-D4PLPB-en/
    Chicago
    Issey Miyake. Bodice. 1980. The Kyoto Costume Institute. https://wahooart.com/hr/art/miyake-issei-bodice-D4PLPB-en/
    Harvard
    Miyake, Issey (1980) Bodice. The Kyoto Costume Institute. Available at: https://wahooart.com/hr/art/miyake-issei-bodice-D4PLPB-en/

    Pogledajte pažljivije

    Bodice — Issey Miyake

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: sculptural form, reflective surface, fashion art. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na Issey Miyake, Carnegie Hall Fashion Show, 1990, ranije u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja se razlikuje.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Gdje se to može vidjeti u ovom djelu?

    Vaš odgovor

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