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Luettelomerkintä

Luettelomerkintä: Orange dot

Orange dot koko tietue

Nimi Luokka Päivämäärä

John Passmore, Orange dot (1953), Uuden Etelä-Walesin taidemuseo. Käytetty vain viitteelliseen tarkoitukseen; kaikki oikeudet pidätetään oikeudenhaltijalla. Näe tämä kangas liikkuvan valon alla: piirros, lakan alta paljastuva todellinen väri ja puhdas pigmentti

Faktat

Taiteilija
John Passmore wahooart.com/fi/artists/john-passmore/
Taiteilijan elinvuodet
1904 – 1984
Maalaus
1953
Tekniikka ja materiaali
Oil On Board
Aikakausi
Modern
Pidetään paikassa
Uuden Etelä-Walesin taidemuseo wahooart.com/fi/museums/uuden-etela-walesin-taidemuseo-sydney_fi/
Notable elements or techniques
Oil on hardboard
Subject or theme
Abstract

Kontekstissa

Orange dot — John Passmore

Milloin teos on maalattu?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Ylempi rivi: vuodet. Alempi rivi: taiteilijan ikä kunkin ajanjakson alussa ja lopussa — 0 syntyessä, 80 kuollessa.

Maalattu taiteilijan ollessa 49-vuotias. Taiteilija eli 80-vuotiaaksi. 1 tästä taiteilijasta luettelossamme olevista 4 päivätyöstä on tehty aiemmin.

Varjostettu: John Passmore elämäntyö (1904–1984) ▲ tämä teos, 1953 jokainen päivätty maalaus, vuosikymmen kerrallaan

Vertaa teoksia

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: wahooart.com/fi/art/similar/orange-dot-by-john-passmore/

Värit

Kuvan perusteella määritetty

    Pääväri

    Walnut #6f4426

    Luetteloidut värit

    • #6F4426
    • #040201
    • #E7CBB6
    • #B2875F

    Nämä värit osana taiteilijan koko palettia Etsi muita maalauksia värin perusteella

    Väripaletti
    Earthy Kuvan hallitseva väriperhe.
    Päävärin nimi
    Walnut
    Intensiteetti
    Balanced Värien kylläisyys ja vaihtelu ulottuvat yksittäisestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Statement Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Unified Palette Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Deep_shadow Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Subtle Color Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Tietoja teoksesta

    Orange dot — John Passmore

    The Composition of Form and Color

    The work, titled Orange dot, is an oil painting executed on hardboard. It was completed in 1953. The composition centers on a singular, circular form set against a background of varied tones. This central element is characterized by a specific orange hue that contrasts with the surrounding field. The surface of the painting exhibits the physical properties of oil paint, where the application of pigment creates a tangible presence on the hardboard substrate. The arrangement of shapes and the distribution of color define the visual structure of the piece.

    Technical Execution and Materiality

    The artist utilized oil on hardboard to achieve the specific textures present in the work. The interaction between the medium and the support influences the way light hits the surface. The following details characterize the physical nature of the object:

    Medium: Oil on hardboard

    Dimensions: 50.8 x 61.0 cm board

    Frame dimensions: 60.5 x 70.5 x 6.3 cm

    The application of the paint suggests a controlled hand, focusing on the relationship between the central orange shape and the negative space that surrounds it. The edges of the dot are defined by the transition of color, creating a clear boundary between the subject and the background.

    Historical Context and Provenance

    This painting is held within the collection of the Art Gallery of NSW. It was acquired by the institution in 1953. The work is categorized as a painting and is currently not on display. The piece exists as a part of the permanent record of the gallery, having been identified by the accession number 8732. Its presence in the collection links it to the mid-twentieth-century period of Australian art history.

    Taiteilija ja museo

    Taiteilija

    John Passmore

    Syntynyt Redfern, Australia

    The Life and Artistic Journey of John Passmore

    Born in Redfern, Australia, John Richard Passmore began his professional life as a signwriter's assistant after leaving school at thirteen. He pursued formal training at the Julian Ashton Art School, where he studied alongside Jean Bellette and Paul Haefliger. Seeking further education, he traveled to England to study at the Westminster School of Art under Bernard Meninsky and Mark Gertler. During his time in England, which included service as a conscript in the Royal Air Force, he worked as a layout artist with Lintas. While staying in a cottage in Suffolk, he produced landscape compositions that were strongly influenced by Paul Cézanne.

    Upon returning to Australia in 1951, Passmore became a significant educator, teaching at the Julian Ashton School, the Newcastle Technical College, and the East Sydney Technical College. His teaching philosophy encouraged students to view subjects through a lens of mathematical shapes, facets, and a connection of rods, emphasizing tone and structure. His own body of work occupied a space between expressionism and abstraction.

