Sharaku: 100 kuulsumat maali

Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794) on Sharaku kuulsaim teos, mis kuulub New York Metropolitan Museum of Art kogumikus. Bandō Hikosaburō III as Kudōzaemon Suketsune (1795) ja Iwai Hanshirō IV as O-Han of the Shinanoya (1795) on järgmised kaks maailmas kõige tuntumat teost. Sharaku 147 teoseaga meie kataloogist on siin 100 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.

Sharaku portree
Sharaku
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Ukiyo-e
Meie kataloogis olevad teosed
147
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Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794)
Enamasti teoseid on
Metropolitan Museum of Art

Top 10: Sharaku kõige tuntumad maalid

Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794) autor Sharaku
1

Kabuki Actor Ōtani Oniji III as Yakko Edobei

1794 · Woodblock Print · Metropolitan Museum of Art, New York

In the fleeting moments of the Edo period, few artists captured the raw, unbridled energy of human emotion as piercingly as Tōshūsai Sharaku. His masterpiece, Kabuki Actor Ōtani Oniji III as Yakko Edobei, serves as a breathtaking window into the heart of Kabuki theater, frozen in time since 1794. This woodblock print does not merely depict a performer; it captures a psychological crescendo. The actor, portrayed with startling realism, is…

Hand-painted oil reproduction from $181 26 × 39 cm
Bandō Hikosaburō III as Kudōzaemon Suketsune (1795) autor Sharaku
2

Bandō Hikosaburō III as Kudōzaemon Suketsune

1795 · Woodblock Print

In the fleeting, vibrant world of the Edo period, few images capture the raw, theatrical intensity of the stage quite like Tōshūsai Sharaku’s 1795 masterpiece, Bandō Hikosaburō III as Kudōzaemon Suketsune. This monochrome woodblock print is not merely a portrait; it is a psychological study of a moment frozen in time. The subject, the celebrated Kabuki actor Bandō Hikosaburō III, is captured mid-performance, embodying the formidable character of Kudōzaemon Suketsune.…

Hand-painted oil reproduction from $181 22 × 45 cm
Iwai Hanshirō IV as O-Han of the Shinanoya (1795) autor Sharaku
3

Iwai Hanshirō IV as O-Han of the Shinanoya

1795 · Woodblock Print

In the fleeting, vibrant world of Edo-period Japan, few artists captured the raw, theatrical essence of human emotion as piercingly as Tōshūsai Sharaku. His masterpiece, Iwai Hanshirō IV as O-Hano of the Shinanoya, serves as a breathtaking window into the Kabuki stage of 1795. This woodblock print does not merely depict an actor in costume; it captures a moment of profound character study. The subject, portrayed with a striking three-quarter…

Hand-painted oil reproduction from $181 22 × 46 cm
Nakajima Wadaemon I as Tanbaya Hachiemon (1794) autor Sharaku
4

Nakajima Wadaemon I as Tanbaya Hachiemon

1794 · Woodblock Print

In the fleeting moments of the Edo period, few artists captured the raw, unvarnished essence of human emotion as strikingly as Tōshūsai Sharaku. His masterpiece, Nakajima Wadaemon I as Tanbaya Hachiemon, serves as a profound window into the theatrical soul of 1794 Japan. This woodblock print does not merely depict an actor; it captures a psychological state. The subject, portrayed with Sharaku’s signature intensity, sits in a moment of palpable…

Hand-painted oil reproduction from $181 22 × 46 cm
Iwai Hanshirō IV as Kōtō no Naishi (1795) autor Sharaku
5

Iwai Hanshirō IV as Kōtō no Naishi

1795 · Woodblock Print

In the fleeting history of Japanese ukiyo-e, few names command as much intrigue and reverence as Tōshūsai Sharaku. His brief, explosive appearance on the art scene—lasting a mere ten months between 1794 and 1795—left behind a legacy that continues to haunt and fascinate the modern collector. This particular masterpiece, Iwai Hanshirō IV as Kōtō no Naishi, serves as a profound testament to Sharaku’s unparalleled ability to capture the raw, psychological…

