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Black Light

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Lawrence Calcagno, Black Light (1969). Kuvattu vain viitteellistä käyttöä varten; kaikki oikeudet pidätetään tekijänoikeuden haltijalla.

Tiedot

Taiteilija
Lawrence Calcagno wahooart.com/fi/artists/lawrence-calcagno/
Taiteilijan elinvuodet
1913 – 1993
Maalaus
1969
Alkuperäinen koko
81 x 274 cm

Kontekstissa

Black Light — Lawrence Calcagno

Mitat

Alkuperäinen koko on 81 × 274 cm (korkeus × leveys), esitetty tässä rinnakkain keskipitkän aikuisen kanssa.

Teos on maalattu milloin?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Varjostettu: Lawrence Calcagno elämäntyö (1913–1993) ▲ tämä teos, 1969

Vertaa seuraaviin

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: wahooart.com/fi/art/similar/lawrence-calcagno-black-light-D39PBK-en/

Värimaailma

Kuvan perusteella määritetty väripaletti

    Pääväri

    Phthalo Green #1b1317

    Valittu paletti

    • #1B1317
    • #8A6B72
    • #F5EBDB
    • #4B2A38
    Päävärin nimi
    Phthalo Green
    Voimakkuus
    Monochromatic Kuinka kylläisiä ja vaihtelevia värit ovat, yhdestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Statement Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Discordant Palette Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Deep_shadow Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Muted Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Taiteilija ja museo

    Taiteilija

    Lawrence Calcagno

    Syntynyt San Francisco, United States of America

    Lawrence Calcagno: A Landscape of the Mind

    Born in San Francisco’s Potrero Hill district in 1913, Lawrence Calcagno’s artistic journey was one shaped by a unique confluence of experiences – from the rugged beauty of his childhood ranch in the Santa Lucia Mountains to the vibrant cultural currents of Europe and the burgeoning Abstract Expressionist movement. His life, marked by travel and a deep connection with nature, profoundly influenced his distinctive style: a luminous, emotionally resonant abstraction that sought to capture not just visual forms but also the intangible essence of the landscape and the human psyche. Calcagno’s work stands as a testament to the power of observation, introspection, and a lifelong pursuit of artistic truth.

    Early Years and Influences

    Calcagno's early years were spent immersed in the natural world. Growing up on his family’s ranch provided him with an intimate understanding of California’s diverse landscapes – from the rolling hills to the dramatic coastline. This formative experience instilled a deep appreciation for light, color, and form, which would later become central themes in his art. Following this rural upbringing, he enlisted in the United States Army Air Corps during World War II, where his artistic talent was recognized with first prize in the national Army art contest. This early recognition ignited a passion for painting that would guide him through his subsequent studies and career.

    His formal training began at the California School of Fine Arts in San Francisco under the tutelage of influential figures like Mark Rothko, Clyfford Still, Edward Corbett, and Richard Diebenkorn. These teachers exposed him to a range of approaches – Rothko’s exploration of color fields, Still’s monumental forms, and Diebenkorn's Bay Area landscapes – all of which contributed to the development of Calcagno’s unique visual language. A pivotal moment came with his relocation to Europe in 1950, where he studied at L’Academie de la Grande Chaumiere in Paris and the Instituto d’Arte Statale in Florence, immersing himself in the artistic traditions of the Old World.

    The Development of a Distinct Style

    Calcagno's style evolved over time, reflecting his diverse experiences and influences. Initially influenced by Still’s use of large fields of color and monumental forms, he gradually developed a more lyrical and atmospheric approach. His paintings are characterized by their luminous quality, achieved through the layering of thin washes of paint that create a sense of depth and atmosphere. He often employed a limited palette of warm earth tones – ochres, siennas, and umbers – to evoke the feeling of sunlight filtering through the landscape. His compositions typically feature horizontal bands or hazy horizons, creating a sense of spaciousness and suggesting an infinite expanse.

    A key element of Calcagno’s work is his exploration of psychological themes. As he himself described, “Painting was the one avenue through which I could find psychical tolerance and be released.” His paintings are not merely representations of landscapes; they are expressions of inner states – a meditation on solitude, mystery, and the relationship between humanity and nature. The recurring motifs of horizon lines, light, and shadow suggest a search for meaning in the face of existential questions.

    Later Years and Legacy

    Calcagno’s career spanned several decades, during which he taught at various universities – including Albright-Knox Art School, University of Buffalo, University of Illinois Urbana-Champaign, and Carnegie Mellon University. He also served as an artist-in-residence at institutions such as the McDowell Colony and Yaddo, providing him with opportunities for reflection and creative exploration. His work gained recognition through solo exhibitions in New York, Paris, Mexico City, London, and Copenhagen, and was included in major group shows like the Whitney Museum Annuals and Biennials.

    Lawrence Calcagno died in 1993 in State College, Pennsylvania. His paintings are now held in prominent museum collections across the United States, including the Museum of Fine Arts, Boston; the National Gallery of Art, Washington, D.C.; and the Smithsonian American Art Museum. Calcagno’s legacy as a significant figure in the Abstract Expressionist movement is secured by his distinctive style, his profound engagement with psychological themes, and his unwavering commitment to capturing the beauty and mystery of the natural world.

    Key Works

    “Watch in the Night” (1945) – Award-winning drawing from the Army Art Contest

    Various landscapes exploring California horizons

    Abstract compositions reflecting inner states and emotional resonance

    Mistä lukea lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää Black Light lataussivulle

    wahooart.com/fi/art/download/lawrence-calcagno-black-light-D39PBK-en/

    Teoksen lähdeviite

    MLA
    Calcagno, Lawrence. Black Light. 1969, https://wahooart.com/fi/art/lawrence-calcagno-black-light-D39PBK-en/
    APA
    Calcagno, Lawrence (1969). Black Light [Painting]. https://wahooart.com/fi/art/lawrence-calcagno-black-light-D39PBK-en/
    Chicago
    Lawrence Calcagno. Black Light. 1969. https://wahooart.com/fi/art/lawrence-calcagno-black-light-D39PBK-en/
    Harvard
    Calcagno, Lawrence (1969) Black Light. Available at: https://wahooart.com/fi/art/lawrence-calcagno-black-light-D39PBK-en/

    Katso tarkemmin

    Black Light — Lawrence Calcagno

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Katso takaisin aiemmin tässä oppaassa esiteltyyn teokseen San Andreas III (1963). Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    4. Lawrence Calcagno oli noin 56-vuotias tämän teoksen syntyhetkellä. Mikä teoksessa näyttää taiteilijan työlle tuossa vaiheessa?
    5. Mitä taiteilija on ehkä halunnut sinun tuntevan?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Hyödynnä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.