Paperikoko

Opiskelijoiden teosopas

Consequence Joke

Nimi Luokka Päivämäärä

matilda tumim, Consequence Joke (2006), Papdale Primary School. Kuvattu vain viitteellistä käyttöä varten; kaikki oikeudet pidätetään tekijänoikeuden haltijalla.

Tiedot

Taiteilija
matilda tumim wahooart.com/fi/artists/matilda-tumim/
Taiteilijan elinvuodet
1963 – ?
Maalaus
2006
Alkuperäinen koko
243 x 167 cm
Järjestetty paikassa
Papdale Primary School wahooart.com/fi/museums/papdale-primary-school-kirkwall/

Kontekstissa

Consequence Joke — matilda tumim

Kuinka suuri se on?

Alkuperäinen koko on 243 × 167 cm (korkeus × leveys), esitetty tässä rinnakkain keskipitkään aikuiseen. Teos on liian suuri piirrettäväksi oikeaan mittakaavaan tällä sivulla.

Teos on maalattu milloin?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Varjostettu: matilda tumim elämäntyö (1963–?) ▲ tämä teos, 2006

Vertaa seuraaviin

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: wahooart.com/fi/art/similar/matilda-tumim-consequence-joke-AQUKZU-en/

Värimaailma

Kuvan perusteella määritetty väripaletti

    Pääväri

    Espresso #3e4834

    Valittu paletti

    • #3E4834
    • #FDFDFD
    • #DE753D
    • #C5B495
    Väripaletti
    Pastels Kuvan hallitseva väriperhe.
    Päävärin nimi
    Espresso
    Voimakkuus
    Balanced Kuinka kylläisiä ja vaihtelevia värit ovat, yhdestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Statement Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Softly Mixed Palette Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Brilliant Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Muted Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Taiteilija ja museo

    Taiteilija

    matilda tumim

    Matilda Tumim: Weaver of Memory and Dream

    Born in 1963, Matilda Tumim’s artistic journey is one deeply intertwined with the landscapes and communities of northern Scotland – Orkney, particularly – a region that profoundly shaped her vision and continues to resonate within her evocative paintings. Her work isn't merely representation; it’s an exploration of memory, identity, and the quiet power of human connection, rendered through a distinctive style characterized by dreamlike atmospheres, subtle color palettes, and a captivating blend of figurative and landscape elements. Tumim’s art invites viewers into intimate spaces, both internal and external, prompting reflection on the complexities of experience.

    Early influences were diverse, beginning with a Fine Art degree at Falmouth School of Art in 1985, followed by postgraduate studies at the Royal College of Art in London. This foundation provided her with technical skills alongside exposure to various artistic movements. However, it was her relocation to Orkney in the late 1980s that proved transformative. The stark beauty of the islands – their windswept coastlines, dramatic skies, and rich cultural heritage – became the bedrock of her creative practice. The isolation and unique character of Orkney fostered a contemplative approach to artmaking, encouraging introspection and a deep engagement with the natural world.

    A Palette of Memory: Style and Technique

    Tumim’s artistic style is immediately recognizable for its atmospheric quality and delicate execution. She frequently employs muted color palettes – often dominated by blues, greens, and greys – to create a sense of melancholy and introspection. Her brushwork is loose and expressive, layering colors and textures to build depth and suggest movement within the landscapes. Figures are typically rendered with a gentle softness, appearing almost as if emerging from the surrounding environment. This technique seamlessly blends the human form with the natural world, blurring the boundaries between interior and exterior space.

    A key element of her work is the incorporation of symbolic imagery – recurring motifs such as ‘consequence’ (as seen in “Consequence Monster Girls” and “Consequence Jellyfish”), often representing the weight of past experiences and their lingering effects. These symbols, combined with her masterful use of light and shadow, create a powerful sense of narrative within each painting. Her work is frequently described as surrealist, yet grounded in a deeply rooted realism, capturing not just what is but also what feels.

    Key Works and Recognition

    Throughout her career, Tumim has produced a significant body of work that has garnered critical acclaim and recognition. Notable pieces include “Consequence Monster Girls” (2007), a hauntingly beautiful depiction of fantastical creatures grappling with their own burdens; "Consequence Jellyfish" (2006), a collage evoking childhood memories and the fluidity of time; and “Small Volumes” (2011), an installation exploring themes of community and connection. Her work has been exhibited in numerous galleries across the UK, including The Loft Gallery, St. Margaret’s Hope, Orkney, and Piccadilly Gallery, London.

