Paperikoko

Opiskelijoiden teosopas

Set a boat afloat

Nimi Luokka Päivämäärä

Park Jun Sik, Set a boat afloat, Gyeonggi Creation Center. Kuvattu vain viitteellistä käyttöä varten; kaikki oikeudet pidätetään tekijänoikeuden haltijalla.

Tiedot

Taiteilija
Park Jun Sik wahooart.com/fi/artists/park-jun-sik_fi/
Taiteilijan elinvuodet
1991 – ?
Järjestetty paikassa
Gyeonggi Creation Center wahooart.com/fi/museums/gyeonggi-creation-center-ansan/

Kontekstissa

Set a boat afloat — Park Jun Sik

Milloin tämä on mahdollisesti maalattu?

  1. 1990

Varjostettu: Park Jun Sik elämäntyö (1991–?)

Tälle tallenteelle ei ole tiedossa tarkkaa vuosilukua — artistin eliniän ja teoksen tyylin perusteella, millä vuosikymmenellä se mielestäsi sijoittuu?

Värimaailma

Kuvan perusteella määritetty väripaletti

    Pääväri

    White #eceff3

    Valittu paletti

    • #ECEFF3
    • #2C2B25
    • #5C5140
    • #C2CEDF
    Väripaletti
    Neutrals Kuvan hallitseva väriperhe.
    Päävärin nimi
    White
    Voimakkuus
    Monochromatic Kuinka kylläisiä ja vaihtelevia värit ovat, yhdestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Statement Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Discordant Palette Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Bright Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Muted Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Tietoja teoksesta

    Set a boat afloat — Park Jun Sik

    The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

    Taiteilija ja museo

    Taiteilija

    Park Jun Sik

    Syntynyt Etelä-Korea

    Park Jun Sik – Korean Landscape Painter

    Park Jun Sik (박형식) is a South Korean artist whose evocative paintings explore the serene beauty of Korean landscapes and imbue them with symbolic imagery, establishing him as a prominent figure in contemporary Korean art. Born November 16, 1991, in Yongin, Gyeonggi Province, Park’s artistic journey began early, nurtured by a supportive family environment and fueled by a passion for music—specifically the Korean boy band ZE:A, where he served as vocalist from 2010 until his military service. This formative experience instilled in him a disciplined approach to creativity that would later translate into masterful execution of his artistic vision.

    Early Life & Artistic Influences

    Growing up in Yongin, Park’s upbringing was marked by exposure to Korean culture and traditions, notably Buddhism—a belief system deeply ingrained within his family—which undoubtedly influenced his aesthetic sensibilities. He honed his musical skills during his school years, performing with the school band and covering popular Korean artists like Buzz and Flower, demonstrating an innate talent for vocal expression. This early engagement with music served as a crucial precursor to his later foray into painting, shaping his understanding of composition, color palettes, and emotional resonance—elements he would skillfully integrate into his artwork. Notably, influences from Minimalist Art and Abstract Expressionism can be discerned in Park’s stylistic choices, reflecting a broader artistic dialogue within the Korean art scene.

    Career Highlights & Artistic Style

    Park Jun Sik's breakthrough arrived with his role as Ahn Min Hyuk in “Strong Woman Do Bong Soon” (2017), cementing his status as a leading man and garnering critical acclaim for his portrayal of vulnerability alongside humor. This success propelled him into numerous other projects, including “Happiness,” “Doctor Slump,” and “Our Blooming Youth,” showcasing his versatility across genres and solidifying his reputation as a dependable performer. However, it was his dedication to painting that truly distinguished him from many of his peers. His canvases are characterized by quiet contemplation, capturing the essence of Korean landscapes with meticulous detail and subtle color harmonies. He favors muted tones—often blues and greens—to convey tranquility and evoke feelings of connection to nature. Symbolic imagery is carefully incorporated into his compositions, adding layers of meaning beyond mere visual representation. Recurring motifs explore themes of resilience, harmony, and introspection – reflecting a profound engagement with Korean cultural heritage and philosophical concepts.

    Notable Works & Recognition

    Park Jun Sik’s artistic output includes “Set a Boat Afloat,” which exemplifies his signature style—a masterful blend of observation and emotive expression. The painting depicts a tranquil lake scene bathed in soft sunlight, capturing the stillness of the water surface and highlighting the delicate interplay of light and shadow. This piece demonstrates Park's ability to distill complex emotions into simple visual forms, aligning with the principles of Minimalist Art’s focus on essential elements and conveying profound feelings without overt ornamentation. His work has been recognized by prestigious awards organizations such as Korea Drama Awards and Asia Artist Awards, acknowledging his contribution to both music and acting—a testament to his multifaceted talent and enduring appeal within the Korean cultural landscape.

    Legacy & Future Prospects

    Park Jun Sik continues to inspire aspiring artists in South Korea and beyond with his unwavering commitment to artistic excellence and his ability to translate personal experiences into captivating visual narratives. As he pursues new creative endeavors, he remains steadfast in upholding the values of serenity, contemplation, and symbolic storytelling—characteristics that define his distinctive artistic voice and solidify his place as a significant figure in contemporary Korean art history.

    Museo

    Gyeonggi Creation Center

    Näytteillä kohteessa Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

    Mistä lukea lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää Set a boat afloat lataussivulle

    wahooart.com/fi/art/download/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Teoksen lähdeviite

    MLA
    Sik, Park Jun. Set a boat afloat. n.d., Gyeonggi Creation Center. https://wahooart.com/fi/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    APA
    Sik, Park Jun (n.d.). Set a boat afloat [Painting]. Gyeonggi Creation Center. https://wahooart.com/fi/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Chicago
    Park Jun Sik. Set a boat afloat. n.d. Gyeonggi Creation Center. https://wahooart.com/fi/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Harvard
    Sik, Park Jun (n.d.) Set a boat afloat. Gyeonggi Creation Center. Available at: https://wahooart.com/fi/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Katso tarkemmin

    Set a boat afloat — Park Jun Sik

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Mitä taiteilija on ehkä halunnut sinun tuntevan?
    4. Jos voisit kysyä taiteilijalta yhden kysymyksen tästä teoksesta, mikä se olisi?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Hyödynnä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.