Simon Vouet, 1590 – 1649

Simon Vouet: 100 kuulsumat maali

Venus and Adonis (1642) on Simon Vouet kuulsaim teos, mis kuulub Los Angeles J. Paul Getty muuseum kogumikus. The Muses of Urania and Calliope (1634) ja Annunciation (1640) on järgmised kaks maailmas kõige tuntumat teost. Simon Vouet 166 teoseaga meie kataloogist on siin 100 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.

Simon Vouet · 1590 – 1649

Sündinud · surnud: 1590 – 1649, Pariis
Suunata: Baroque
Meie kataloogis olevad teosed: 166
Kõige tuntud: Venus and Adonis (1642)
Enamasti teoseid on: Louvre'i muuseum

Top 10: Simon Vouet kõige tuntumad maalid

Venus and Adonis

1642 · Acrylic On Canvas · J. Paul Getty muuseum, Los Angeles

Simon Vouet’s “Venus and Adonis,” painted in 1642, is a striking example of French Baroque art, showcasing the artist’s mastery of color, composition, and his assimilation of Italian artistic trends. This evocative scene depicts the poignant moment from Ovid's *Metamorphoses* where the mortal Adonis, captivated by hunting, rejects Venus’s advances, foreshadowing his tragic demise. The painting isn't merely a depiction of mythology; it's an exploration of love, desire, and mortality…

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The Muses of Urania and Calliope

1634 · Acrylic On Canvas · National Gallery of Art, Washington

Simon Vouet’s “The Muses Urania and Calliope”: A Symphony of Baroque Grace Simon Vouet (1590-1649) stands as a pivotal figure in the artistic landscape of 17th-century France, marking the decisive transition from Mannerism to the opulent grandeur of the Baroque style. His legacy resides not merely in his prolific output but also in his unwavering dedication to mastering Italian influences—a pursuit that fundamentally reshaped French painting and cemented Vouet’s place…

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Annunciation

1640 · Oil On Canvas · Galleria degli Uffizi, Firenze

Simon Vouet's "Annunciation," painted in 1640, is more than just a religious depiction; it’s a masterful orchestration of light, shadow, and human emotion. This captivating work transports the viewer to an intimate interior space, where the momentous announcement of Mary’s divine conception unfolds with breathtaking drama. The painting immediately draws the eye to the kneeling figure of the Virgin Mary, bathed in a warm, golden glow emanating from the right…

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The Fortuneteller (detail)

1617 · Oil On Canvas · Galleria Nazionale d'Arte Antica, Rooma

In the heart of 1617, amidst the vibrant and transformative atmosphere of Roman artistic circles, Simon Vouet captured a moment of profound human connection in his masterpiece, The Fortuneteller. This work, particularly when viewed in its intimate details, serves as much more than a mere portrait; it is an emblem of the burgeoning Baroque style that was beginning to reshape the visual landscape of Europe. The scene unfolds with a…

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Sleeping Venus

1630 · Acrylic On Canvas · Szépművészeti Múzeum, Budapest

Simon Vouet's "Sleeping Venus," painted around 1630, is not merely a depiction of a reclining nude; it’s an exquisite distillation of Renaissance ideals and the burgeoning Baroque aesthetic. This captivating work transcends simple portraiture, offering instead a profound meditation on beauty, repose, and the delicate balance between earthly pleasure and spiritual contemplation. The painting immediately draws the viewer into a world of hushed tranquility, inviting us to share in the…

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Allegory of Virtue

1634 · Acrylic On Canvas · Louvre'i muuseum, Pariis

Simon Vouet’s “Allegory of Virtue,” completed around 1634, stands as a testament to the burgeoning Baroque aesthetic infiltrating French artistic circles during Louis XIII's reign. More than just a portrait—though it undeniably depicts a woman radiating grace and authority—the painting delves into profound philosophical concepts rooted in humanist ideals prevalent at the time.

