période

1. A distant view of Mt Athos — Edward Lear, 1856
2. Jerusalem — Edward Lear, 1865
3. View of Beirut — Edward Lear, 1861
4. The Plains of Lombardy from Monte Generoso — Edward Lear, 1880

mouvement

1. Les montagnes de Thermopyles — Edward Lear, 1852

ambiance

1. Les montagnes de Thermopyles — Edward Lear, 1852
2. View of Beirut — Edward Lear, 1861
3. The Plains of Lombardy from Monte Generoso — Edward Lear, 1880

thématiques

1. A distant view of Mt Athos — Edward Lear, 1856

mots-clés

tonalité

1. Les montagnes de Thermopyles — Edward Lear, 1852
2. View of Beirut — Edward Lear, 1861

couleur principale

1. Jerusalem — Edward Lear, 1865
2. Cattaro, Yugoslavia — Edward Lear, 1866
3. The Plains of Lombardy from Monte Generoso — Edward Lear, 1880
4. Arundel Castle, Sussex — thomas whittle, 1890
5. View of Beirut — Edward Lear, 1861
6. View Of Sermoneta, Italy — Edward Lear
7. Carrières de Syracuse — Edward Lear, 1847
8. Bacharach Am Rhein — James Baker Pyne
9. Edinburgh from Corstorphine — Frederick Henry Henshaw, 1846
10. Wooded Landscape with Figures — John Rathbone
11. The Entry of George IV into Edinburgh from the Calton Hill, 1822 — John Wilson Ewbank
12. Edinburgh From The Calton Hill — Alexander Nasmyth
13. A Distant View Of Rome — George Edwards Haring
14. Road near Galle, Ceylon — Edward Lear, 1879
15. Les montagnes de Thermopyles — Edward Lear, 1852
16. A distant view of Mt Athos — Edward Lear, 1856
17. Lancaster From The Stone Quarries — William Linton
18. View of Orvieto — Joseph Mallord William Turner, 1829
19. Harlech Castle from Cae Llan — John Kelt Edwards, 1905

autre

1. Bluemont Farm — edward bruce, 1937
2. A View of Tivoli — andrew wilson, 1834
3. Mistra — William Linton
4. Classical Landscape With Figures Near A Fountain — Francisque Millet
5. Autoportrait — Rembrandt van Rijn, 1629