Edward Lear, 1812 – 1888

Edward Lear Paintings: The 100 Most Famous Works, Ranked

Edward Lear's most famous painting is Cogoleto, Italy. With Crescenza and Blue And Yellow Macaw, it completes the three works everyone recognises. Our catalogue lists 419 works by Edward Lear; the 100 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.

Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated oktoober 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portrait of Edward Lear
Edward Lear · 1812 – 1888
Born · died
1812 – 1888, London
Movement
Romanticism
Works in our catalogue
419
Most famous
Cogoleto, Italy
Most works at
Yale Center for British Art

The 10 most famous Edward Lear paintings

Cogoleto, Italy by Edward Lear
1

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

The Temple of Apollo at Bassae (1855) by Edward Lear
7

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Edward Lear, paintings 11 to 100

Philae, Egypt (1863) by Edward Lear
#14

Philae, Egypt

1863 · Yale Center for British Art

Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

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Between Olavano and Civitella (1842) by Edward Lear
#16

Between Olavano and Civitella

1842 · Yale Center for British Art

Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

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The Mountains of Thermopylae (1852) by Edward Lear
#18

The Mountains of Thermopylae

1852 · Bristol Museum - Art Gallery

Edward Lear’s Thermopylae: A Landscape of Quiet Resolve Edward Lear (1812–1888), a figure largely remembered for his delightfully absurd verse and whimsical illustrations—particularly “The Owl and the Pussy…

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Thermopylae (1872) by Edward Lear
#45

Thermopylae

1872 · The Ashmolean Museum of Art And Archaeology

In his 1872 masterpiece, Thermopylae, Edward Lear invites the viewer to step beyond the boundaries of the everyday and into a realm where the majesty of the earth…

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The subjects Edward Lear painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Edward Lear's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Edward Lear Paintings from this list
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondonGovernment Art Collection London 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
The Ashmolean Museum of Art And Archaeology, OxfordThe Ashmolean Museum of Art And Archaeology Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Israel Muuseum, JeruusalemmaIsrael Muuseum Jeruusalemma 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Mountains of Thermopylae
Toledo kunstimuuseum, ToledoToledo kunstimuuseum Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Edward Lear's most famous painting of each decade

  1. 1830s
  2. 1840s
    Between Olavano and Civitella (1842) by Edward Lear
    #16 of 100

    Between Olavano and Civitella

    Age 28 – 37 · Yale Center for British Art

    Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

  3. 1850s
  4. 1860s
    Philae, Egypt (1863) by Edward Lear
    #14 of 100

    Philae, Egypt

    Age 48 – 57 · Yale Center for British Art

    Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

  5. 1870s
  6. 1880s
    The Plains of Lombardy from Monte Generoso (1880) by Edward Lear
    Rank 15 / 100

    The Plains of Lombardy from Monte Generoso

    Age 68 – 76 · The Ashmolean Museum of Art And Archaeology

    In the quiet majesty of The Plains of Lombardy from Monte Generoso, we are invited to stand upon a precipice of history and nature. Created in 1880 by…

Questions about Edward Lear's paintings

What is Edward Lear's most famous painting?Show the answer

Cogoleto, Italy. Next come Crescenza and Blue And Yellow Macaw.

What are the top 10 paintings by Edward Lear?Show the answer

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy and Ithaca, Ionian Islands. The ranking above gives the year and the museum of each.

How many paintings did Edward Lear make?Show the answer

Our catalogue lists 419 works by Edward Lear, dated from 1839 to 1884.

Where are Edward Lear's most famous paintings?Show the answer

Most of them are in Yale Center for British Art (New Haven), Government Art Collection (London) and The Ashmolean Museum of Art And Archaeology (Oxford). The table above lists the museums one by one.

When did Edward Lear paint the most famous works?Show the answer

In 1860s: 14 of the 100 works on this page date from then, among them Philae, Egypt.

What are Edward Lear's earliest and latest famous paintings?Show the answer

The earliest on this page is Civita Castellana (1839), the latest Argos from Mycene (1884).

What did Edward Lear paint most often?Show the answer

Landscape (11), Scenes (11) and Italy (11), among the 100 works on this page.

What medium did Edward Lear use most?Show the answer

Watercolor: 2 of the 100 works on this page.

Which art movement does Edward Lear belong to?Show the answer

Romanticism, as the paintings on this page show.

Which Edward Lear paintings can I see at the Yale Center for British Art?Show the answer

Philae, Egypt, Between Olavano and Civitella and A Study of Ferns, Civitella are among the 14 works on this page held by the Yale Center for British Art, New Haven.

Can I buy a reproduction of a Edward Lear painting?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

About Edward Lear

Edward Lear (1812–1888): The Poet of Nonsense

Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, Middlesex, England, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing. Lear's artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep connection with the natural world – a connection that would permeate his later landscapes. His dedication to scientific illustration instilled in him a disciplined approach to observation and representation, shaping his artistic sensibilities for decades to come. He meticulously rendered specimens of birds, reptiles, and mammals, capturing their textures and contours with remarkable accuracy—a testament to his technical prowess.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic development took a significant turn when he embarked on extensive travels throughout Europe and beyond. Italy became a particular haven, offering not only respite for his health but also an abundance of inspiring vistas. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork. His landscapes are imbued with a palpable sense of emotion—a reflection of his own contemplative spirit—and demonstrate a masterful command of watercolor technique. Unlike many artists of his time who sought to depict nature in idealized form, Lear embraced its imperfections, capturing the subtle nuances of light and shadow with sensitivity and nuance. He wasn’t merely recording what he saw; he was conveying an inner vision—a communion with the beauty and mystery of the natural world.

The Poet of Nonsense: A World Unbound

Lear's literary contributions cemented his place in artistic history, establishing him as a pioneer of “nonsense” poetry – particularly limericks. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," revolutionized children’s literature and captivated audiences of all ages. This collection introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren't merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear’s limericks explored themes of loneliness, longing, and the absurdity of existence—cloaked within a veneer of whimsicality—challenging readers to question assumptions about reality and embrace imaginative freedom. He didn’t simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting audiences to suspend disbelief and revel in the joy of playful experimentation. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic—its enduring appeal stemming from its lyrical rhythm and evocative imagery.

A Legacy of Innovation and Enduring Charm

Lear’s influence extends far beyond the realm of children's literature. He championed a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique—a skill honed through years of observation and practice. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. His work continues to inspire artists, writers, and dreamers alike, reminding us that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit. He achieved considerable renown as an illustrator, notably contributing to publications by John Ruskin and Tennyson, showcasing his versatility and artistic vision. Lear’s paintings can be found in esteemed collections like The Ashmolean Museum, Oxford—a testament to his skill as a landscape artist and his enduring contribution to Victorian art.

All 419 works by Edward Lear →