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Conversion of Saint Paul
Hand-painted oil reproduction from $406 26 × 39 cm
Same size as the original $1366 150 × 220 cm Order at original size →
Conversion of Saint Paul (1822) najpoznatije je djelo umjetnika Joseph Légaré. Le Massacre des Hurons par les Iroquois (1827) i Le Père éternel entouré d'anges (1824) su sljedeća dva djela koja svijet najbolje poznaje. Od 35 djela umjetnika Joseph Légaré u našem katalogu, izdvajamo ovih 23 koja su najtraženija među kolekcionarima i posjetiteljima muzeja, uz godinu nastanka, naziv muzeja i priču o svakom od njih.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
Joseph Légaré’s “Cholera Plague, Quebec,” painted in 1832, is more than a simple depiction of a nighttime scene; it’s a haunting meditation on vulnerability and societal disruption rendered…
Naručite reprodukciju from $181 →
3 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Joseph Légaré | Slike iz ovog popisa |
|---|---|---|---|
 Musée national des beaux-arts du Québec |
Québec City | 11 | Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme) |
 Nacionalna galerija Kanade |
Ottawa | 9 | Josephte Ourné, Landscape, The Battle of Sainte-Foy |
 Musée de la civilisation |
Quebec City | 2 | The Rock Slide at Cape Diamond, The Church of Sainte-Foy |
Joseph Légaré’s “Cholera Plague, Quebec,” painted in 1832, is more than a simple depiction of a nighttime scene; it’s a haunting meditation on vulnerability and societal disruption rendered…
Conversion of Saint Paul (1822). Zatim slijede Le Massacre des Hurons par les Iroquois (1827) i Le Père éternel entouré d'anges (1824).
27 godina: Conversion of Saint Paul datira iz 1822, a Joseph Légaré je rođen/a 1795.
Conversion of Saint Paul, Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme), La Vision de saint Roch, Josephte Ourné, Landscape, The Battle of Sainte-Foy, Saint Francis of Paola Raising his Sister's Child from the Dead i Saint Philip Baptizing the Eunuch of Queen Candace. Gornji popis prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 35 djela umjetnika Joseph Légaré, datiranih od 1821 do 1854.
Većina njih se nalazi u Musée national des beaux-arts du Québec (Québec City), Nacionalna galerija Kanade (Ottawa) i Musée de la civilisation (Quebec City). Gornja tablica navodi muzeje jedan po jedan.
U razdoblju 1820s: 9 od ukupno 23 djela na ovoj stranici datira iz tog vremena, među kojima je i Conversion of Saint Paul.
Najstarije djelo na ovoj stranici je iz Saint Francis of Paola Raising his Sister's Child from the Dead (1821), a najnovije iz The Battle of Sainte-Foy (1854).
Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges i Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme) su među 11 djela na ovoj stranici koja se nalaze u muzeju Musée national des beaux-arts du Québec, Québec City.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
Joseph Légaré (1795-1855) was a pivotal Canadian artist and politician whose life embodies the intersection of creativity and public service. Born in Saint-Jacques, Canada East, Légaré left an indelible mark on the country’s cultural landscape.
Légaré's early life was marked by a natural inclination towards artistic expression. Though details of his formative years remain somewhat obscure, it is evident he honed skills that would lead him to become one of the founding members of Willow Bunch, Saskatchewan. He wasn’t solely an artist; Légaré skillfully balanced multiple roles throughout his life – painter, glazier, seigneur, and political figure.
Demonstrating a strong entrepreneurial spirit, Légaré ventured into cattle and horse ranching in the Willow Bunch area. This showcased his adaptability and willingness to embrace diverse opportunities. Further solidifying his commitment to community, he served as postmaster in Willow Bunch from 1898 until his death in 1918.
While a significant portion of Légaré’s artistic output remains undocumented, his influence on Canadian art is undeniable. He is particularly remembered for his historical paintings and religious scenes. Cholera Plague, Quebec stands as one of his most recognized works, capturing a poignant moment in the region's history.
Information regarding specific artistic influences on Légaré is limited due to the scarcity of documented sources about his early training. However, it’s reasonable to assume he was influenced by the prevailing artistic styles of Lower Canada during the 19th century – a blend of European traditions adapted to the Canadian context.
Légaré’s life serves as a fascinating case study in the intersection of art and politics. He represents a generation of Canadians who actively participated in both cultural development and civic leadership. His legacy continues to inspire those interested in the rich history of Canadian art and its connection to the nation's social and political evolution.