Hand-painted oil reproduction from $181 22 × 46 cm
Matsumoto Koshiro IV as the Fish Peddler Gorobei autor Sharaku
8

Matsumoto Koshiro IV as the Fish Peddler Gorobei

Woodblock Print · Metropolitan Museum of Art, New York

To stand before a portrait in the style of Tōshūsai Sharaku is to confront not merely an image, but a moment suspended between life and memory. This depiction of Matsumoto Koshiro IV as the fish peddler Gorobei captures the very essence of the Edo period's vibrant, yet often melancholic, undercurrents. The print possesses an almost startling immediacy; it feels less like an artistic rendering and more like a captured breath…

Hand-painted oil reproduction from $181 26 × 38 cm
Nakamura Nakazō II, also called Sakaiya Shūkaku (1794) autor Sharaku
9

Nakamura Nakazō II, also called Sakaiya Shūkaku

1794 · Woodblock Print

This woodblock print presents a portrait of Nakamura Nakazō II, also called Sakaiya Shūkaku. The subject was a prominent Japanese kabuki actor, captured during a period of significant theatrical activity in Edo. The work is attributed to the artist Toshusai Sharaku, a figure whose brief and intense presence in the ukiyo-e genre remains a subject of much interest. This specific piece dates to 1794.

Hand-painted oil reproduction from $181 27 × 38 cm
Bandō Mitsugorō II as Ishii Genzō in the Play "Hana Ayame Bunroku Soga" (1795) autor Sharaku
10

Bandō Mitsugorō II as Ishii Genzō in the Play "Hana Ayame Bunroku Soga"

1795 · Woodblock Print · Metropolitan Museum of Art, New York

In the fleeting, electric atmosphere of the late eighteenth-century Edo period, few artists captured the raw, visceral energy of the Kabuki stage quite like Tōshūsai Sharaku. His masterpiece, Bandō Mitsugorō II as Ishii Genzō in the Play "Hana Ayame Bunroku Soga," serves as a profound window into a vanished era of Japanese theatrical splendor. This striking woodblock print does not merely depict an actor; it freezes a moment of high-stakes…

Hand-painted oil reproduction from $181 26 × 39 cm

Jäädavad Sharaku reitingus kohad 11 kuni 100

The Actor Sawamura Sojuro III (1795) autor Sharaku
#15

The Actor Sawamura Sojuro III

1795 · Metropolitan Museum of Art

In the fleeting history of Japanese Ukiyo-e, few names evoke as much mystery and intense fascination as Tōshūsai Sharaku. His brief, explosive appearance on the art scene—lasting a…

Tooge see koju from $181 →
Ebisu (1795) autor Sharaku
#20

Ebisu

1795

In the fleeting, brilliant ten-month career of Tōshūsai Sharaku, few works capture the vibrant pulse of Japanese folklore as effectively as his 1795 masterpiece, Ebisu. This woodblock print…

Tooge see koju from $231 →

Sharaku maalid ajastuse kaupa

Teemad, mida Sharaku kõige rohkem maalis

Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.

Kust näha Sharaku maale

Kümne 5 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Sharaku teosid Selle nimekirja maalid
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 35 Kabuki Actor Ōtani Oniji III as Yakko Edobei, Matsumoto Koshiro IV as the Fish Peddler Gorobei, Bandō Mitsugorō II as Ishii Genzō in the Play "Hana Ayame Bunroku Soga"
Brooklyn Museum, BrooklynBrooklyn Museum Brooklyn 3 Segawa Kikujuro Iii as Oshizu, Wife of Tanabe Bunzo, Kubuki Actor Ichikawa Ebizō as Takemura Sadanoshin, Daizo the Substitute
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Otafuku Throwing Black Beans to Chase Away the Demons on New Year's Eve
Tokyo National Museum, TokioTokyo National Museum Tokio 1 Kabuki Actor Ōtani Tokuji as Monogusa Tarō
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Onoe Matsusuke as Ashikaga TukaujiPublished by Tsutaya Juzaburo

Sharaku aastate jooksul: iga aasta meistriteosed

Aastate 1794 ja 1795 vahel, kokku 2 aastat, on kunstnik Sharaku loonud kõik sellel lehel olevad dateeritud teosed: siin on need aastaaegne ülevaade.

