Georg Baselitz, 1938 – 2026

Georg Baselitz maalid: 24 kuulsumat teost järjestatud

Georg Baselitz kõige kuulsam teos on Supper in Dresden (1983), mis asub museumis Kunsthaus Zürich, linnas Zürich. koos Der Ausgang - Karl (1987) ja Female Nude on a Kitchen Chair (1979) moodustavad need kolm teost, mis on kõigile tuttavad. Meie kataloogis on 24 teost kunstnikult Georg Baselitz; alljoonas on 24 kõige vaadeldavamat teost koos nende loomisaea, säilitaja museumi ja olulisuse selgitusega.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026.

Georg Baselitz portree
Georg Baselitz · 1938 – 2026
Sündinud · surnud
1938 – 2026, Deutschbaselitz
Suunata
Neo-expressionism
Meie kataloogis olevad teosed
24
Kõige tuntud
Supper in Dresden (1983)
Enamasti teoseid on
Bavaria riiklikud maalidema kogumikud

10 kõige kuulsumat Georg Baselitz maali

Supper in Dresden (1983) autor Georg Baselitz
1

Supper in Dresden

1983 · Oil On Canvas · Kunsthaus Zürich, Zürich

In the vast, commanding expanse of Supper in Dresden, viewers are invited into a world where reality is turned on its head—quite literally. This monumental oil on canvas, stretching over four meters in length, serves as a profound testament to the genius of Georg Baselitz, one of the most provocative voices of the Neo-Expressionist movement. At first glance, the painting presents a chaotic, almost feverish gathering around a long dining…

Der Ausgang - Karl (1987) autor Georg Baselitz
2

Der Ausgang - Karl

1987 · Oil On Canvas · Albertina Klosterneuburg, Klosterneuburg

A man stands within the frame, his form caught in a moment of heavy gesture. He wears a black suit and a tie, yet his shape is distorted, pulled by an unseen tension. His arms reach upward, breaking the stillness of the composition. The canvas holds him in a clash of primary tones, where deep blues meet a sharp, bright yellow. A checkered pattern cuts through the scene, adding a…

Female Nude on a Kitchen Chair (1979) autor Georg Baselitz
3

Female Nude on a Kitchen Chair

1979 · Woodblock Print · Tate Britain, London

Georg Baselitz's "Female Nude on a Kitchen Chair," created in 1979, isn’t merely a depiction of a woman; it’s a raw, unsettling excavation of the human condition. Emerging from the aftermath of World War II and deeply rooted in the fractured landscape of post-war Germany, Baselitz's work consistently grapples with themes of destruction, memory, and the inherent instability of representation. This particular piece embodies these concerns with an arresting intensity,…

Georg Baselitz, maalid 11 kuni 24

Acker (1962) autor Georg Baselitz
#11

Acker

1962 · Städel Museum
Eagle (1982) autor Georg Baselitz
#14

Eagle

1982 · Städel Museum
Untitled (1983) autor Georg Baselitz
#15

Untitled

1983 · Metropolitan Museum of Art
Crema (2004) autor Georg Baselitz
#20

Crema

2004 · Statens Museum For Kunst
Da. Portrait (Franz Dahlem) (1969) autor Georg Baselitz
#23

Da. Portrait (Franz Dahlem)

1969

Painted from a snapshot turned upside down, this portrait of the gallerist Franz Dahlem, part of a group of portraits of the artist’s friends and intimates, has a…

Teemad, mida Georg Baselitz kõige rohkem maalis

Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.

