Masaccio's most famous painting is Kolmainsus (1428). With Üleandmise raha (1425) and Eedeni aiast välja tõstmine (1426), it completes the three works everyone recognises. Our catalogue lists 97 works by Masaccio; the 97 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated oktoober 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.
Masaccio'i "Kolmainsus" oli murghangust teos, mis tõi kaasa mitmeid kunstilisi uuendusi. See on üks esimesi monumentaalseid renessanssi maale, mis kasutas lineaarset perspektiivi, luues sügavuse ja ruumi tunde. Chiaroscuro ja sfumato tehnikate kasutamine lisab figureeridele volüümi ja tekstuuru, muudes need erakordselt realistiliseks.
Soodne stseen avaneb Firences, Santa Maria del Carmine basilika Brancacci kapellis. Siin toob fresco pealkirjaga Üleandmise raha, mille on loonud Masaccio, piiratud piirdedega bibliseel stori kapelli seintel ellu. Felice Brancacci tellimul loodud teos on oluline osa suuremast tsüklist, mis on pühendatud püha Peetru elule. Kapellis liigub figuurid läbi sügava tähendusega hetkest ning atmosfäär on täis selle pühima ajalooa rasket ja väärtuslikku tähendust.
Itaalia Firenzes asuvas Santa Maria del Carmine kirikus asuv Brancaccii kapell on täis rasket vaikust, mis kannab endas sügava tragedy kaalu. Siin hingavad seinad lugudest, mis räägivad Eedeni aiast välja tõstmisest – freskoga, mille Masaccio onประมาณ 1425. aastal maalinud. Õhk tundub paksunemane uinemise ümber, kui figuurid seisvad silmitsi oma ägelise ja korduvaga paradiusest lahkumisega. See stseen tähistab suurema narratiivi algust, toimides esimese freskona sarjas, mis on pühendatud Püha Peetru elule.
Masatsoo, kes töötas 1426–1428 Brancacci kiriku fressise, "Tulus Rahast" detailis, on üks renessansiaegse kunsti kõige tähtsamatest saavutustest. See ei ole lihtsalt religioonilist kujundust; see on revolutsiooni algus, mis muudab kunagi varem nähtava maailma. Masatsoo oskus luua illusiooni ruumist ja valguse mängu oli enne seda immatu, ja ta mõjutas järgida kunstnike põlvedele.
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…
Masaccio's View of the Cappella Brancacci (before restoration), painted in 1426, isn’t merely a depiction of a church interior; it’s a pivotal moment in art history – a…
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Masaccio’s “Trinity (Scheme of the Perspective),” painted in 1425-1427, isn’t merely a depiction of a sacred subject; it’s a profound demonstration of artistic innovation—a pivotal moment where the…
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Raising of the Son of Theophilus and St Peter Enthroned (detail) is a fresco by Masaccio. Executed between 1426 and 1427, this fragment belongs to a larger cycle…
The artwork titled St Peter Healing the Sick with his Shadow (detail) is a work by the artist Masaccio. This specific piece was executed in 1426. It is…
The Cappella Brancacci, nestled within Santa Maria della Carmine church in Florence, stands as one of Masaccio’s most enduring achievements—a testament to his pioneering vision of artistic realism…
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Masaccio’s Frescoes in the Cappella Brancacci stand as a cornerstone of Renaissance art, representing an unprecedented leap forward in artistic innovation and profoundly influencing subsequent generations. Located within…
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The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…
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The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
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Masaccio’s Crucifixion, painted in 1426 during his tragically brief career, isn’t merely a depiction of a pivotal biblical event; it’s a foundational moment in Western art. Born in…
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In the quiet, profound depths of Masaccio’s Distribution of Alms and Death of Ananias, we encounter a moment where the divine intersects with the earthly through the simple,…
In the quiet intensity of Masaccio’s Profile Portrait of a Young Man, we encounter more than just a painted face; we witness the very moment Western art began…
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In the quiet, profound stillness of Masaccio’s St Jerome and St John the Baptist, we are transported back to the early 15th century, a period where the rigid…
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The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
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The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
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The Portrait of a Young Woman is a captivating painting by the renowned Italian artist Masaccio, created in 1425. This early Renaissance masterpiece measures 42 x 32 cm…
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In this oil painting on wood panel, dating to 1424, we find a quiet moment of sacred intimacy. The composition is built upon a pyramidal structure, a hallmark…
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In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
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Masaccio's "Madonna with Child and Angels," painted in 1426, stands as a monumental work—a pivotal moment in the burgeoning Renaissance. More than simply a depiction of the Virgin…
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To stand before Masaccio’s Adoration of the Magi is not merely to observe a painting; it is to step directly into the revolutionary atmosphere of the early Italian…
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The Martyrdom of San Giovanni Battista is a captivating painting by the renowned Italian artist Masaccio (Ser Giovanni, Mone Cassai), created in 1426. This early Renaissance masterpiece measures…
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The world of 15th-century Florentine painting was undergoing a seismic shift, and at the heart of this transformation stood Masaccio – a name that resonates with an almost…
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A Revolutionary Vision of Faith: Masaccio’s St. Andrew Masaccio's *St. Andrew*, painted in 1426, is a landmark work of the Early Renaissance, embodying the seismic shift towards naturalism…
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Masaccio's 1426 painting, *Crucifixion of St. Peter*, is not merely a depiction of a pivotal moment in Christian history; it’s a foundational cornerstone of the Early Italian Renaissance.…
Commission a hand-painted copy →The four subjects that return most often among these masterpieces, with the finest example of each.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Masaccio | Paintings from this list |
|---|---|---|---|
 Santa Maria del Carmine |
Firenze | 7 | View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view), Frescoes in the Cappella Brancacci (left view) |
 Berliini Riigimuseumid |
Berliin | 6 | Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo) |
 Gemäldegalerie |
Berliin | 5 | Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín |
 Santa Maria Novella |
Firenze | 4 | Trinity (detail), Trinity, Trinity (detail) |
 Lindenau-Museum |
Altengau | 3 | Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane |
 National Gallery of Art |
Washington | 2 | Profile Portrait of a Young Man, Madonna of Humility |
 National Gallery |
London | 2 | Madonna with Child and Angels, St.Girolamo end Giovanni Battista |
 Museo di Capodimonte |
Neapel | 1 | Crucifixion |
Masaccio painted for barely 9 years, from 1420 to 1428: follow that decade year by year, through the paintings that made the name.