  1. 1794
    Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794) autor Sharaku
    #1 / 100

    Kabuki Actor Ōtani Oniji III as Yakko Edobei

    Metropolitan Museum of Art

    In the fleeting moments of the Edo period, few artists captured the raw, unbridled energy of human emotion as piercingly as Tōshūsai Sharaku. His masterpiece, Kabuki Actor Ōtani…

  2. 1794
    Nakajima Wadaemon I as Tanbaya Hachiemon (1794) autor Sharaku
    Nr 4 100st

    Nakajima Wadaemon I as Tanbaya Hachiemon

    In the fleeting moments of the Edo period, few artists captured the raw, unvarnished essence of human emotion as strikingly as Tōshūsai Sharaku. His masterpiece, Nakajima Wadaemon I…

  3. 1794
  4. 1794
    Nakamura Nakazō II, also called Sakaiya Shūkaku (1794) autor Sharaku
    Nr 9 100st

    Nakamura Nakazō II, also called Sakaiya Shūkaku

    This woodblock print presents a portrait of Nakamura Nakazō II, also called Sakaiya Shūkaku. The subject was a prominent Japanese kabuki actor, captured during a period of significant…

  5. 1794
  6. 1794
  7. 1794
    Nakajima Wadaemon I as Migawari no Jizō (1794) autor Sharaku
    Nr 19 100st

    Nakajima Wadaemon I as Migawari no Jizō

    This striking woodblock print, created by the enigmatic artist Tōshūsai Sharaku in 1794, offers a captivating portrait of Nakajima Wadaemon I embodying the role of Migawari no Jizō.…

  8. 1794
  9. 1794
  10. 1794
  11. 1794
  12. 1794
  13. 1795
    Bandō Hikosaburō III as Kudōzaemon Suketsune (1795) autor Sharaku
    #2 / 100

    Bandō Hikosaburō III as Kudōzaemon Suketsune

    In the fleeting, vibrant world of the Edo period, few images capture the raw, theatrical intensity of the stage quite like Tōshūsai Sharaku’s 1795 masterpiece, Bandō Hikosaburō III…

  14. 1795
    Iwai Hanshirō IV as O-Han of the Shinanoya (1795) autor Sharaku
    Nr 3 100st

    Iwai Hanshirō IV as O-Han of the Shinanoya

    In the fleeting, vibrant world of Edo-period Japan, few artists captured the raw, theatrical essence of human emotion as piercingly as Tōshūsai Sharaku. His masterpiece, Iwai Hanshirō IV…

  15. 1795
    Iwai Hanshirō IV as Kōtō no Naishi (1795) autor Sharaku
    #5 / 100

    Iwai Hanshirō IV as Kōtō no Naishi

    In the fleeting history of Japanese ukiyo-e, few names command as much intrigue and reverence as Tōshūsai Sharaku. His brief, explosive appearance on the art scene—lasting a mere…

  16. 1795
  17. 1795
  18. 1795
  19. 1795
    The Actor Sawamura Sojuro III (1795) autor Sharaku
    Reede 15 / 100

    The Actor Sawamura Sojuro III

    Metropolitan Museum of Art

    In the fleeting history of Japanese Ukiyo-e, few names evoke as much mystery and intense fascination as Tōshūsai Sharaku. His brief, explosive appearance on the art scene—lasting a…

  20. 1795
  21. 1795
    Segawa Kikunojo III in an Unidentified Role (1795) autor Sharaku
    Nr 17 100st

    Segawa Kikunojo III in an Unidentified Role

    Metropolitan Museum of Art

    In the fleeting moments of the Edo period, few names ignite as much curiosity as Tōshūsai Sharaku. His brief, explosive career—lasting a mere ten months between 1794 and…

  22. 1795
    Ebisu (1795) autor Sharaku
    Reede 20 / 100

    Ebisu

    In the fleeting, brilliant ten-month career of Tōshūsai Sharaku, few works capture the vibrant pulse of Japanese folklore as effectively as his 1795 masterpiece, Ebisu. This woodblock print…

  23. 1795
  24. 1795
  25. 1795

Sharaku maalid: korduvad küsimused

Mis on kõige kuulsam Sharaku maal?Näita vastus

Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794), Metropolitan Museum of Art, New York. Järgnevad Bandō Hikosaburō III as Kudōzaemon Suketsune (1795) ja Iwai Hanshirō IV as O-Han of the Shinanoya (1795).