    Her commitment to public art is also noteworthy. She created a permanent installation at the Royal Aberdeen Children's Hospital (RACH) in 2008, reflecting her dedication to using art as a means of healing and connection. Furthermore, she was selected as a Public Partner for Healthcare Improvement Scotland from 2014 to present, demonstrating her ongoing engagement with social issues through artistic expression.

    Legacy and Continuing Influence

    Matilda Tumim’s work transcends simple categorization; it occupies a unique space within contemporary art. Her deeply personal connection to the landscapes of Orkney, combined with her distinctive visual language, has established her as a significant voice in British painting. She continues to create compelling works that explore universal themes of memory, identity, and the human condition, ensuring her legacy will endure for years to come. Her work is featured on Axisweb here, and can be found at WahooArt here.

    Her dedication to community engagement and her willingness to use art as a tool for social change further solidify her position as an artist deeply rooted in her surroundings and committed to making a positive impact on the world.

    Museo

    Papdale Primary School

    Näytteillä paikassa Kirkwall, United Kingdom

    A Sanctuary of Creativity Amidst the Orkney Winds

    Nestled within the windswept beauty of Kirkwall, where the rugged coastline of the Orkney Islands meets the enduring spirit of Scotland, lies a museum that defies traditional boundaries. The Papdale Primary School Museum is not merely a repository for artifacts but a living, breathing window into the region's artistic soul. Housed within a beautifully preserved exemplar of traditional Scottish school architecture, the museum offers a sanctuary of light and contemplation. Its spacious interiors, bathed in the soft, natural radiance characteristic of the northern Isles, invite visitors to wander through a space where history and contemporary vision coalesce seamlessly.

    A Tapestry of Local Vision and Artistic Mastery

    The collection within these walls is a remarkable assemblage that celebrates both the burgeoning talent of local students and the seasoned hands of accomplished regional artists. To walk through the galleries is to experience a profound dialogue between different stages of artistic development. One might find themselves captivated by delicate watercolor landscapes that mirror the dramatic, shifting moods of Orkney’s coastline, or perhaps drawn to the intricate pencil sketches where primary school pupils have meticulously documented the botanical wonders of their surroundings. This collection reaches beyond the youthful to include striking portraits, such as Stanley Cursiter’s evocative oil on canvas depicting John McEwen, the Rector of Kirkwall Grammar School. Through these diverse mediums—from the raw honesty of a child's sketch to the sophisticated realism of professional portraiture—the museum captures the very essence of the Orcadian character.

    Where Education Meets Cultural Preservation

    What truly distinguishes this institution is its profound fusion of educational mission and cultural stewardship. It serves as a vital bridge between generations, where recurring exhibitions delve into themes of rural life and the deep-seated artistic traditions of the North. The museum’s curators meticulously select works that resonate with themes of observation and imaginative interpretation, ensuring that every piece acts as a conduit for Orkney's heritage. Even through the lens of pioneering photography, such as Frances Benjamin Johnston’s documentation of young students studying plants, the museum highlights a continuous cycle of learning and creation. For the art lover or the designer seeking authentic regional inspiration, Papdale Primary School Museum offers an unparalleled glimpse into a landscape where art breathes life into the very process of learning, fostering an appreciation for the enduring values of the Kirkwall community.

    Mistä lukea lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää Consequence Joke lataussivulle

    wahooart.com/fi/art/download/matilda-tumim-consequence-joke-AQUKZU-en/

    Teoksen lähdeviite

    MLA
    tumim, matilda. Consequence Joke. 2006, Papdale Primary School. https://wahooart.com/fi/art/matilda-tumim-consequence-joke-AQUKZU-en/
    APA
    tumim, matilda (2006). Consequence Joke [Painting]. Papdale Primary School. https://wahooart.com/fi/art/matilda-tumim-consequence-joke-AQUKZU-en/
    Chicago
    matilda tumim. Consequence Joke. 2006. Papdale Primary School. https://wahooart.com/fi/art/matilda-tumim-consequence-joke-AQUKZU-en/
    Harvard
    tumim, matilda (2006) Consequence Joke. Papdale Primary School. Available at: https://wahooart.com/fi/art/matilda-tumim-consequence-joke-AQUKZU-en/

    Katso tarkemmin

    Consequence Joke — matilda tumim

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Kuinka monta kasvoa löydät? ____ (luettelossamme on 1 — oletko samaa mieltä?)
    4. Katso takaisin teokseen Passiflora (triptych, right wing) (2001), joka esiteltiin aiemmin tässä oppaassa. Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    5. matilda tumim oli noin 43-vuotias, kun tämä teos on luotu. Mikä teoksessa näyttää taiteilijan työlle tuossa vaiheessa?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Käytä tiedonlähteinä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.