La peinture la plus célèbre de John Bogle est Självporträtt (1775), au Nationalmuseum, à Stockholm. Avec Okänd man, James Bogle (1775) et A Woman with the Initials MCC (1773), il complète le trio d'œuvres que tout le monde reconnaît. Notre catalogue répertorie 6 œuvres de John Bogle ; les 6 ci-dessous sont celles que le monde admire le plus, chacune accompagnée de son année, du musée qui la conserve et de son importance historique.
Classé selon notre score de popularité, qui combine les recherches, les visites et les commandes pour chaque œuvre. Mis à jour novembre 2026. Chaque chef-d'œuvre de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main de qualité musée ou d'une impression d'art de haute qualité, dans le format de votre choix.
Les 3 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de John Bogle | Peintures de cette liste |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Självporträtt, Okänd man, James Bogle |
 Metropolitan Museum of Art |
New York | 2 | A Woman with the Initials MCC, A Man with the Initials AC |
 Yale Center for British Art |
New Haven | 2 | Portrait of a Gentleman, Portrait of a Gentleman |
20 années de l'œuvre de John Bogle, de 1773 à 1792, année après année : les peintures les plus célèbres de chaque année, dans l'ordre.
Självporträtt (1775), Nationalmuseum, Stockholm. Viennent ensuite Okänd man, James Bogle (1775) et A Woman with the Initials MCC (1773).
29 ans : Självporträtt date de 1775 et John Bogle est né(e) en 1746.
Notre catalogue répertorie 6 œuvres de John Bogle, datées de 1773 à 1792.
La plupart se trouvent dans Nationalmuseum (Stockholm), Metropolitan Museum of Art (New York) et Yale Center for British Art (New Haven). Le tableau ci-dessus répertorie les musées un par un.
En 1775 : 2 des 6 œuvres de cette page datent de cette époque, dont Självporträtt.
La plus ancienne de cette page date de A Woman with the Initials MCC (1773), la plus récente de Portrait of a Gentleman (1792).
Självporträtt et Okänd man, James Bogle figurent parmi les 2 œuvres de cette page détenues par le Nationalmuseum, Stockholm.
Oui. Chaque tableau de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main de qualité musée ou d'une impression d'art de haute qualité, dans la taille de votre choix, depuis la page propre au tableau.
In the intimate, luminous world of eighteenth-century portraiture, few artists captured the fleeting essence of a human gaze as tenderly as John Bogle. A master of the miniature, Bogle’s life and work represent a bridge between the rugged traditions of Scotland and the refined elegance of the London art scene. Born around 1746 in Glasgow, the son of an excise officer, Bogle’s journey began in the hallowed halls of the Foulis Academy. Under the tutelage of Robert and Andrew Foulis, he immersed himself in the disciplined study of drawing, a foundation that would later allow him to execute works of extraordinary delicacy on the most unforgiving of surfaces: ivory.
Bogle’s early career was marked by a burgeoning reputation that transcended borders. By the late 1760s, he was already exhibiting his miniatures at the Society of Artists in London, though his heart and roots remained tethered to Edinburgh. His talent possessed a unique duality; while his technique was rooted in the rigorous Scottish tradition, his move to London allowed him to engage with the burgeoning sophistication of the English school. This period of his life saw him establishing himself at 1, Panton Square, a prestigious address that placed him at the very center of the British art world.
The true magic of Bogle’s artistry lies in his ability to breathe life into tiny, precious objects. Working primarily with gouache and watercolor on ivory, he mastered the art of layering translucent washes to create a sense of depth and warmth that belied the miniature scale of his subjects. His portraits were not merely likenesses but emotional windows; whether depicting a noble gentleman or a delicate young lady, Bogle possessed an uncanny ability to capture the subtle nuances of character and the soft glow of skin through meticulous brushwork.
His contributions to the Royal Academy, where he exhibited regularly from 1772 until 1794, solidified his status among the elite painters of his era. Some of his most notable achievements include:
As the eighteenth century drew to a close, Bogle’s life came full circle. In 1800, he returned to Scotland with his wife, seeking the familiarity of his homeland. This final chapter of his life was spent in Edinburgh, the city where his artistic journey had been shaped by the Foulis Academy. His death in 1803 marked the end of a career that had navigated the shifting tides of British art history, leaving behind a collection of works that continue to enchant collectors and historians alike.
Today, the historical significance of John Bogle resides in his role as a stylistic conduit. His work epitomizes the subtle tension between the austere, disciplined Scottish style and the more decorative English approach. Through his miniatures, we are invited to witness a vanished world of elegance and poise, preserved forever in the tiny, radiant portraits that remain some of the most cherished treasures of the late Georgian period.