Pierre Roy kõige kuulsam teos on Composition with Weights and Measures (1932), mis asub museumis Israel Muuseum, linnas Jeruusalemma. koos Still Life (1938) ja Invitation to the Voyage (Invitation au voyage) (1929) moodustavad need kolm teost, mis on kõigile tuttavad. Meie kataloogis on 3 teost kunstnikult Pierre Roy; alljoonas on 3 kõige vaadeldavamat teost koos nende loomisaea, säilitaja museumi ja olulisuse selgitusega.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Pierre Roy teosid | Selle nimekirja maalid |
|---|---|---|---|
 Israel Muuseum |
Jeruusalemma | 2 | Composition with Weights and Measures, Invitation to the Voyage (Invitation au voyage) |
 Art Institute of Chicago |
Chicago | 1 | Still Life |
Pierre Roy kirjandus vaid 10 aastat, aastast 1929 aastat 1938: jälgige seda kümnest aastat aasta hauragul läbi maalide, mis tema nime kuulsaks tegi.
Composition with Weights and Measures (1932), Israel Muuseum, Jeruusalemma. Järgnevad Still Life (1938) ja Invitation to the Voyage (Invitation au voyage) (1929).
52 aastat vanus: teos Composition with Weights and Measures on aastatest 1932 ja kunstnik Pierre Roy on sündinud aastal 1880.
Meie kataloogis on 3 teost kunstnikult Pierre Roy, aastatest 1929 kuni 1938.
Enamik neist asub Israel Muuseum (Jeruusalemma) ja Art Institute of Chicago (Chicago). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Sellel lehel on kõige vanem teos Invitation to the Voyage (Invitation au voyage) (1929) ja kõige uuem Still Life (1938).
nagu sellel lehel olevad maalid näitavad Surrealism.
Composition with Weights and Measures ja Invitation to the Voyage (Invitation au voyage) on üks 2 teosest sellel lehel, mida hoiab Israel Muuseum, Jeruusalemma.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Born in 1880, Pierre Roy was a French surrealist painter. He was the eldest of four children, born to the secretary of the management board of the Musée d'Arts de Nantes, and his siblings were all amateur painters. After obtaining his baccalauréat at a local school, he worked for a firm of architects before enrolling at the Ecole des Beaux-Arts in Paris. Following a period of disappointment with his studies, he left to work on designs for the 1900 Paris Exposition. In 1905, he committed himself to painting, beginning his exhibition history in 1906 at the Salon of the Société Nationale des Beaux-Arts (SNBA).
Roy's career saw him exhibiting with the Société des Artistes Indépendants in 1907, 1908, 1913, and 1914. A significant moment in his career occurred in 1925 when he participated in the first exhibition of surrealist painters alongside figures such as Giorgio de Chirico, Max Ernst, and Pablo Picasso. He held his first solo exhibition in 1926 and was appointed as a naval artist for a five-year term in 1933. Beyond his canvas work, he created stage sets, advertising posters, and several covers for Vogue magazine.
Roy is recognized for his surrealist compositions, characterized by the realistic painting of ordinary objects. His works often feature items such as:
These objects are arranged in unexpected ways within his compositions. His work has been displayed in various international locations, including New York, London, and Hawaii. Notable pieces held in public collections include Danger dans l'escalier (Danger on the stairs) and L'Heure d'été (Daylight Saving Time) at the Museum of Modern Art in New York, and A Naturalist's Study at the Tate Modern in London. Other works reside in the Art Institute of Chicago, the Philadelphia Museum of Art, and the Musée des Beaux-arts in Nantes.