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The Entombment

1638 · Oil On Canvas · Fitzwilliam College, Cambridge

Simon Vouet's "The Entombment," painted in 1635–1638, is not merely a depiction of a biblical scene; it’s an exquisitely rendered meditation on grief, faith, and the profound dignity of sacrifice. This monumental work, currently residing within the collection of the Fitzwilliam Museum in Cambridge, transcends its subject matter to become a powerful testament to the Baroque era's ability to evoke intense emotion through masterful technique and carefully considered symbolism. Vouet,…

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Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate

1624 · Oil · Minneapolis Institute of Art, Minneapolis

A single celestial figure emerges from a deep, near-black void, commanding the space with an intimate and monumental presence. This angel, caught in a moment of profound spiritual devotion, gazes upward with eyes full of soulful contemplation or sorrow. The light descends from the upper left, carving the figure out of the darkness and casting soft, tender shadows across a face etched with emotion. Every detail feels immediate, from the…

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Saint John

1623 · Oil On Canvas · Philadelphia Museum of Art, Philadelphia

A young man turns his face toward a light that remains unseen. His eyes, wide and searching, catch a glimmer that pulls his gaze upward, away from the dark, murky depths of the background. Thick, dark curls frame a pale face, creating a sharp contrast against the heavy shadows that swallow the space around him. He is caught in a moment of sudden, quiet realization. The light does not merely…

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Virgin and Child, with an Angel

1642 · Oil On Panel · Philadelphia Museum of Art, Philadelphia

The light falls softly upon the skin of the Virgin Mary, catching the curve of her cheek and the small, smooth hands of the Christ Child. They sit within a triangular arrangement that anchors the composition, surrounded by the deep shadows of a dense woodland. An angel leans into this intimate circle, its robes glowing with warm yellows and golds that contrast against the heavy, dark trees behind them. At…

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Jäädavad Simon Vouet reitingus kohad 11 kuni 100

#11

Madonna with Child

1625 · Hermitage muuseum

The room falls away into a deep, near-black shadow, leaving only two figures bathed in a soft, directional light. From the upper left, a gentle glow spills across…

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#12

Time Discovering the Love of Venus and Mars

1640 · John ja Mable Ringlingi kunstimuuseum

In "Time Discovering the Love of Venus and Mars" by Simon Vouet, a mythological drama unfolds within a tight, pyramidal arrangement. The figures of Venus, Mars, Cupid, and…

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#13

The Rapture of Saint Theodore

1627 · Staatliche Kunstsammlungen Dresden

The heavens open in The Rapture of Saint Theodore, a dramatic oil on canvas that captures a moment of divine ascension. Painted by the French artist Simon Vouet…

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#14

Heavenly Charity

1640 · Louvre'i muuseum

A Beacon of Baroque Virtue: Simon Vouet’s Heavenly Charity Simon Vouet's "Heavenly Charity," completed around 1640, stands as a cornerstone of French Baroque painting—a testament to Louis XIII’s…

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#15

Allegory

1640 · Musei Capitolini

Simon Vouet executed Allegory during his residency in Rome, a period spanning from 1614 to 1627. The work was commissioned by Marcello Sacchetti, a 17th-century Italian merchant and…

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#16

Parnassus or Apollo and the Muses

1640 · Szépművészeti Múzeum

A Celestial Gathering: Simon Vouet’s “Parnassus or Apollo and the Muses” Simon Vouet's "Parnassus or Apollo and the Muses," painted around 1640, isn’t merely a depiction of Greek…

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#17

Sacrifice of Isaac

1642 · Milwaukee Art Museum

The painting titled Sacrifice of Isaac is a work of religious art. It is attributed to the French artist Simon Vouet (1590-1649) and Pierre Patel, the Elder (1605-1676).…

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#18

Angels with Attributes of the Passion, the Superscription from the Cross

1624 · Minneapolis Institute of Art

The oil on canvas painting titled Angels with Attributes of the Passion, the Superscription from the Cross was executed by the French artist Simon Vouet. This work of…

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#19

The Holy Family with the Infant Saint John the Baptist

1626 · Fine Arts Museums of San Francisco

The Holy Family with the Infant Saint John the Baptist is a significant work by the artist Simon Vouet. Created in 1626, this oil on panel was produced…

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#20

Ceres and Harvesting Cupids

1634 · National Gallery

The oil on canvas work titled Ceres and Harvesting Cupids was executed by Simon Vouet and studio. This painting dates to about 1634-5. The subject matter depicts Ceres,…

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#21

Suicide of Lucrece

1625 · Rahvuslik Galerii Praha

The heavy silence of a tragic end hangs in the air within Suicide of Lucrece. In this dramatic oil painting, the artist Simon Vouet captures the precise, harrowing…

