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          Ben Nicholson Om, 1894 – 1982

          Ben Nicholson Om kõige kuulsam 100 maalist

          Teos, mis tegi Ben Nicholson Om kuulsaks, on 1946 (cerulean abstraction) (1946); see ripub Pallant House Gallery-is, Chichester. 1933 (St Rémy self portrait with Barbara Hepworth) (1933) ja 1934 (painted relief) (1934) järgnevad nende järel samas kogumiste ja muuseumi külastajate lemmikes Sellest 127 teosest, mis Ben Nicholson Om teosena meie kataloogis on, on need 100 kõige imetlevamat, millist igaüks on esitatud koos kuupäeva, museumi ja oma eripärase tähelepanekuga.

          Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026.

          Ben Nicholson Om portree
          Ben Nicholson Om · 1894 – 1982
          Sündinud · surnud
          1894 – 1982, Buckinghamshire
          Suunata
          Cubism
          Meie kataloogis olevad teosed
          127
          Kõige tuntud
          1946 (cerulean abstraction) (1946)
          Enamasti teoseid on
          Kettle's Yard

          Ben Nicholson Om: kümneks suurimaks teoseks

          1946 (cerulean abstraction) (1946) autor Ben Nicholson Om
          1

          1946 (cerulean abstraction)

          1946 · Acrylic On Canvas · Pallant House Gallery, Chichester

          Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion through geometric form. Painted in 1946 amidst the postwar landscape of Britain—a period marked by rebuilding efforts and a fervent embrace of experimental artistic approaches—the canvas embodies a profound stillness punctuated by dynamic interplay between color and shape.

          Selle teose lugu
          1934 (painted relief) (1934) autor Ben Nicholson Om
          3

          1934 (painted relief)

          1934 · Acrylic On Canvas · University of Hertfordshire, North Hatley

          Exploring Geometric Minimalism: Ben Nicholson’s ‘1934 (relief)’ Ben Nicholson OM's '1934 (relief)' stands as a testament to the understated elegance of geometric abstraction, embodying the spirit of mid-century modern design and inviting contemplation on form and texture. Created in 1934, this mahogany painted relief exemplifies Nicholson’s pioneering exploration of spatial relationships within simplified shapes—a deliberate departure from representational art that sought to capture the essence of experience rather than visual…

          Selle teose lugu
          1932–33 (musical instruments) (1933) autor Ben Nicholson Om
          7

          1932–33 (musical instruments)

          1933 · Oil On Canvas · Kettle's Yard, Cambridge

          A violin and a cello emerge from a quiet, gray landscape. They are not drawn with the soft curves of a musician's hand, but through the sharp, disciplined language of geometric abstraction. In this 1933 oil on canvas, the instruments lose their wooden warmth to become a series of intersecting planes and incised lines. The composition relies on a muted palette, where shades of gray dictate the mood, creating a…

          Avastage seda meistriteost

          Veel Ben Nicholson Om meistriteoseid, 11 kuni 100

          May 1956 (hendrifter) (1956) autor Ben Nicholson Om
          #12

          May 1956 (hendrifter)

          1956 · Arts Council Collection

          To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

          c.1922 (Balearic Islands) (1924) autor Ben Nicholson Om
          #13

          c.1922 (Balearic Islands)

          1924 · Kettle's Yard

          Ben Nicholson's "c.1922 (Balearic Islands)" isn’t merely a painting; it’s a distilled moment of introspection, captured with the quiet intensity characteristic of the artist’s mature style. Painted in…

          1927 (Winifred and Jake) (1928) autor Ben Nicholson Om
          #14

          1927 (Winifred and Jake)

          1928 · Pallant House Gallery

          The artwork titled 1927 (Winifred and Jake) is a painting by the artist Ben Nicholson. Completed in 1927, this work functions as a portrait of Winifred and Jake…

          1938 (1938) autor Ben Nicholson Om
          #15

          1938

          1938 · National Gallery of Victoria

          is an oil on canvas work by the British artist Ben Nicholson. Created in 1938, the piece marks a significant period in the artist's career, coinciding with a…