Kust näha Georg Baselitz maale

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Georg Baselitz teosid Selle nimekirja maalid
Bavaria riiklikud maalidema kogumikud, MünchenBavaria riiklikud maalidema kogumikud München 4 Three Field Workers, Sea Swallow, Picture Sixteen
Statens Museum For Kunst, KooberemaaStatens Museum For Kunst Kooberemaa 4 Untitled, Landscape with Shoe, Female Landscape
Städel Museum, FrankfurtStädel Museum Frankfurt 3 Oberon (1. Orthodoxer Salon 64 - E. Neijsvestnij), Acker, Eagle
Albertina Klosterneuburg, KlosterneuburgAlbertina Klosterneuburg Klosterneuburg 2 Der Ausgang - Karl, Vorwärts Wind (Remix)
Kunsthaus Zürich, ZürichKunsthaus Zürich Zürich 1 Supper in Dresden
Tate Britain, LondonTate Britain London 1 Female Nude on a Kitchen Chair
Museum Ludwig, KölnMuseum Ludwig Köln 1 Model for a Sculpture
Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 1 Fixed Idea

Georg Baselitz kõige kuulsam maala igas kümnendis

  1. 1960s
  2. 1970s
    Female Nude on a Kitchen Chair (1979) autor Georg Baselitz
    #3 / 24

    Female Nude on a Kitchen Chair

    Vanus 32–41 · Tate Britain

    Georg Baselitz's "Female Nude on a Kitchen Chair," created in 1979, isn’t merely a depiction of a woman; it’s a raw, unsettling excavation of the human condition. Emerging…

  3. 1980s
    Supper in Dresden (1983) autor Georg Baselitz
    Reede 1 / 24

    Supper in Dresden

    Vanus 42–51 · Kunsthaus Zürich

    In the vast, commanding expanse of Supper in Dresden, viewers are invited into a world where reality is turned on its head—quite literally. This monumental oil on canvas,…

  4. 1990s
    Picture Sixteen (1993) autor Georg Baselitz
    #18 / 24

    Picture Sixteen

    Vanus 52–61 · Bavaria riiklikud maalidema kogumikud
  5. 2000s
    Bedroom (Remix) (2005) autor Georg Baselitz
    Reede 19 / 24

    Bedroom (Remix)

    Vanus 62–71 · Bavaria riiklikud maalidema kogumikud
  6. 2010s

Küsimused Georg Baselitz maalide kohta

Mis on Georg Baselitz kõige kuulsam maaliam?Näita vastus

Supper in Dresden (1983), Kunsthaus Zürich, Zürich. Järgnevad Der Ausgang - Karl (1987) ja Female Nude on a Kitchen Chair (1979).

Kui vana oli Georg Baselitz, kui teos Supper in Dresden maalis?Näita vastus

45 aastat vanus: teos Supper in Dresden on aastatest 1983 ja kunstnik Georg Baselitz on sündinud aastal 1938.

Millised on Georg Baselitz 10 kõige populaarsemat maalatist?Näita vastus

Supper in Dresden, Der Ausgang - Karl, Female Nude on a Kitchen Chair, Oberon (1. Orthodoxer Salon 64 - E. Neijsvestnij), Three Field Workers, Sea Swallow, Model for a Sculpture, Untitled, Der jäger ja Fixed Idea. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju maali Georg Baselitz teinud on?Näita vastus

Meie kataloogis on 24 teost kunstnikult Georg Baselitz, aastatest 1962 kuni 2015.

Kus asuvad Georg Baselitz kõige kuulsamad maalid?Näita vastus

Enamik neist asub Bavaria riiklikud maalidema kogumikud (München), Statens Museum For Kunst (Kooberemaa) ja Städel Museum (Frankfurt). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

Millal maalas Georg Baselitz oma kuulsamaid teoseid?Näita vastus

Ajalisel perioodil 1980s: 8 24 sellel lehel olevat teost on sellest ajast, მათhulgas Supper in Dresden.

Millised on Georg Baselitz esimesed ja viimad kuulsad maalid?Näita vastus

Sellel lehel on kõige vanem teos Acker (1962) ja kõige uuem Di nuovo arrivato (2015).

Mida Georg Baselitz kõige rohkem kasutas?Näita vastus

Oil On Canvas: 2 24 teosest sellel lehel.

Millisse toidunäidule Georg Baselitz kuulub?Näita vastus

nagu sellel lehel olevad maalid näitavad Neo-expressionism.