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#22

The Muse Clio

1640 · Staatliche Kunsthalle Karlsruhe

The Muse Clio is an oil on canvas painting by the artist Simon Vouet. Created about 1640, this work depicts the mythological figure Clio, who is recognized as…

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#23

Allegory with Venus, Mars, Cupid, and Time

1626 · John ja Mable Ringlingi kunstimuuseum

Allegory with Venus, Mars, Cupid, and Time is an oil on canvas work by Simon Vouet, executed around 1626. The composition centers on a mythological narrative involving the…

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#24

Vanitas

1621 · Rahvusmuuseum Varssavis

In Vanitas, Simon Vouet centers the composition on a tight, intimate encounter between two figures. A young woman and an older man emerge from a deep, near-black background…

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#25

Lovers

1614 · Pushkini riiklik kunstimuuseum

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#26

Martyrdom of Saint Catherine

1620 · Musée des Beaux-Arts de Strasbourg

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#27

The Halberdier

1617 · Dayton Art Institute

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#28

Saint Jerome (c.347–420)

1620 · National Library of Wales

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#29

self-portrait

1620

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#30

Saint Agnes

1618 · Blanton Museum of Art

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#31

Annunciation to Mary

1617 · Gemäldegalerie

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#32

Psyche and Cupid

1626 · Musée des Beaux-Arts de Lyon

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#33

The Nativity

1632

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#34

Squire-at-arms - Saint Guillaume d'Aquitaine

1625 · The Art Museum RIGA BOURSE

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#35

The Entombment

1635 · Fitzwilliam Museum

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#36

Saint Catherine

1625 · Slovak National Gallery

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#37

Saint Sebastian

1625 · Museum of Fine Arts

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#38

Model for Altarpiece in St. Peter's

1625 · Los Angeles County Museum of Art

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#39

Model for Altarpiece in St. Peter's

1625 · Los Angeles County Museum of Art

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#40

Saint Cecilia

1626 · Blanton Museum of Art

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#41

Portrait of Virginia da Vezzo

1625 · Gemäldegalerie

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#42

The Charity

1635

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#43

Saint Sebastian

1623

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#44

Christ at the Column

1637

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#45

The Holy Family with Saint Elizabeth and the young Saint John

1642

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#46

The Four Seasons

1644 · National Gallery of Ireland

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#47

Head of a Bearded Man

1639 · Hatchlands Park

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#48

The Entombment

1637 · Musée d'Art Roger-Quilliot

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#49

Artemisia Building the Mausolaeum

1640 · Nationalmuseum

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#50

Allegory of Prudence

1645 · Musée Fabre

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#51

The Rest of the Holy Family

1650 · Musée de Grenoble

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#52

Christ Appearing to Saint Anthony Abbot, Falsely Called Christ Healing a Possessed Person

1650 · Musée de Grenoble

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#53

The Virgin Taking the Society of Jesus Under Her Protection

1650

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#54

Olivier de Clisson

1650 · Musée Départemental Dobrée

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#55

The Muses Urania and Calliope

1634 · National Gallery of Art

Simon Vouet's "The Muses Urania and Calliope," painted in 1634, isn’t merely a portrait; it’s an immersive experience—a vibrant tableau vivant capturing the essence of classical inspiration. This…

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#56

Time Vanquished by Love, Hope and Fame, 1640-1645

Grand Palais

Simon Vouet's "Time Vanquished by Love, Hope, and Fame," painted between 1640 and 1645, is more than just a beautiful depiction of allegorical figures; it’s a profound meditation…

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#57

Portrait of a Young Man (Le Spadassin)

1617 · Herzog Anton Ulrich Museum

This oil on canvas, titled Portrait of a Young Man (Le Spadassin), was executed by the French artist Simon Vouet. Created in 1617, the work captures a single…

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#58

POLYMNIE, MUSE DE L'ELOQUENCE

Louvre'i muuseum

Within the hallowed halls of the Louvre resides a captivating portrait – *Polymnie, Muse of Eloquence* by Simon Vouet, a pivotal work that embodies the burgeoning spirit of…

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#59

Angel with dice and tunic

1620 · Museo di Capodimonte

The celestial figure in Angel with dice and tunic gazes downward, caught in a moment of quiet contemplation. This oil on canvas work by the artist Simon Vouet…