          1930 (Christmas night) (1930) autor Ben Nicholson Om
          #16

          1930 (Christmas night)

          1930 · Kettle's Yard

          The painting 1930 (Christmas night) is a work by Ben Nicholson OM. Created in 1930, the piece captures a quiet domestic scene through a lens of geometric simplicity.…

          1925 (paisaj) (1925) autor Ben Nicholson Om
          #17

          1925 (paisaj)

          1925 · Pallant House Gallery

          Ben Nicholson OM (1894–1982) stands as a monumental figure in British Modernism, celebrated for his pioneering exploration of abstract art and his profound engagement with the landscape. This…

          1925 (jar and goblet) (1925) autor Ben Nicholson Om
          #19

          1925 (jar and goblet)

          1925 · Kettle's Yard

          Ben Nicholson OM's "Jar and Goblet," created in 1925, stands as a cornerstone of British Modernism—a deceptively simple painting that belies its profound exploration of form, color, and…

          1944–5 (painted relief) (1945) autor Ben Nicholson Om
          #22

          1944–5 (painted relief)

          1945 · The Pier Arts Centre

          In the quiet, profound stillness of Ben Nicholson’s 1944–5, one encounters more than just an arrangement of shapes; one enters a meticulously constructed universe of balance and light.…

          Exhibition Sign (1933) autor Ben Nicholson Om
          #74

          Exhibition Sign

          1933 · Kettle's Yard

          The Quiet Geometry of “Exhibition Sign” Ben Nicholson’s “Exhibition Sign,” painted in 1933, isn't merely a sign; it’s a distilled meditation on form, color, and the very act…

          1933 (design) (1933) autor Ben Nicholson Om
          #89

          1933 (design)

          1933 · Laing Art Gallery

          In the quiet evolution of British modernism, few works capture the playful intersection of geometry and organic life as poignantly as Ben Nicholson OM’s 1933 design. This captivating…

          1945 (still life with flag) (1945) autor Ben Nicholson Om
          #90

          1945 (still life with flag)

          1945 · The Ashmolean Museum of Art And Archaeology

          In the quiet aftermath of global upheaval, Ben Nicholson OM captured a moment of profound structural stillness in his 1945 masterpiece, 1945 (still life with flag). This evocative…

          1928 (foothills, Cumberland) (1928) autor Ben Nicholson Om
          #91

          1928 (foothills, Cumberland)

          1928

          In the quiet, evocative landscape of 1928 (foothills, Cumberland), we encounter a moment frozen in time, captured by the masterful hand of Ben Nicholson. This oil on canvas…

          1932 (Talc de Coty) (1932) autor Ben Nicholson Om
          #92

          1932 (Talc de Coty)

          1932 · The Pier Arts Centre

          In the evocative realm of British Modernism, few works capture the experimental spirit of the early twentieth century as tangibly as Ben Nicholson’s 1932 (Talc de Coty). This…

          c.1930 (framed lid) (1930) autor Ben Nicholson Om
          #93

          c.1930 (framed lid)

          1930 · Pallant House Gallery

          The artwork "c.1930 (framed lid)" by Ben Nicholson Om is a captivating piece that showcases the artist's unique style and technique. Created in 1930, this pen drawing measures…

          November 3 1950 (still life winter) (1950) autor Ben Nicholson Om
          #94

          November 3 1950 (still life winter)

          1950 · The Phillips Collection

          We are looking at November 3 1950 (still life winter), a work created by Ben Nicholson in 1950. This piece belongs to the collection of the Phillips Collection,…

          March 1949 (Trencrom) (1949) autor Ben Nicholson Om
          #95

          March 1949 (Trencrom)

          1949 · British Council Collection

          In the vast landscape of twentieth-century abstraction, few works capture the delicate equilibrium between structure and spontaneity as masterfully as Ben Nicholson’s March 1949 (Trencrom). This commanding piece…

          c.1928 (Cumbrian landscape) (1928) autor Ben Nicholson Om
          #96

          c.1928 (Cumbrian landscape)

