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Ernst Fuchs

1930 - 2015

Lyhyet tiedot

  • Died: 2015
  • Movements: surrealism
  • Works on APS: 91
  • Born: 1930, Viiena, Itävalta
  • Lifespan: 85 years
  • Top 3 works:
    • untitled (3164)
    • untitled (502)
    • The Glorious Rosary
  • Lisää…
  • Copyright status: Under copyright
  • Also known as:
    • Ernst Fuchs (taiteilija)
    • Ernst Fuchs (ratsastaja)
    • Ernst Fuchs (lääkäri)
    • Ernst Fuchs (teologi)
  • Top-ranked work: untitled (3164)
  • Creative periods: mature period
  • Art period: Modernismi
  • Nationality: Itävalta

Taidevisa

Jokaisessa kysymyksessä on vain yksi oikea vastaus.

Kysymys 1:
Ernst Fuchs syntyi vuonna 1930 Vienässä. Hänen äitinsä kastoi hänet sodan aikana pelastaakseen hänet keskitysleiristä.
Kysymys 2:
Fuchs opiskeli maalauksessa St Anna Piirustuskoulussa professorin Fritz Fröhlichin johdolla.
Kysymys 3:
Ernst Fuchsin tunnusmerkki oli hänen työnsä yhdistetty tekniikka, jossa käytetään sekä temperaa että öljyä.
Kysymys 4:
Fuchs perustettiin Wienissä vuonna 1946 Viennan Fantastisen Realismin koulun kanssa.
Kysymys 5:
Ernst Fuchsin suurimmaksi inspiraation lähteeksi toimivat erityisesti Gustav Klimt ja Edvard Munch.

Ernst Fuchs (1930–2015): A Pioneer of Fantastic Realism

Ernst Fuchs was born on February 13, 1930 in Vienna, Austria—Ottakring district. His father, Maximilian Fuchs, son of an orthodox Jewish family, had turned down a career as a Rabbi, leaving his theological studies uncompleted. He married Leopoldine, a Christian. When the Nazis occupied Austria in March 1938, Maximilian Fuchs emigrated to Shanghai. Ernst remained in Vienna together with his mother, but Nazi legislation made it illegal for Leopoldine to raise her son. Ernst was deported to a transit camp for children of mixed racial origin. Thereupon Leopoldine Fuchs agrees to a formal divorce from her husband, thus saving her son from the extermination camp.
  • Early Education and Artistic Beginnings: Ernst Fuchs’ artistic talent was undeniable, so his teacher decided to include extracurricular subjects like painting and sculpting in his education. He subsequently received tuition from Professor Fröhlich and Emmy Steinböck.
  • Vienna Academy of Fine Arts: He entered the academy with Professor Albert Paris von Gütersloh where he met Arik Brauer, Rudolf Hausner, Fritz Janschka, Wolfgang Hutter, and Anton Lehmden, together with whom he later founded what has become known as the Vienna School of Fantastic Realism.
  • The Founding of Fantastic Realism: Fuchs’ artistic education began at the St Anna Painting School in his hometown of Vienna. Here, he was taught by Fritz Fröhlich (1910-2001), a surrealist much inspired by Pablo Picasso. This must have sown the seeds of the surreal in Fuch’s mind.
  • Parisian Years and Artistic Exploration: Between 1952 and 1956 Fuchs traveled to England, Spain, Italy and an 18-month stay in the USA. During this time he met Peggy Guggenheim, the grande dame des arts, and jazz legends like Dave Brubeck and Charlie Parker.
  • Vienna Revisited: In 1974 he returned to Austria where he acquired Otto Wagner villa in Vienna-Hütteldorf. He began to work for cinema and stage, designing stage sets for the opera houses in Hamburg for “Parsifal” and “Magic Flute”, in Munich for “Lohengrin” and in Vienna the “Tales of Hoffmann” and “Josephslegende.”
Influences and Artistic Style: Fuchs’ idols were no lesser than Egon Schiele, Gustav Klimt, Pablo Picasso and Max Ernst. He was particularly fascinated by Klimt's shimmering surfaces and Schiele's expressive figures. His artistic style evolved from Expressionism to Surrealism, incorporating elements of Symbolism and Gothic Art Nouveau. He revived the mischtechnik—a technique combining egg tempera with oil paints mixed with resin—to achieve luminous, jewel-like effects reminiscent of old masters like Albrecht Altdorfer, Albrecht Dürer, Matthias Grünewald and Martin Schongauer.
  • Vienna School of Fantastic Realism: Fuchs’ artistic style evolved from Expressionism to Surrealism, incorporating elements of Symbolism and Gothic Art Nouveau.
  • Mischtechnik Technique: He revived the mischtechnik—a technique combining egg tempera with oil paints mixed with resin—to achieve luminous, jewel-like effects reminiscent of old masters like Albrecht Altdorfer, Albrecht Dürer, Matthias Grünewald and Martin Schongauer.
  • Symbolic Imagery: Fuchs’ work was infused by symbolism, drawing inspiration from ancient alchemy and Christian mysticism.
Major Achievements: Ernst Fuchs achieved international recognition in the 1960s thanks to his innovative approach to painting and sculpture. He founded Galerie Fuchs-Fischoff to promote young artists fascinated by Fantastic Realism. He designed stage sets for opera houses, notably “Parsifal” and “Lohengrin,” and created monumental sculptures like “Hypnosia” and “Esther.” His magnum opus is the Otto Wagner Villa in Hütteldorf, which he restored and transformed into a museum dedicated to his artistic legacy. Fuchs’ contribution to Austrian art history is undeniable.
  • Gallery Fuchs-Fischoff: He founded Galerie Fuchs-Fischoff to promote young artists fascinated by Fantastic Realism.
  • Opera Design: He designed stage sets for opera houses, notably “Parsifal” and “Lohengrin,” and created monumental sculptures like “Hypnosia” and “Esther.”
  • Villa Wagner Museum: His magnum opus is the Otto Wagner Villa in Hütteldorf, which he restored and transformed into a museum dedicated to his artistic legacy.
Historical Significance: Ernst Fuchs stands as one of the most important figures in Austrian art history. He championed Fantastic Realism—a movement that challenged conventional artistic boundaries and explored the intersection between consciousness and subconsciousness. His work continues to inspire artists and scholars alike, cementing his place as a visionary artist who redefined the aesthetic landscape of the 20th century. Fuchs’ legacy resides in his unwavering commitment to artistic experimentation and his profound engagement with spiritual themes—a testament to his enduring influence on contemporary art."