Henri Lebasque, 1865 – 1937

Henri Lebasque: 100 kuulsumat maali

Street by the Port at Collioure (1921) on Henri Lebasque kõige kuulsam teos. Young woman on a hammock (1923) ja On the Beach (1921) on järgmised kaks maailmas kõige tuntumat teost. Henri Lebasque 539 teoseaga meie kataloogist on siin 100 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.

Henri Lebasque portree
Henri Lebasque · 1865 – 1937
Sündinud · surnud
1865 – 1937, Champigné
Suunata
Post-impressionism
Meie kataloogis olevad teosed
539
Kõige tuntud
Street by the Port at Collioure (1921)
Enamasti teoseid on
Wallraf-Richartz-Museum

Top 10: Henri Lebasque kõige tuntumad maalid

Street by the Port at Collioure (1921) autor Henri Lebasque
1

Street by the Port at Collioure

1921 · Oil

In this 1921 work, we find ourselves standing at the edge of a quiet harbor, looking out toward the water. The scene captures a narrow street leading down to the port, where the architecture of the town meets the movement of the sea. Several boats are scattered throughout the harbor, their forms resting upon the water, while small figures move along the waterfront. There is a sense of a lived-in…

Young woman on a hammock (1923) autor Henri Lebasque
2

Young woman on a hammock

1923 · Oil On Canvas

Sunlight filters through a dense canopy of leaves, casting dappled patterns across a secluded garden. In the center of this lush sanctuary, a young woman reclines within the gentle embrace of a hammock. The fabric, marked by distinct stripes of red, yellow, and blue, sways almost imperceptibly between two sturdy trees. She rests in a state of profound contentment, her body softly contoured by the weight of her repose. Around…

On the Beach (1921) autor Henri Lebasque
3

On the Beach

1921 · Oil On Canvas

On the Beach is an oil on canvas by the French artist Henri Lebasque. Created about 1921, the work reflects the artist's established interest in the interplay of light and leisure. Lebasque, born in Champigné, France, developed a style characterized by a natural brush-stroke and a focus on the serene atmosphere of the outdoors.

Jäädavad Henri Lebasque reitingus kohad 11 kuni 100

The Siesta (1923) autor Henri Lebasque
#32

The Siesta

1923

To gaze upon Henri Lebasque's The Siesta is to be instantly transported to a moment suspended in golden, languid time. This oil-on-canvas masterpiece, painted in 1923, captures the…

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Garden with Urn (1913) autor Henri Lebasque
#39

Garden with Urn

1913

To gaze upon Henri Lebasque’s Garden with Urn is to step through a veil and into a moment of perfect, sun-drenched tranquility. This painting, executed in 1913, is…

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Street in Lagny, in Chessy (1906) autor Henri Lebasque
#41

Street in Lagny, in Chessy

1906

To gaze upon Henri Lebasque's Street in Lagny, in Chessy is to step through a veil of time and into a moment suspended in perfect, sun-dappled tranquility. This…

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Woman in a White Dress (1923) autor Henri Lebasque
#46

Woman in a White Dress

1923

To gaze upon Henri Lebasque’s "Woman in a White Dress" is to step across the threshold into a moment suspended in time—a breath held just before the world…

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Henri Lebasque maalid ajastuse kaupa

Teemad, mida Henri Lebasque kõige rohkem maalis

Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.

Kust näha Henri Lebasque maale

Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Henri Lebasque teosid Selle nimekirja maalid
Wallraf-Richartz-Museum, KölnWallraf-Richartz-Museum Köln 3 Village of Champigne
Museo de Arte de Ponce, PonceMuseo de Arte de Ponce Ponce 1 Young Girls in a Wood

Henri Lebasque aastakatega: üks meistriteos igal dekadel

  1. 1880s
  2. 1890s
  3. 1900s
  4. 1910s
    bather (1910) autor Henri Lebasque
    Reede 6 / 100

    bather

    Vanus 45–54
  5. 1920s
    Street by the Port at Collioure (1921) autor Henri Lebasque
    #1 / 100

    Street by the Port at Collioure

    Vanus 55–64

    In this 1921 work, we find ourselves standing at the edge of a quiet harbor, looking out toward the water. The scene captures a narrow street leading down…

Henri Lebasque maalid: korduvad küsimused

Mis on kõige kuulsam Henri Lebasque maal?Näita vastus

Street by the Port at Collioure (1921). Järgnevad Young woman on a hammock (1923) ja On the Beach (1921).

Mis vanuses trükkis Henri Lebasque teose Street by the Port at Collioure valmis?Näita vastus

56 aastat vanus: teos Street by the Port at Collioure on aastatest 1921 ja kunstnik Henri Lebasque on sündinud aastal 1865.