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#60

Saint Catherine of Alexandria

1620 · Rahvuslik Läänemaa Kunstimuuseum

Saint Catherine of Alexandria by Simon Vouet, executed in 1620, presents a formal study of the early Christian martyr. Rendered in oil on canvas, the work captures the…

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#61

Mary Adoring the Christ child

1623 · Museum Boijmans Van Beuningen

Mary Adoring the Christ child is a religious oil painting by the French artist Simon Vouet. Executed in 1623, the work belongs to the Baroque tradition, focusing on…

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#62

The Virgin and Child (of the Column)

1640 · The Ashmolean Museum of Art And Archaeology

Simon Vouet's "The Virgin and Child (of the Column)," painted in 1640, is more than just a depiction of a sacred scene; it’s a masterful distillation of the…

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#63

Parnassus or Apollo and the Muses (detail)

1640 · Szépművészeti Múzeum

In the delicate detail of Simon Vouet’s "Parnassus or Apollo and the Muses," we encounter a breathtaking moment of divine harmony captured in paint. This exquisite fragment serves…

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#64

Toilet of Venus

1628 · Cincinnati Art Museum

To gaze upon Simon Vouet’s Toilet of Venus is to step directly into a moment suspended in opulent leisure—a scene dripping with the sensuality and refined drama characteristic…

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#65

Self-Portrait

1615 · Musée Réattu

To stand before this self-portrait is to encounter not merely paint on canvas, but a direct conduit to the vibrant, ambitious spirit of early 17th-century Paris. Painted around…

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#66

LA VICTOIRE

Louvre'i muuseum

To stand before this depiction of La Victoire is to encounter pure, unbridled apotheosis. It is not merely a painting; it is a dramatic narrative captured in oil,…

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#67

The Rape of Europa

1640 · Thyssen-Bornemisza Museum

To gaze upon Simon Vouet's depiction of The Rape of Europa is to step directly into the charged, dramatic heart of the Baroque era. This canvas is not…

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#68

Sophonisba vastu müüa tass

1623 · Staatliche Museen

Simon Vouet's “Sophonisba Receiving the Poisoned Chalice,” completed around 1623, stands as a cornerstone of French Baroque painting and a masterful depiction of biblical drama. Executed in Classicism…

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#69

St Catherine

1614 · Quirinale Palace

To stand before Simon Vouet's depiction of St Catherine is to step directly into the vibrant, emotionally charged atmosphere of early seventeenth-century Paris. This portrait captures more than…

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#70

Prince Marcantonio Doria

1621 · Louvre'i muuseum

In the hallowed halls of the Musée du Louvre, there exists a window into the soul of the seventeenth century, captured through the masterful brushstrokes of Simon Vouet.…

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#71

The Holy Family with Sts Elizabeth, John the Baptist and Catherine

1614 · Museo del Prado

To gaze upon this depiction of The Holy Family with Sts Elizabeth, John the Baptist and Catherine is to step directly into the vibrant heart of 17th-century Italianate…

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#72

Diana on the Hunt

1619 · Bavaria riiklikud maalidema kogumikud

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#73

The Last Supper

1615 · Palazzo Apostolico

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#74

Birth of the Virgin

1620 · San Francesco a Ripa

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#75

The Triumph of Galatea

1642 · Kanada Rahvusgalerii

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#76

Virgin and Child

Musée des Beaux-Arts de Lyon

Simon Vouet’s “The Virgin and Child (of the Column),” completed around 1640, stands as a cornerstone of French Baroque painting—a testament to artistic ambition and masterful execution that…

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#77

Saturn, Conquered by Amor, Venus and Hope

1645 · Musée du Berry

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#78

Self-Portrait

1699 · Museum de Fundatie

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#79

The Holy Family

1630 · Kunsthalle Bremen

In the heart of the seventeenth century, as the rigid structures of Mannerism began to dissolve under the weight of a new, more visceral era, Simon Vouet emerged…

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#80

Madonna and Child

1633 · National Gallery of Art

In the intimate embrace of Simon Vouet’s Madonna and Child, we are invited into a moment of profound, quiet tenderness that transcends the centuries. Painted in 1633, this…

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#81

LA MISE AU TOMBEAU

Louvre'i muuseum

LA MISE AU TOMBEAU is a work by Simon Vouet, created between 1640 and 1642. This painting captures a moment of profound stillness. It depicts the iconographic type…

