période

mouvement

1. Non-Objective Composition (Suprematism) — Olga Rozanova, 1916
2. Composition Supérieure — Kazimir Malevitch, 1916
3. Flight of an Aeroplane — Olga Rozanova, 1916
4. Suprematisme au musée russe — Kazimir Malevitch, 1915
5. Construction de couleur — Aleksandra Ekster, 1912
6. supra-art museum, krasnodar — Kazimir Malevitch, 1917
7. Suprematisme (17) — Kazimir Malevitch, 1916
8. Suprematism Painterly Realism of a Football Player. Color Masses in the fourth Dimension — Kazimir Malevitch

atmosphère

thématiques

1. Suprematisme — Kazimir Malevitch, 1916
2. Suprematisme (17) — Kazimir Malevitch, 1916
3. Suprematism Painterly Realism of a Football Player. Color Masses in the fourth Dimension — Kazimir Malevitch
4. Construction de couleur — Aleksandra Ekster, 1912
5. Suprematisme — Kazimir Malevitch, 1920
6. Sur le Blanc II — Wassily Wassilyevich Kandinsky, 1923

mots-clés

1. Non-Objective Composition (Suprematism) — Olga Rozanova, 1916
2. Suprematisme — Kazimir Malevitch, 1920
3. supra-art museum, krasnodar — Kazimir Malevitch, 1917
4. Suprematisme magnétique — Kazimir Malevitch, 1917
5. Composition Supérieure — Kazimir Malevitch, 1916
6. Suprematisme au musée russe — Kazimir Malevitch, 1915
7. Suprematisme (17) — Kazimir Malevitch, 1916
8. Suprematism Painterly Realism of a Football Player. Color Masses in the fourth Dimension — Kazimir Malevitch

tonalité

couleur principale

1. Suprematism Painterly Realism of a Football Player. Color Masses in the fourth Dimension — Kazimir Malevitch
2. Suprematisme — Kazimir Malevitch, 1916
3. Composition Supérieure — Kazimir Malevitch, 1916
4. Suprematism (Supremus No.58) State Russian Mu — Kazimir Malevitch, 1916
5. Suprematic Painting — Kazimir Malevitch, 1918
6. Sur le Blanc II — Wassily Wassilyevich Kandinsky, 1923
7. Suprematisme (17) — Kazimir Malevitch, 1916
8. supra-art museum, krasnodar — Kazimir Malevitch, 1917
9. Suprematisme magnétique — Kazimir Malevitch, 1917
10. Suprematism (11) — Kazimir Malevitch, 1915
11. The terrace — Fernand Léger
12. Non-Objective Composition (Suprematism) — Olga Rozanova, 1916

autre

1. Composition — Fernand Léger, 1919
2. Non-objective Composition — Olga Rozanova, 1917
3. La Ville — Fernand Léger, 1919
4. Suprematisme — Kazimir Malevitch, 1928
5. Factories — Fernand Léger, 1918
6. Les disques dans la ville — Fernand Léger
7. Machine elements — Fernand Léger, 1919
8. Painting — Arshile Gorky, 1937