Millised on 10 kuulsumat Henri Lebasque maalist?Näita vastus

Street by the Port at Collioure, Young woman on a hammock, On the Beach, Girls in the Garden, In the Flowers, bather, Summer Afternoon at Frejus, Bathers at a fountain in Saint Tropez, Woman in a Boat with an Umbrella ja Blue Reflection in the Fountain at Pradet. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju on kunstniku Henri Lebasque maale?Näita vastus

Meie kataloogis on 539 teost kunstnikult Henri Lebasque, aastatest 1886 kuni 1926.

Kust saan näha kõige kuulsamaid Henri Lebasque maale?Näita vastus

Enamik neist asub Wallraf-Richartz-Museum (Köln) ja Museo de Arte de Ponce (Ponce). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

Mille perioodi jooksul lõitis Henri Lebasque oma tuntumad teosed?Näita vastus

Ajalisel perioodil 1900s: 41 100 sellel lehel olevat teost on sellest ajast, მათhulgas Girls in the Garden.

Mis on esimene kuulus Henri Lebasque maal ja milline on viimane?Näita vastus

Sellel lehel on kõige vanem teos Reading in the Garden (1886) ja kõige uuem Blue Mountains in Cannes (1926).

Mida Henri Lebasque maalis?Näita vastus

Rivers (13), Women (12) ja Girls (9), 100 teose seas sellel lehel.

Mida Henri Lebasque millel ja millega maalis?Näita vastus

Oil On Canvas: 13 100 teosest sellel lehel.

Millisse toomangu kuulub Henri Lebasque kunst?Näita vastus

nagu sellel lehel olevad maalid näitavad Post-impressionism ja Impressionism.

Kust saan osta Henri Lebasque reproduktsiooni?Näita vastus

Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.

Henri Lebasque: biograafia

A Painter of Joy and Light: The Life and Art of Henri Lebasque

Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

Embracing Intimacy: Influences and Artistic Development

Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike. Lebasque's artistic vision centered around portraying the serene beauty of domestic life and landscapes bathed in sunlight—themes that mirrored the sensibilities of Les Nabis and resonated with his own profound appreciation for visual harmony. His meticulous technique involved layering thin, translucent paint to achieve a luminous quality characteristic of Post-Impressionism, skillfully utilizing complementary color pairings to heighten visual impact while maintaining an overall sense of balance. Works like *Rest on the Banks of the Yaudet* exemplify this mastery, capturing the tranquility of nature with delicate brushstrokes and subtle tonal variations.

A Palette of Serenity: Themes and Techniques

The hallmark of Lebasque's work lies in its tranquil atmosphere and harmonious palette—a deliberate departure from the dramatic narratives favored by earlier artistic movements. He sought inspiration in simple pleasures—family portraits, leisurely moments spent outdoors—translating these experiences onto canvas with remarkable sensitivity. His paintings eschewed grand historical pronouncements or theatrical displays of emotion; instead, they offered glimpses into intimate domesticity and the understated splendor of the natural world. Madame Lebasque and Her Daughters stands as a testament to his ability to convey tenderness and grace through masterful composition and luminous color—a hallmark of Lebasque’s distinctive style. His technique involved building up layers of thin, translucent paint – a method that allowed for subtle tonal shifts and maximized the impact of complementary color pairings. This approach resulted in canvases imbued with an ethereal glow, reflecting Lebasque's unwavering dedication to capturing light and color with unparalleled precision. He skillfully employed techniques honed during his formative years at the École régionale des beaux-arts d’Angers and further refined through collaborations with prominent artists like Camille Pissarro and Auguste Renoir—artists who championed a similar aesthetic philosophy centered on observation and emotional resonance.

Legacy and Recognition: A Lasting Impression

Throughout his prolific career, Lebasque achieved considerable acclaim, participating in prestigious exhibitions such as the Salon d’Automne – which he helped establish alongside Henri Matisse – and the Salon des Indépendants. These venues provided a platform for showcasing his innovative approach to painting and solidified his reputation as a visionary artist ahead of his time. Furthermore, commissions from influential patrons—including decorative projects undertaken at the Champs-Élysées theatre and on transatlantic liners—demonstrated Lebasque’s versatility and cemented his place within the cultural landscape of Belle Époque Paris. His enduring artistic legacy is evidenced by the presence of numerous masterpieces in prominent museum collections across Europe – including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes – guaranteeing that Henri Lebasque's vision continues to inspire generations of artists and viewers alike.

Kõik 539 teost Henri Lebasque →