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#82

Allegory of Peace

1627 · Galleria Nazionale d'Arte Antica

Completed in 1627, Allegory of Peace by Simon Vouet offers a profound look into the intellectual fervor and humanist aspirations of the seventeenth century. This work emerged during…

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#83

Allegory of Wealth

1630 · Louvre'i muuseum

Simon Vouet's 1630 *Allegory of Wealth* is not merely a painting; it’s an immersive experience, a meticulously crafted tableau that speaks volumes about the values and aspirations of…

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#84

Eight Satyrs Admiring the Anamorphosis of an Elephant

1625 · Hessisches Landesmuseum

In the grand tradition of the French Baroque, few works capture the intoxicating blend of intellectual curiosity and social elegance as masterfully as Simon Vouet’s Eight Satyrs Admiring…

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#85

LA PRESENTATION AU TEMPLE

Louvre'i muuseum

The scene unfolds within the sacred walls of the temple in LA PRESENTATION AU TEMPLE, a work painted by Simon Vouet. The air seems to hold its breath…

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#86

Parnassus or Apollo and the Muses (detail)

1640 · Szépművészeti Múzeum

Simon Vouet’s Parnassus or Apollo and the Muses, completed in 1640, stands as a cornerstone of French Baroque painting. This monumental work exemplifies the era's fascination with grandeur…

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#87

The Fortune Teller

1618 · Kanada Rahvusgalerii

The Fortune Teller, painted in 1618 by the masterful Simon Vouet, offers a captivating glimpse into the social and artistic currents of early 17th-century France. This portrait, measuring…

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#88

Saint Guillaume d'Aquitaine ( )

Louvre'i muuseum

In the grand tapestry of the seventeenth century, few artists captured the spiritual fervor and theatrical splendor of the French Baroque as masterfully as Simon Vouet. His work…

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#89

Apollo and the Muses

1875 · Bratislava City Gallery

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#90

LA PRUDENCE AMENE LA PAIX ET L'ABONDANCE

Louvre'i muuseum

Simon Vouet’s “La Prudence Amène la Paix et l'Abondance,” a magnificent Baroque allegory, isn’t merely a painting; it’s an immersive experience. Completed around 1620 in Paris, this monumental…

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#91

Gaucher de Châtillon, Connétable

1632 · Louvre'i muuseum

Simon Vouet's "Gaucher de Châtillon, Connétable" – painted in 1632 – is more than just a portrait; it’s a meticulously crafted window into the heart of 17th-century French…

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#92

Caritas Romana

Rahvusmuuseum Varssavis

In Caritas Romana, Simon Vouet presents a quiet, emotionally charged encounter between two figures. The composition centers on a woman cradling an older, bearded man, creating an intimate…

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#93

St Jerome and the Angel

1622 · National Gallery of Art

Simon Vouet’s “St. Jerome and the Angel,” painted in 1622, is more than just a depiction of a biblical scene; it's a carefully constructed meditation on divine guidance,…

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#94

The Fortune Teller

1617 · Galleria Nazionale d'Arte Antica

Simon Vouet's "The Fortune Teller," painted in 1617, isn’t merely a portrait; it’s a carefully constructed tableau brimming with intrigue and a palpable sense of the mystical. Housed…

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#95

LE CHRIST EN CROIX

Louvre'i muuseum

is a significant work by the French Baroque painter Simon Vouet. The composition centers on the crucifixion of Jesus Christ, a central event of the New Testament. The…

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#96

Adoration of the Shepherds (Adoration des bergers)

La Sauvegarde de l'Art Français

The air in the room feels heavy with the scent of hay and the quiet weight of a miracle. At the center of this sacred drama, a figure…

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#97

David with the head of Goliath

Palazzo Bianco

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#98

The Continence of Scipio

Shipley Art Gallery

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#99

Phaethon in His Chariot with Time

Manchesteri Kunstigalerii

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#100

The Conversion of the Magdalen

The Hunterian Museum and Art Gallery

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Simon Vouet maalid ajastuse kaupa

Early Period

1617 – 1625 · 4 teost selles nimekirjas

Portrait of a Young Man (Le Spadassin) (1617), Simon Vouet

#57 Portrait of a Young Man (Le Spadassin) 1617 · Herzog Anton Ulrich Museum

Saint Catherine of Alexandria (1620), Simon Vouet

#60 Saint Catherine of Alexandria 1620 · Rahvuslik Läänemaa Kunstimuuseum

Prince Marcantonio Doria (1621), Simon Vouet

#70 Prince Marcantonio Doria 1621 · Louvre'i muuseum

Eight Satyrs Admiring the Anamorphosis of an Elephant (1625), Simon Vouet

#84 Eight Satyrs Admiring the Anamorphosis of an Elephant 1625 · Hessisches Landesmuseum

