période

  1. Miners First Aid — William H. Johnson, 1944
  2. Farm Couple at Well — William H. Johnson, 1940
  3. Sowing — William H. Johnson, 1940
  4. Off to Market — William H. Johnson, 1941
  5. Early Morning Work — William H. Johnson, 1940
  6. Harlem Neighborhood, Harlem, New York — Gordon Parks, 1952
  7. Farm Couple — William H. Johnson, 1940
  8. New Land Breaking — William H. Johnson, 1942
  9. The Breakdown — William H. Johnson, 1941
  10. Les Petits Blageurs — Wilson Bigaud, 1956

mouvement

ambiance

  1. Farm Couple at Well — William H. Johnson, 1940
  2. Early Morning Work — William H. Johnson, 1940
  3. The Breakdown — William H. Johnson, 1941

thématiques

mots-clés

  1. Farm Couple at Well — William H. Johnson, 1940

tonalité

  1. Farm Couple at Well — William H. Johnson, 1940
  2. Untitled, Harlem, New York — Gordon Parks, 1952
  3. Early Morning Work — William H. Johnson, 1940

couleur principale

  1. New Land Breaking — William H. Johnson, 1942
  2. Farm Couple at Well — William H. Johnson, 1940
  3. Going to Market — William H. Johnson, 1940
  4. Off to Market — William H. Johnson, 1941
  5. Farm Couple — William H. Johnson, 1940
  6. Miners First Aid — William H. Johnson, 1944
  7. Arrangement en Blanc et Noir — James Abbott McNeill Whistler
  8. Sans titre, Harlem, New York — Gordon Parks, 1952
  9. Charles S. Johnson, from the portfolio O Write My Name American Portraits, Harlem Heroes — Carl Van Vechten, 1983
  10. The Spirit of the Technique — Yannis Tsaroychis, 1960
  11. Untitled, Harlem, New York — Gordon Parks, 1948
  12. Red Jackson, Harlem, New York — Gordon Parks, 1948
  13. The Breakdown — William H. Johnson, 1941
  14. Symphonie blanche n° 1 : La jeune fille — James Abbott McNeill Whistler
  15. Katherine Dunham, from the unrealized portfolio Noble Black Women The Harlem Renaissance and After — Carl Van Vechten, 1983
  16. Les Petits Blageurs — Wilson Bigaud, 1956
  17. Sowing — William H. Johnson, 1940
  18. Rara — Wilson Bigaud, 1952
  19. Labour Union worker unloading, with the Puthanpally Church in background — Arjun Bijlani