The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this…
The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
Soodne stseen avaneb Firences, Santa Maria del Carmine basilika Brancacci kapellis. Siin toob fresco pealkirjaga Üleandmise raha, mille on loonud Masaccio, piiratud piirdedega bibliseel stori kapelli seintel ellu.…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene,…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring…
Itaalia Firenzes asuvas Santa Maria del Carmine kirikus asuv Brancaccii kapell on täis rasket vaikust, mis kannab endas sügava tragedy kaalu. Siin hingavad seinad lugudest, mis räägivad Eedeni…
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426,…
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed…
Masaccio's View of the Cappella Brancacci (before restoration), painted in 1426, isn’t merely a depiction of a church interior; it’s a pivotal moment in art history – a…
The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…
In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
Masaccio'i "Kolmainsus" oli murghangust teos, mis tõi kaasa mitmeid kunstilisi uuendusi. See on üks esimesi monumentaalseid renessanssi maale, mis kasutas lineaarset perspektiivi, luues sügavuse ja ruumi tunde. Chiaroscuro…
Kolmainsus (1428). Next come Üleandmise raha (1425) and Eedeni aiast välja tõstmine (1426).
27 years old: Kolmainsus dates from 1428 and Masaccio was born in 1401.
Kolmainsus, Üleandmise raha, Eedeni aiast välja tõstmine, Tulus Maksumuse Detail, Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity and Trinity (detail). The ranking above gives the year and the museum of each.
Our catalogue lists 97 works by Masaccio, dated from 1420 to 1428.
Most of them are in Santa Maria del Carmine (Firenze), Berliini Riigimuseumid (Berliin) and Gemäldegalerie (Berliin). The table above lists the museums one by one.
In 1426: 41 of the 97 works on this page date from then, among them Eedeni aiast välja tõstmine.
The earliest on this page is Madonna of Humility (1420), the latest Kolmainsus (1428).
Saints (30), Religious (25) and Renaissance (14), among the 97 works on this page.
Acrylic On Canvas: 9 of the 97 works on this page.
Vararenessanss, as the paintings on this page show.
View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view) and Frescoes in the Cappella Brancacci (left view) are among the 7 works on this page held by the Santa Maria del Carmine, Firenze.
Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.
Tommaso di Ser Giovanni di Simone, paremini tuntud kui Masaccio (tähendab 'kohmakas Tom'), oli varase Itaalia renessansi võtmeisik. Ta sündis 21. detsembril 1401. aastal San Giovanni Valdarnos, Itaalias ja suri traagiliselt noorelt 1428. aastal. Tema lühike karjäär revolutsioneeris maalikunsti murrangulise realismiga, perspektiiviga ja chiaroscuroga (tugevate valgus-varju kontrastidega kasutamine). Vaatamata oma lühikesele elule oli Masaccio mõju järgnevatele kunstnike põlvedele sügav, luues uue naturalismi standardi ja mõjutades Lääne kunsti kulgu.
Masaccio mõju Lääne kunsti kulule on hindamatu, vaatamata tema traagiliselt lühikesele karjäärile. Tema uuendused perspektiivis, chiaroscuros ja naturalismis muutsid fundamentaalselt viisi, kuidas kunstnikud maailma kujutasid. Ta sillutas tõhusalt tee keskaegsete kunstikonventsioonide ja renessansi tekkivate ideaalide vahel.
Masaccio pärand kestab kui üks ajaloo olulisemaid ja mõjukamaid kunstnikke. Ta on võtmeisik üleminekul keskaegsest renessansi kunsti, muutes igaveseks viisi, kuidas me maailma kujutame ja maalime. Tema lühike, kuid särav karjäär on tunnistuseks uuenduste jõust ja kunstilise geeniuse püsivast mõjust.