Italian Period

1620 – 1627 · 5 teost selles nimekirjas

#9 Saint John 1623 · Philadelphia Museum of Art

#11 Madonna with Child 1625 · Hermitage muuseum

The Rapture of Saint Theodore (1627), Simon Vouet

#13 The Rapture of Saint Theodore 1627 · Staatliche Kunstsammlungen Dresden

The Holy Family with the Infant Saint John the Baptist (1626), Simon Vouet

#19 The Holy Family with the Infant Saint John the Baptist 1626 · Fine Arts Museums of San Francisco

Angel with dice and tunic (1620), Simon Vouet

#59 Angel with dice and tunic 1620 · Museo di Capodimonte

Mature Baroque

1617 – 1640 · 6 teost selles nimekirjas

The Fortuneteller (detail) (1617), Simon Vouet

#4 The Fortuneteller (detail) 1617 · Galleria Nazionale d'Arte Antica

Sophonisba vastu müüa tass (1623), Simon Vouet

#68 Sophonisba vastu müüa tass 1623 · Staatliche Museen

#82 Allegory of Peace 1627 · Galleria Nazionale d'Arte Antica

Parnassus or Apollo and the Muses (detail) (1640), Simon Vouet

#86 Parnassus or Apollo and the Muses (detail) 1640 · Szépművészeti Múzeum

Saint Guillaume d'Aquitaine ( ), Simon Vouet

#88 Saint Guillaume d'Aquitaine ( ) Louvre'i muuseum

Mature Baroque Period

1630 – 1634 · 3 teost selles nimekirjas

The Muses of Urania and Calliope (1634), Simon Vouet

#2 The Muses of Urania and Calliope 1634 · National Gallery of Art

#66 LA VICTOIRE Louvre'i muuseum

#79 The Holy Family 1630 · Kunsthalle Bremen

Mature Period

1617 – 1642 · 26 teost selles nimekirjas

#1 Venus and Adonis 1642 · J. Paul Getty muuseum

#3 Annunciation 1640 · Galleria degli Uffizi

#5 Sleeping Venus 1630 · Szépművészeti Múzeum

#6 Allegory of Virtue 1634 · Louvre'i muuseum

#7 The Entombment 1638 · Fitzwilliam College

Teemad, mida Simon Vouet kõige rohkem maalis

Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.

Kust näha Simon Vouet maale

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid	Linn	Simon Vouet teosid	Selle nimekirja maalid
Louvre'i muuseum	Pariis	20	Allegory of Virtue, Heavenly Charity, POLYMNIE, MUSE DE L'ELOQUENCE
Szépművészeti Múzeum	Budapest	5	Sleeping Venus, Parnassus or Apollo and the Muses, Parnassus or Apollo and the Muses (detail)
National Gallery of Art	Washington	4	The Muses of Urania and Calliope, The Muses Urania and Calliope, Madonna and Child
Galleria Nazionale d'Arte Antica	Rooma	4	The Fortuneteller (detail), Allegory of Peace, The Fortune Teller
Rahvusmuuseum Varssavis	Varssavi	4	Vanitas, Caritas Romana
Los Angeles County Museum of Art	Los Angeles	3	Model for Altarpiece in St. Peter's, Model for Altarpiece in St. Peter's
Minneapolis Institute of Art	Minneapolis	2	Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate, Angels with Attributes of the Passion, the Superscription from the Cross
Philadelphia Museum of Art	Philadelphia	2	Saint John, Virgin and Child, with an Angel

Simon Vouet aastakatega: üks meistriteos igal dekadel

1610s

Nr 4 100st
The Fortuneteller (detail)
Vanus 20–29 · Galleria Nazionale d'Arte Antica
In the heart of 1617, amidst the vibrant and transformative atmosphere of Roman artistic circles, Simon Vouet captured a moment of profound human connection in his masterpiece, The…
1620s

#8 / 100
Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate
Vanus 30–39 · Minneapolis Institute of Art
A single celestial figure emerges from a deep, near-black void, commanding the space with an intimate and monumental presence. This angel, caught in a moment of profound spiritual…
1630s

