période

mouvement

atmosphère

thématiques

1. Chepstow Castle on the Wye — Jasper Francis Cropsey, 1854
2. Chepstow Castle — George Barret
3. Kenilworth Castle — Peter De Wint
4. Kilgerran Castle — William Havell
5. Cilgerran Castle — William Havell
6. A Castle In A River Landscape — John Varley I (Le Vieux)
7. River Landscape With Ruined Castle — Alexander Nasmyth
8. View Of Windsor Castle From The River — James Baker Pyne

mots-clés

tonalité

couleur principale

1. Cilgerran Castle — William Havell
2. Kilgerran Castle, Pembrokeshire — David Cox L'Ancien, 1852
3. Kilgerran Castle — William Havell
4. River Landscape With Ruined Castle — Alexander Nasmyth
5. Building. art nouveau building at 18 Pikk, Tallinn, Estonia — Jacques Gustav-Adolf Rosenbaum-Ehrenbush
6. The Castle of Alcalá de Guadaira — David Roberts, 1830
7. Chepstow Castle — George Barret
8. Morning on Lake Garda, Italy — james vivien de fleury, 1861
9. Discovery and Building — carol m highsmith, 2010
10. Ower On The Bank Of A River With Two Men Fishing — James Arthur O'Connor
11. Louveira Building — João Batista Vilanova Artigas
12. Femme tenant un équilibre détail 4 ngw — Johannes Vermeer
13. Le Palais de la Sécession à Vienne, Autriche — Joseph Maria Olbrich
14. Chepstow Castle on the Wye — Jasper Francis Cropsey, 1854
15. Exterior Old Merensky Building — Universiteit Van Pretoria Museums, 2016
16. A Castle In A River Landscape — John Varley I (Le Vieux)
17. Kenilworth Castle — Peter De Wint
18. Building. Secession Building in Vienna, Austria — Joseph Maria Olbrich
19. View Of Windsor Castle From The River — James Baker Pyne
20. Study of a Ruined Building — Sir Alfred James Munnings
21. Building of the Secession, Sketch for the second draft — Joseph Maria Olbrich, 1897
22. Monumental building with decorative panels, side and sketch of front of a building with towers — Antonio Sant'Elia, 1912

autre

1. Femme tenant une balance — Johannes Vermeer, 1662
2. East garden on the north – east side of building 4 and on the south – east side of building 3 — Michel Marot, 1972