Untitled (1964) on David Smith kõige kuulsam teos. Hudson River Landscape (1951) ja Cubi i on järgmised kaks maailmas kõige tuntumat teost. David Smith 19 teoseaga meie kataloogist on siin 18 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | David Smith teosid | Selle nimekirja maalid |
|---|---|---|---|
| New York | 1 | Hudson River Landscape |
14 aastat David Smith maalimist, aastatest 1951 aastani 1964, esitatud aasta-aastalt läbi tema tuntumamate teoste.
Untitled (1964). Järgnevad Hudson River Landscape (1951) ja Cubi i.
58 aastat vanus: teos Untitled on aastatest 1964 ja kunstnik David Smith on sündinud aastal 1906.
Untitled, Hudson River Landscape, Cubi i, Three planes, N08744 46 lr, Saw head, (1933), 5 And A Half (Use Half Sign), Suspended cube, Untitled ja Zig iv. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogis on 19 teost kunstnikult David Smith, aastatest 1951 kuni 1964.
Enamik neist asub Whitney Museum of American Art (New York). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Sellel lehel on kõige vanem teos Hudson River Landscape (1951) ja kõige uuem Untitled (1964).
nagu sellel lehel olevad maalid näitavad Abstract expressionism.
Born in Decatur, United States, David Smith was a sculptor, painter, designer, photographer, artist, writer, and visual artist. His creative journey involved studying at Ohio University and Notre Dame, and he worked on the assembly line of the Studebaker automobile factory in South Bend, Indiana. After moving to New York in 1926, he studied at the Art Students League of New York. During the Great Depression, he participated in the Works Progress Administration’s Federal Art Project. Smith later moved to Bolton Landing, New York, where he operated a studio. During World War II, he worked as a welder for the American Locomotive Company in Schenectady, New York.
His sculptural work is characterized by the use of industrial steel, which he manipulated using an oxyacetylene torch to weld metal. He often created unique works by cutting, plugging, flattening, pinching, and bending steel bars. His output included various series, such as the Agricolas and the Cubi series, which featured stainless steel. In his later years, he utilized spray paint to create stenciled shapes. Beyond sculpture, Smith produced drawings and paintings, including a series known as the Last Nudes.
Smith's body of work includes several recognized pieces, such as:
His work has been featured in numerous exhibitions globally, including the Venice Biennale and the São Paulo Bienal. His sculptures have been held in collections such as the Whitney Museum of American Art in New York.