#2 / 100
The Muses of Urania and Calliope
Vanus 40–49 · National Gallery of Art
Simon Vouet’s “The Muses Urania and Calliope”: A Symphony of Baroque Grace Simon Vouet (1590-1649) stands as a pivotal figure in the artistic landscape of 17th-century France, marking…
1640s

Nr 1 100st
Venus and Adonis
Vanus 50–59 · J. Paul Getty muuseum
Simon Vouet’s “Venus and Adonis,” painted in 1642, is a striking example of French Baroque art, showcasing the artist’s mastery of color, composition, and his assimilation of Italian…

Simon Vouet maalid: korduvad küsimused

Mis on kõige kuulsam Simon Vouet maal?Näita vastus

Venus and Adonis (1642), J. Paul Getty muuseum, Los Angeles. Järgnevad The Muses of Urania and Calliope (1634) ja Annunciation (1640).

Mis vanuses trükkis Simon Vouet teose Venus and Adonis valmis?Näita vastus

52 aastat vanus: teos Venus and Adonis on aastatest 1642 ja kunstnik Simon Vouet on sündinud aastal 1590.

Millised on 10 kuulsumat Simon Vouet maalist?Näita vastus

Venus and Adonis, The Muses of Urania and Calliope, Annunciation, The Fortuneteller (detail), Sleeping Venus, Allegory of Virtue, The Entombment, Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate, Saint John ja Virgin and Child, with an Angel. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju on kunstniku Simon Vouet maale?Näita vastus

Meie kataloogis on 166 teost kunstnikult Simon Vouet, aastatest 1614 kuni 1645.

Kust saan näha kõige kuulsamaid Simon Vouet maale?Näita vastus

Enamik neist asub Louvre'i muuseum (Pariis), Szépművészeti Múzeum (Budapest) ja National Gallery of Art (Washington). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

Mille perioodi jooksul lõitis Simon Vouet oma tuntumad teosed?Näita vastus

Ajalisel perioodil 1620s: 31 100 sellel lehel olevat teost on sellest ajast, მათhulgas Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate.

Mis on esimene kuulus Simon Vouet maal ja milline on viimane?Näita vastus

Sellel lehel on kõige vanem teos Lovers (1614) ja kõige uuem Allegory of Prudence (1645).

Mida Simon Vouet maalis?Näita vastus

Woman (15), Renaissance (12) ja Man (9), 100 teose seas sellel lehel.

Mida Simon Vouet millel ja millega maalis?Näita vastus

Oil On Canvas: 40 100 teosest sellel lehel.

Millisse toomangu kuulub Simon Vouet kunst?Näita vastus

nagu sellel lehel olevad maalid näitavad Baroque.

Milliseid Simon Vouet maale Louvre'i muuseum kogumuses on?Näita vastus

Allegory of Virtue, Heavenly Charity ja POLYMNIE, MUSE DE L'ELOQUENCE on üks 12 teosest sellel lehel, mida hoiab Louvre'i muuseum, Pariis.

Kust saan osta Simon Vouet reproduktsiooni?Näita vastus

Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.

Simon Vouet: biograafia

Simon Vouet: Prantsilinejadaja Prantsuse Barokika Maalegi

Sündinud: 9. janel, 1590, Pariis, Prantsus
Survenud: 30. juuni, 1649, Pariis, Prantsus

Simon Vouet oli keeruline isik Prantsuse maaliku süutmises Mannerismist Barokika stiilima. Sündides kunstlikusse perere – tema isa Laurent oli maaler ja tema vend Aubin püüdis ka kunsti – sai Vouet varajase koolituse, mis loomis alusta tema tulevikule edukusele. Tema lapselaps, Ludovico Dorigny, jätkas pereli kunstlikku pärandi.

Varane Karjääri ja Itaalia Vaikus (1608–1627)

Varane Portreteerimine: Vouet alustas oma karjääri portreteerijana, näites varajase talendi.
Säiled Inglismaalasse (1608): Noore ning 14-näeldesel aastal reisis ta Inglismaale tellitud portreedi maalima, näites oma kasvava maine.
Ottomaania Imperium ja Venetsia: 1611. aastal liitus Vouet Baron de Sancy rühmaga, Prantsuse ambassjaor Ottomaania imperiumis, uuesti portreteerimise tööga. See reis viis ta Konstantinopelisse ja seejärel 1612. aastal Venetsia.
Rooma (1614–1627): Tema ajal Roomas tõldi muuta. Ta jäi sinna kolmte aasta jooksul, süvenemata end kasvava Barokika perioodi elujõulisse kunstlikusse arengule.

