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Bizhan Bassiri

L'essentiel

  • Works on APS: 2
  • Art period: Contemporain
  • Top 3 works:
    • Evaporazione
    • Erme
  • Copyright status: Under copyright
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  • Nationality: Iran
  • Top-ranked work: Evaporazione
  • Born: 1954, Teheran, Iran
  • Museums on APS:
    • CAMUSAC – Musée d’Art Contemporain de Cassino
    • Ministero degli Affari Esteri e della Cooperazione Internazionale Collezione Farnesina

Bizhan Bassiri: Sculptor of Elemental Forces

Bizhan Bassiri, born in Tehran, Iran, in 1954, embarked on his artistic journey in Rome in 1975, establishing a multifaceted life between the vibrant capital and the Tuscan countryside. His work transcends conventional boundaries, exploring themes of geological time, transformation, and the interplay between organic matter and inorganic materials—a fascination that has shaped his distinctive sculptural practice. Bassiri’s approach is characterized by meticulous experimentation with diverse mediums, including cardboard, bronze, steel surfaces, igneous elements (like lava), and photographic elaborations, reflecting a profound engagement with both natural processes and visual storytelling. Early Years & Education: Bassiri's formative years were marked by exposure to Iranian artistic traditions and intellectual discourse. While details about his formal education remain somewhat elusive, he honed his craft through independent study and collaborative projects, fostering a spirit of inquiry that would permeate his subsequent artistic endeavors. He absorbed the legacy of Persian calligraphy and miniature painting, shaping his visual sensibility from an early age. Emergence as Sculptor (1981-1992): Bassiri’s sculptural career gained momentum in 1981 with solo exhibitions showcasing his initial explorations into form and materiality. Notable works from this period include *Costante lento corpo* (Slow steady body), presented at Galleria Lucrezia de Domizio, Pescara, demonstrating an early preoccupation with capturing the essence of movement and stillness simultaneously. His participation in the IX Biennale of Sydney solidified his reputation as a rising talent within the international art scene. The Biennale’s emphasis on conceptual art profoundly influenced Bassiri's thinking about artistic expression and its role in addressing broader societal concerns. The Manifesto del Pensiero Magmatico (1984-2019): Bassiri’s magnum opus, *Magmatic Thought*, began in 1984 and continues to inspire him today. This conceptual project—documented in numerous publications—represents a cornerstone of his artistic vision, reflecting his belief that art should confront fundamental questions about existence and perception. The Manifesto is a sequence of poetic writings which is constantly enriched by each subsequent process experienced by the artist as he develops new work: it’s an unfinished collection. Bassiri's exploration into magma – both literally and metaphorically – became central to his artistic vocabulary, symbolizing primordial energy and the transformative power of geological forces. He stated that “To focus, I prefer to be in a place as if it were on the moon,” highlighting his desire for detachment and contemplation. Venetian Biennale Representation (2015): Bassiri’s inclusion in the 57th Venice Biennale International Art Exhibition marked a pivotal moment in his career, affording him international recognition and elevating his work to a level of critical acclaim. His contribution—the evocative sculpture *Erme*—was lauded for its masterful manipulation of form and texture, embodying the artist's signature aesthetic. The piece’s monumental scale and textured surface invited viewers to contemplate the relationship between materiality and perception, mirroring Bassiri’s broader artistic concerns. Recent Achievements & Continued Exploration: Bassiri’s ongoing artistic pursuits demonstrate an unwavering commitment to pushing creative boundaries. Represented by Studio Stefania Miscetti, he continues to engage in collaborative projects and exhibitions that showcase his evolving artistic sensibilities. Notably, *La Caduta delle Meteoriti nelle ore vitali che anticipano la visione* (The Fall of Meteorites in the Vital Hours Which Anticipate Vision), presented at Ghent’s S.M.A.K., cemented his position as a leading figure in contemporary sculpture and solidified his legacy as an artist who dares to confront complex ideas with uncompromising artistic integrity. His work reflects a deep fascination with natural phenomena and seeks to communicate profound philosophical concepts through visual language. Bassiri's exploration into the interplay between art, music, and architecture continues to inspire him, demonstrating a holistic approach to creative expression.

Quiz d'art

Chaque question ne comporte qu'une seule bonne réponse.

Question 1:
Quel matériau Bizhan Bassiri utilise fréquemment dans ses œuvres sculptées ?
Question 2:
À quelle Biennale internationale Bizhan Bassiri a-t-il représenté l’Iran ?
Question 3:
Quel est le titre de l’œuvre maîtresse de Bizhan Bassiri ?
Question 4:
Dans quelle année Bizhan Bassiri a-t-il déménagé à Rome ?
Question 5:
Pourquoi Bizhan Bassiri utilise-t-il des éléments volcaniques dans ses œuvres ?