1
Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale
Reproduction à l'huile peinte à la main à partir de $181 35 × 29 cm
Format original $240 60 × 49 cm Commander le format original →
Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale (1852) est la peinture la plus célèbre de Daniel Casey, conservée par le Musée Condé à Chantilly. Parmi les 1 œuvres de Daniel Casey dans notre catalogue, voici les 1 plus consultées par les collectionneurs et les visiteurs de musées, avec l'année, le musée et l'histoire de chacune.
Classé selon notre score de popularité, qui combine les recherches, les visites et les commandes pour chaque œuvre. Mis à jour novembre 2026. Chaque chef-d'œuvre de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main de qualité musée ou d'une impression d'art de haute qualité, dans le format de votre choix.
Le musée qui détient le plus grand nombre de peintures figurant sur cette page.
| Musées | Ville | Œuvres de Daniel Casey | Peintures de cette liste |
|---|---|---|---|
 Musée Condé |
Chantilly | 1 | Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale |
1852 est l'année de chaque chef-d'œuvre daté de Daniel Casey sur cette page : les voici, par ordre de renommée.
Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale (1852)
32 ans : Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale date de 1852 et Daniel Casey est né(e) en 1820.
Notre catalogue répertorie 1 œuvres de Daniel Casey.
La plupart se trouvent dans Musée Condé (Chantilly). Le tableau ci-dessus répertorie les musées un par un.
Oui. Chaque tableau de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main de qualité musée ou d'une impression d'art de haute qualité, dans la taille de votre choix, depuis la page propre au tableau.
Born in Bordeaux to Irish parents, Daniel Casey lived a life shaped by the shifting landscapes of nineteenth-century Europe. His early years in France provided a foundation that would later merge with the rigorous training he received in Antwerp. It was within the walls of the Antwerp Academy that he formed a bond that would define much of his personal history, meeting and befriending Ford Madox Brown. The two young men shared more than just an education; they shared lodgings at the Hotel du Pot d'Etain, living through the shared struggles of student life on the Continent.
This companionship was marked by deep devotion and shared hardship. When tragedy struck the household in Paris in 1846, with the passing of Brown’s wife from consumption, Casey did not turn away. He lent his strength to the effort of raising funds to return her body to England, a gesture that spoke to the profound loyalty between the two artists. While Brown eventually returned to England, Casey remained rooted in France, finding his place within the French art scene and exhibiting his works at the Salon.
In his brushwork, Casey found a particular calling in the depiction of horses. He possessed an eye for the movement and temperament of these animals, often capturing them amidst the elements. His canvases frequently sought to portray the raw energy of nature, such as in his work Horses in a storm. There is a certain weight to his subjects, a sense of physical presence that suggests he understood the muscle and bone beneath the coat.
His repertoire included varied subject matter that moved between the dramatic and the observational:
Though he lived much of his life on the Continent, Casey’s influence reached beyond the borders of France. His death in Paris in 1885 marked the end of a life spent navigating the intersections of Irish heritage and French training. Even after his passing, the connections he maintained lived on through the memories of his peers. When he died, the loss was felt by those who had known him in the studios of Antwerp and the streets of Paris.
The historical footprint of his work remains visible in collections where his sketches and oils are preserved. A pencil drawing of him, created by Ford Madox Brown, resides in the Birmingham Museum and Art Gallery, serving as a quiet link to the shared history of two men who once navigated the art worlds of Europe together. His paintings continue to appear in the halls of auction houses, reminding viewers of a painter who found his true voice in the strength of the horse and the atmosphere of the French landscape.