    Legacy and Final Years

    Passmore's later years were marked by a period of reclusive painting following a heart attack in the early 1960s. His final weeks were spent in a home for the destitute near his birthplace. In a notable turn regarding his estate, Passmore left his collection of 270 paintings to an acquaintance, Elinor Wrobel, while his son was left £70,000. This bequest was subject to an out-of-court settlement, after which Wrobel retained control of the estate, eventually leading to the opening of a museum displaying over forty of his works.

    His artistic legacy is preserved in several major institutions, including:

    Museo

    Uuden Etelä-Walesin taidemuseo

    Näytteillä paikassa Sydney, Australia

    A Window into Colonial Australia: The Art of New South Wales

    Sydney, a city brimming with vibrant energy and breathtaking beauty, holds within its heart a treasure trove of artistic expression – the Art Gallery of New South Wales. More than just a collection of paintings and sculptures, it’s a profound journey through centuries of cultural exchange, a testament to Australia's evolving identity shaped by both indigenous roots and colonial influences. Nestled on Gadigal land, acknowledging this ancestral connection remains at the core of the gallery’s mission, inviting visitors to contemplate not only the artistry within its walls but also the complex narrative of Australia’s formation – a story woven with threads of exploration, settlement, and artistic innovation.

    The gallery's origins are deeply intertwined with the city itself. Initially established as the New South Wales Academy of Art in 1872, it began as a platform for showcasing annual exhibitions, quickly blossoming into a vital force nurturing emerging Australian artists. The building that now houses this remarkable institution has a rich and layered history – originally constructed as the Royal North Shore Hospital in 1856, its imposing Victorian façade stands as a powerful symbol of civic pride and progress during that era. The deliberate decision to repurpose it into an art gallery in 1973 wasn’t merely a shift in function; it was a conscious act of preservation, honoring the building's architectural legacy while simultaneously providing a fitting space for artistic expression – a harmonious blend of historical grandeur and contemporary dynamism. Notice the soaring arches, the intricate stonework, each element whispering tales of generations past, adding depth to the experience.

    A Legacy of Patronage and Artistic Voice

    The gallery’s collection truly shines through the influence of Charles Jones, a visionary patron who played a pivotal role in shaping the artistic landscape of 19th-century Sydney. Recognizing the immense potential within the colony's burgeoning art community, Jones actively championed local talent, amassing a significant and remarkably diverse collection that reflects the evolution of artistic styles and techniques – from the formal elegance of early portraiture, capturing the likenesses of prominent figures like Governor Arthur Phillip Esq., to the emerging Romanticism that sought to capture the rugged beauty of the Australian landscape. Jones’s discerning eye ensured that the gallery became a crucial hub for artists seeking recognition and support, fostering a vibrant artistic ecosystem within Sydney.

    Keep an eye out for works by Francis Wheatley, whose meticulous engravings offer poignant glimpses into the initial stages of settlement and British authority – images that immortalize key figures and events, providing invaluable insights into Australia’s colonial past. The gallery also proudly displays Charles Jones's acquisitions, a testament to his commitment to supporting local talent and showcasing the breadth of artistic expression within the colony. These pieces offer a fascinating window into the tastes and priorities of a bygone era.

    Notable Exhibitions & Artistic Voices

    The Art Gallery of New South Wales consistently presents a dynamic program of exhibitions that illuminate diverse themes and artistic movements, ensuring there’s always something new to discover. Recent highlights have included compelling retrospectives dedicated to pioneering Australian artists like Charles Condor, whose dramatic seascapes powerfully capture the raw power of the Pacific Ocean – evoking both awe and respect for the untamed beauty of Australia's coastline. Equally captivating are explorations of contemporary street art, a vibrant reflection of urban culture and social commentary, demonstrating how artistic expression continues to evolve within Sydney’s dynamic environment.

    The Archibald Prize, Australia’s most prestigious portraiture award, is regularly featured at the gallery, offering a captivating insight into the nation's artistic talent and its evolving perspectives on identity and representation. Don’t miss opportunities to explore thematic exhibitions focusing on Indigenous Australian art – a crucial component of understanding Australia’s rich cultural heritage, showcasing traditional storytelling techniques and profound symbolism through vibrant colors and intricate designs. The gallery also frequently hosts touring exhibitions from international institutions, broadening the scope of its collection and offering fresh perspectives on global artistic trends.

    The Lewers Bequest: A Pivotal Collection

    Perhaps the most distinctive feature of the Art Gallery of New South Wales is the Lewers Bequest – a remarkable assemblage of 19th-century Australian paintings amassed by Sir John Edward Lewers, a prominent businessman and art collector. This bequest represents a pivotal moment in the development of Australian art history, providing an unparalleled opportunity to study the evolution of artistic styles and techniques within the colony. The collection includes works by masters such as Frederick McCubbin, Tom Roberts, and Russell Drysdale – artists who captured the essence of rural life and the beauty of the Australian landscape with remarkable skill and sensitivity.