Millised on 10 kuulsumat Sharaku maalist?Näita vastus

Kabuki Actor Ōtani Oniji III as Yakko Edobei, Bandō Hikosaburō III as Kudōzaemon Suketsune, Iwai Hanshirō IV as O-Han of the Shinanoya, Nakajima Wadaemon I as Tanbaya Hachiemon, Iwai Hanshirō IV as Kōtō no Naishi, Bandō Hikosaburō III as Godai Saburō Chikatada, Osagawa Tsuneyo II as Okinu, wife of Chōemon, Matsumoto Koshiro IV as the Fish Peddler Gorobei, Nakamura Nakazō II, also called Sakaiya Shūkaku ja Bandō Mitsugorō II as Ishii Genzō in the Play "Hana Ayame Bunroku Soga". Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju on kunstniku Sharaku maale?Näita vastus

Meie kataloogis on 147 teost kunstnikult Sharaku, aastatest 1794 kuni 1795.

Kust saan näha kõige kuulsamaid Sharaku maale?Näita vastus

Enamik neist asub Metropolitan Museum of Art (New York), Brooklyn Museum (Brooklyn) ja Art Institute of Chicago (Chicago). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

Mille perioodi jooksul lõitis Sharaku oma tuntumad teosed?Näita vastus

Ajalisel perioodil 1795: 50 100 sellel lehel olevat teost on sellest ajast, მათhulgas Bandō Hikosaburō III as Kudōzaemon Suketsune.

Mis on esimene kuulus Sharaku maal ja milline on viimane?Näita vastus

Sellel lehel on kõige vanem teos Kabuki Actor Ōtani Oniji III as Yakko Edobei (1794) ja kõige uuem Bandō Hikosaburō III as Kudōzaemon Suketsune (1795).

Mida Sharaku maalis?Näita vastus

Kabuki actor (18), Woodblock print (17) ja Japanese art (13), 100 teose seas sellel lehel.

Mida Sharaku millel ja millega maalis?Näita vastus

Woodblock Print: 30 100 teosest sellel lehel.

Millisse toomangu kuulub Sharaku kunst?Näita vastus

nagu sellel lehel olevad maalid näitavad Ukiyo-e.

Milliseid Sharaku maale Metropolitan Museum of Art kogumuses on?Näita vastus

Kabuki Actor Ōtani Oniji III as Yakko Edobei, Matsumoto Koshiro IV as the Fish Peddler Gorobei ja Bandō Mitsugorō II as Ishii Genzō in the Play "Hana Ayame Bunroku Soga" on üks 21 teosest sellel lehel, mida hoiab Metropolitan Museum of Art, New York.

Kust saan osta Sharaku reproduktsiooni?Näita vastus

Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.

Sharaku: biograafia

The Enigmatic Presence of Sharaku

Sharaku was a Japanese ukiyo-e print designer active between 1794 and 1795. His prolific output focused primarily on yakusha-e, which are portraits of kabuki actors. These works often emphasized the dynamism and energy of the subjects, frequently utilizing a realism that highlighted unflattering details such as wrinkles or large noses. His compositions often featured a focus on facial expressions, sometimes presenting a single figure or contrasting different types of faces.

The artist's career was brief, spanning approximately ten months. His work is categorized into four distinct periods:

Artistic Style and Legacy

Sharaku's technique involved the use of woodblock prints, sometimes employing extravagant methods such as the dusting of mica in the backgrounds to create a glittering effect. His portraits are noted for their ability to capture the psychology of a character through heightened theatrical gestures and expressive, almost caricature-like exaggerations.

Despite the mystery surrounding his true identity, his work has been recognized for its mastery of the medium. His reputation rests largely on his earlier prints, while his later output is often considered to have a declining artistry. His subjects included kabuki actors, sumo wrestlers, and warriors.