Tema Itaalia ajajal absorbeeris Vouet mitmeid erinevaid mõjuallusid. Ta õppis Caravaggio poolt pioneeritud dramaatilisi valgusvõte tehnikaid, omaks võttis Itaalia Mannerismi elemente ja süvenelt analüüsis Paolo Veronese kasutatavaid värvipalette ja di sotto in su (vahekülik perspektiivi). Ta sai inspiratsiooni ka Carracci, Guercinost, Lanfrancost ja Guido Renist teostest, sünteesides need erinevad stiilid ainulaadse kunstliku visiooni.

Voueti Unikaalse Stiili Arendus

Valimine Accademia di San Luca jäksel (1624): Tema edukus Roomas viis teda prestižiilisse Accademia di San Luca presidendiks, mis oli tõestus tema oskusest ja tunnustamisest Itaalia kunstmaailmas.
Mõjualluste Süntees: Voueti stiili iseloomustas tema võime absorbeerda ja destilleerida erinevaid kunstlikke mõjuallusi. Ta ei lihtsalt kopeerinud; ta integreeris need elemendid kooskõlasse ja selgelt itaalia sündmuste Barokika esteetika.
Barokika Tuvedmine Prantsuses: 1627. aastal Prantsuse tagasi saabudes mängis Vouet kriitilist rolli Itaalia Barokika stiili tuvedmisel Prantsuse maalile, mõjutades märkimisväärselt riigi kunstlikku maastikku.

Peamised Saavutused ja Pärand

Premier Peintre du Roi: Vouet sai titteli Premier peintre du Roi (Kuninga esimene maalaja) – kohaks, mis oli märkimisväärne prestiži ja mõju.
Üleabundav Tegemiskoht: Ta hoitis suurte ja aktiivse tegemiskohtu, koolitades paljut kunstnike, kes vormidasid edaspidist Prantsuse maalijaputke.
Märkimisväärsed Oppilased: Tema mõjuvivaimad oppilased olid Charles Le Brun (kes hiljem korraldas Versailles'de kogu dekoratiivse maalingat), Valentin de Boulogne, Charles Alphonse du Fresnoy, Pierre Mignard, Eustache Le Sueur ja Claude Mellan.
Mõju Prantsuse Kunstil: Voueti mõju ulestus tema oma teostest; tema õpilased võtsid tema stiili ja tehnikaid üle kogu Prantsuse, luues selgelt Barokika maaliku kooli. Tema mõju on eriti nähtav Louis XIV tellitud suurtes dekoratiivsetes skeemides.

Histooriline Tähtsus

Simon Voueti pärand põhineb tema keerulisel rollil Itaalia ja Prantsuse kunsti vahel sillana. Ta võttis edukalt Itaalia Barokika dünaamika ja grandioosi, muuta selle stiiliks, mis kõnetas Prantsuse hovi ja aristokraatia maitseid. Tema mõju on eikaartlik 17. sajanni Prantsuse maaliku arengu jooksul, ja tema panused jäävad kunstihistoorikute jaoks tänapäeval tunnustatud.

Kõik 166 teost Simon Vouet →

Top 10: Simon Vouet kõige tuntumad maalid

Jäädavad Simon Vouet reitingus kohad 11 kuni 100

Simon Vouet maalid ajastuse kaupa

Early Period

Italian Period

Mature Baroque

Mature Baroque Period

Mature Period

Teemad, mida Simon Vouet kõige rohkem maalis

Woman 15 teost

Renaissance 12 teost

Man 9 teost

Mythology 8 teost

Kust näha Simon Vouet maale

Simon Vouet aastakatega: üks meistriteos igal dekadel

Simon Vouet maalid: korduvad küsimused

Simon Vouet: biograafia

Simon Vouet: Prantsilinejadaja Prantsuse Barokika Maalegi

Varane Karjääri ja Itaalia Vaikus (1608–1627)

Voueti Unikaalse Stiili Arendus

Peamised Saavutused ja Pärand

Histooriline Tähtsus