Milliseid Georg Baselitz maale saan näha Bavaria riiklikud maalidema kogumikud muuseumis?Näita vastus

Three Field Workers, Sea Swallow ja Picture Sixteen on üks 4 teosest sellel lehel, mida hoiab Bavaria riiklikud maalidema kogumikud, München.

Info Georg Baselitz kohta

A Life Forged in the Shadows of History

Born Hans-Georg Bruno Kern on January 23, 1938, in the small German village of Deutschbaselitz, the artist who would become known to the world as Georg Baselitz was a child of profound transition and upheaval. Growing up in the Upper Lusatia region amidst the literal and metaphorical rubble of World War II, his early consciousness was inextricably linked to themes of destruction, displacement, and the fractured order of a shattered society. This formative environment—marked by the loss of community and the lingering trauma of occupation—became the bedrock of his artistic vision. The devastation he witnessed did not merely provide subject matter; it instilled in him an urgent, lifelong need to question established conventions and to explore the very nature of perception through the lens of a world that had been turned upside down.

His early artistic inclinations were nurtured by a deep intellectual curiosity and significant cultural encounters. The influence of his father, an elementary school teacher, fostered a disciplined approach to observation, while the profound writings of Jakob Böhme provided a spiritual and philosophical complexity to his worldview. A pivotal moment in his development occurred when he encountered Louis-Ferdinand von Rayski’s Wermsdorfer Wald at a local school assembly. This masterpiece of realism ignited a fascination with capturing visual truth, leading him to produce portraits, religious subjects, and landscapes that, even in his youth, hinted at a more futuristic and unsettling vision.

The Revolution of Inversion and Neo-Expressionism

As the art world moved toward the sterile intellectualism of Minimalism and Conceptual Art in the 1960s, Baselitz staged a visceral rebellion. He became a leading voice of Neo-Expressionism, a movement that sought to reclaim the raw power and emotional intensity of figurative painting. However, his contribution was far from a simple return to tradition. In 1969, Baselitz introduced one of the most radical innovations in modern art: the technique of painting his subjects upside down. This deliberate inversion was not a mere gimmick; it was a profound attempt to strip the subject of its representational, content-driven character. By turning the figure on its head, he forced the viewer to confront the artifice of the painting itself—to look past the "what" of the image and focus instead on the texture, color, and the physical reality of the paint on canvas.

This period saw the emergence of works that challenged the very boundaries of the medium. His compositions often oscillated between recognizable figuration and a chaotic, feverish energy. In monumental pieces like Supper in Dresden, he reimagined historical narratives through a lens of disarray and chromatic collision, using striking shades of pink, blue, and black to create a sense of restless, uncontainable energy. His work during this era functioned as an excavation of the human condition, utilizing distortion to express vulnerability and the inherent instability of memory and identity.

A Lasting Legacy of Provocation

Throughout his prolific career, Baselitz’s artistic language has been a complex tapestry woven from myriad influences, ranging from the starkness of Socialist Realism and the dramatic tension of Mannerism to the primal rhythms of African sculpture. This eclectic synthesis allowed him to create a body of work that feels both deeply rooted in German history and universally resonant in its exploration of existential struggle. Whether through his commanding oil paintings, his evocative sculptures, or his intricate graphic works, Baselitz has remained steadfast in his commitment to a style characterized by unsettling honesty.

The historical significance of Georg Baselitz lies in his ability to transform the trauma of the past into a revolutionary aesthetic for the future. He did not merely document destruction; he used it as a tool to rebuild the language of painting. His achievements include:

  • Redefining Figuration: Breaking the reliance on narrative content through the radical use of inversion.
  • Mastery of Neo-Expressionism: Leading a global revival of emotional, visceral painting in an era of conceptual dominance.
  • Exploration of Identity: Using distorted forms to grapple with the complexities of post-war German identity and the fragility of the human form.
  • Technical Innovation: Integrating diverse cultural influences into a singular, unmistakable artistic voice that continues to influence generations of painters and sculptors.

Today, Baselitz stands as one of the most influential figures of the twentieth century, a painter whose work remains a powerful testament to the resilience of creativity in the face of chaos.

Kõik 24 teost Georg Baselitz →