    The Lewers Bequest is housed in a dedicated wing of the gallery, allowing visitors to immerse themselves fully in this extraordinary assemblage and appreciate its significance within the broader context of Australian art history. It’s a treasure trove for art historians, collectors, and anyone interested in tracing the development of Australian artistic identity.

    A Living Collection: Research & Community Engagement

    The Art Gallery of New South Wales is more than just a display space; it's a vibrant hub for research and community engagement. Its dedicated curatorial team actively investigates the provenance and significance of its artworks, contributing to a deeper understanding of Australian art history. The gallery also offers a range of educational programs, workshops, and tours designed to engage visitors of all ages and backgrounds – from school groups eager to learn about Australian art to seasoned art enthusiasts seeking new insights.

    Furthermore, the Gallery’s commitment extends beyond its physical walls through collaborations with local schools, universities, and cultural organizations, promoting artistic literacy and supporting emerging talent. The gallery's website provides extensive resources for researchers, students, and art lovers alike, solidifying its role as a vital center for Australian art scholarship. It remains a dynamic institution dedicated to preserving, interpreting, and celebrating the rich tapestry of Australian art.

    Lue lisää

    Kaikki tiedot teoksesta Orange dot by John Passmore sen teossivulla

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    QR-koodi, joka linkittää Orange dot lataussivulle

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    Viittaa tämä teos

    MLA
    Passmore, John. Orange dot. 1953, Uuden Etelä-Walesin taidemuseo. https://wahooart.com/fi/art/orange-dot-by-john-passmore/
    APA
    Passmore, John (1953). Orange dot [Painting]. Uuden Etelä-Walesin taidemuseo. https://wahooart.com/fi/art/orange-dot-by-john-passmore/
    Chicago
    John Passmore. Orange dot. 1953. Uuden Etelä-Walesin taidemuseo. https://wahooart.com/fi/art/orange-dot-by-john-passmore/
    Harvard
    Passmore, John (1953) Orange dot. Uuden Etelä-Walesin taidemuseo. Available at: https://wahooart.com/fi/art/orange-dot-by-john-passmore/

    Katso tarkemmin

    Orange dot — John Passmore

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Luettelomme on luokitellut tämän teoksen seuraaviin aiheisiin: orange dot, cream, beige. Oletko samaa mieltä? Mitä lisäisit tai poistaisit?
    4. Katso takaisin aiemmin tässä oppaassa esiteltyyn teokseen The argument (1953). Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    5. John Passmore oli noin 49-vuotias tämän teoksen syntyhetkellä. Mikä teoksessa näyttää taiteilijan työlle tuossa vaiheessa?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Hyödynnä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.

    Taidevisat

    Orange dot — John Passmore

    Kuinka hyvin tunnet tämän teoksen?

    Valitse yksi vastaus jokaisesta alla olevasta 5 kysymyksestä. Jokaisessa on täsmälleen yksi oikea vastaus.

    1. 1. What is the medium used in the painting 'Orange dot'?

      • A Oil on hardboard
      • B Fresco on plaster
      • C Watercolor on paper
    2. 2. In what year was 'Orange dot' created?

      • A 1934
      • B 1943
      • C 1953
    3. 3. Which museum holds the artwork 'Orange dot'?

      • A Art Gallery of Ballarat
      • B Art Gallery of NSW
      • C Newcastle Art Gallery
    4. 4. What are the dimensions of the board used for 'Orange dot'?

      • A 50.8 x 61.0 cm
      • B 60.5 x 70.5 cm
      • C 34.0 x 45.0 cm
    5. 5. Who is the artist of 'Orange dot'?

      • A Richard Burden
      • B John Passmore
      • C Thomas Hart Benton

    Oma tulokseni: ____ / 5

    Vastausavain — opettajalle

    Tämä tulostuu omalle sivulleen, joten se voidaan jättää pois kopioista.

    1A · 2C · 3B · 4A · 5B

    Tarkista vastaukset vertaamalla niitä tämän maalauksen luettelotietueeseen

    Kysymykset ja vastaukset

    Mistä voin ostaa painoksen teoksesta John Passmore:n "Orange dot"?

    Teoksen John Passmore:n "Orange dot" painos on tilattavissa suoraan sen Taidevedos -sivulta: taideteosvedos puuvillakangas- tai arkistoluokan kankaalle painettuna.

    Onko teoksesta John Passmore:n "Orange dot" saatavilla diashow-esitystä?

    Katso kuvagalleria: John Passmore:n "Orange dot" -teoksen Diaesitys -sivu.

    Mistä voin ladata teoksen John Passmore:n "Orange dot"?

    Teoksen John Passmore:n "Orange dot" digitaalisen kuvan voi ladata muodossa korkearesoluutioinen digitaalinen kuvalataus teoksen Lataa digitaalinen kuva -sivulta.