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Adam and Eve
Reproduction à l'huile peinte à la main à partir de $181 35 × 29 cm
Format original $872 170 × 141 cm Commander le format original →
Adam and Eve (1894) est la peinture la plus célèbre de Max Pietschmann, conservée par le Galerie Nationale de Prague à Prague. Parmi les 1 œuvres de Max Pietschmann dans notre catalogue, voici les 1 plus consultées par les collectionneurs et les visiteurs de musées, avec l'année, le musée et l'histoire de chacune.
Classé selon notre score de popularité, qui combine les recherches, les visites et les commandes pour chaque œuvre. Mis à jour novembre 2026. Chaque chef-d'œuvre de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main de qualité musée ou d'une impression d'art de haute qualité, dans le format de votre choix.
Le musée qui détient le plus grand nombre de peintures figurant sur cette page.
| Musées | Ville | Œuvres de Max Pietschmann | Peintures de cette liste |
|---|---|---|---|
 Galerie Nationale de Prague |
Prague | 1 | Adam and Eve |
1894 est l'année de chaque chef-d'œuvre daté de Max Pietschmann sur cette page : les voici, par ordre de renommée.
Adam and Eve (1894)
29 ans : Adam and Eve date de 1894 et Max Pietschmann est né(e) en 1865.
Notre catalogue répertorie 1 œuvres de Max Pietschmann.
La plupart se trouvent dans Galerie Nationale de Prague (Prague). Le tableau ci-dessus répertorie les musées un par un.
Oui. Chaque tableau de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main de qualité musée ou d'une impression d'art de haute qualité, dans la taille de votre choix, depuis la page propre au tableau.
Ernst Max Pietschmann lived much of his life within the quiet landscapes and academic circles of Dresden, Germany. Born on August 6, 1865, he began his formal training at the Dresden Academy of Fine Arts, where he studied under Leon Pohle and Ferdinand Pauwels between 1883 and 1889. His path took him far beyond the borders of his home city, including two years spent in Italy alongside Hans Unger and time spent at the Académie Julian in Paris, focusing largely on the study of nude drawing.
He eventually returned to the familiar surroundings of Saxony, becoming part of the painters' colony in Goppeln. This group focused on plein air painting, capturing the light of the natural world directly from the landscape. In 1904, he moved into a studio house built in an Italian style in Niederpoyritz, where he remained until his death in 1952. His professional life was deeply tied to the Dresden Academy, where he was appointed as a professor in 1909.
Pietschmann’s work is often identified with the German Symbolist movement. He did not follow the later shifts toward Expressionism or New Objectivity that emerged during and after the First World War. Instead, his paintings remained connected to a tradition shared by artists like Max Klinger and Arnold Böcklin. His repertoire frequently explored mythological themes and the human form.
Some of his notable works include:
Under the pseudonym Fr. Laubnitz, he produced pictures that found a wide audience as mural prints during the first half of the twentieth century. This side of his practice allowed his imagery to enter many homes through more accessible formats.
Throughout his career, Pietschmann was part of a group of artists known as the "phalanx of the strong," which included figures such as Oskar Zwintscher and Richard Müller. This group represented the artistic pulse of Dresden at the turn of the century. His presence in the Visual Artists' Association of Dresden helped define the local secession movement.
Today, much of his physical and creative output is preserved within German institutions. His paintings can be found in the following locations:
He passed away on April 16, 1952, and was laid to rest in the Hosterwitz Cemetery in Dresden, leaving behind a body of work that remains anchored in the traditions of his era.