          1928 · Kettle's Yard

          Ben Nicholson’s “Cumbrian Landscape (No. 2),” painted in 1928, isn't merely a depiction of a rural scene; it’s an invitation to pause and contemplate the quiet beauty of…

          August 1956 (Val d'Orcia) (1956) autor Ben Nicholson Om
          #97

          August 1956 (Val d'Orcia)

          1956 · Tate Modern

          Ben Nicholson’s “August 1956 (Val d’Orcia)” isn't merely a depiction of a Tuscan hillside; it’s an invitation to contemplate the very nature of perception and memory. Painted in…

          1946 (window in Cornwall) (1946) autor Ben Nicholson Om
          #98

          1946 (window in Cornwall)

          1946 · The Whitworth

          Ben Nicholson’s “1946 (Window in Cornwall)” isn't merely a depiction of a landscape; it’s an invitation to contemplate the very essence of perception. Created in 1946, this remarkable…

          date unknown (king III) autor Ben Nicholson Om
          #99

          date unknown (king III)

          Pallant House Gallery

          In the intimate dimensions of this captivating work, titled date unknown (king III), we are invited into a world that feels both profoundly personal and grandly mythic. At…

          1926 (still life with fruit – version 2) (1926) autor Ben Nicholson Om
          #100

          1926 (still life with fruit – version 2)

          1926 · British Council Collection

          Ben Nicholson's "1926 (Still Life with Fruit – Version 2)" isn’t merely a depiction of apples and oranges; it’s a carefully constructed meditation on form, stillness, and the…

          Ben Nicholson Om maalid ajastuse kaupa

          Early Period

          1924 – 1932 · 5 teost selles nimekirjas
          c.1922 (Balearic Islands) (1924), Ben Nicholson Om #13 c.1922 (Balearic Islands) 1924 · Kettle's Yard 1928 (three mugs and a bowl) (1928), Ben Nicholson Om #26 1928 (three mugs and a bowl) 1928 · Jerwood Gallery c.1932 (Bistre 11) (1932), Ben Nicholson Om #40 c.1932 (Bistre 11) 1932 · Nottingham Castle Museum And Art Gallery 1928 (foothills, Cumberland) (1928), Ben Nicholson Om #91 1928 (foothills, Cumberland) 1928 1932 (Talc de Coty) (1932), Ben Nicholson Om #92 1932 (Talc de Coty) 1932 · The Pier Arts Centre

          Mature Period

          1925 – 1950 · 18 teost selles nimekirjas
          1946 (cerulean abstraction) (1946), Ben Nicholson Om #1 1946 (cerulean abstraction) 1946 · Pallant House Gallery 1932–33 (musical instruments) (1933), Ben Nicholson Om #7 1932–33 (musical instruments) 1933 · Kettle's Yard 1932 (Au Chat Botté) (1932), Ben Nicholson Om #8 1932 (Au Chat Botté) 1932 Jan 27 1933 (1933), Ben Nicholson Om #9 Jan 27 1933 1933 1932 (Auberge de la Sole Dieppoise) (1932), Ben Nicholson Om #10 1932 (Auberge de la Sole Dieppoise) 1932

          Early Modern

          1919 – 1936 · 5 teost selles nimekirjas
          1917 (portrait of Edie) (1919), Ben Nicholson Om #20 1917 (portrait of Edie) 1919 circa 1936 (sculpture) (1936), Ben Nicholson Om #48 circa 1936 (sculpture) 1936 1934 6 (painting still life) (1934), Ben Nicholson Om #50 1934 6 (painting still life) 1934 Exhibition Sign (1933), Ben Nicholson Om #74 Exhibition Sign 1933 · Kettle's Yard 1926 (still life with fruit – version 2) (1926), Ben Nicholson Om #100 1926 (still life with fruit – version 2) 1926 · British Council Collection

          Teemad, mida Ben Nicholson Om kõige rohkem maalis

          Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.

          Geometric shapes 10 teost

          1932–33 (musical instruments) (1933), Ben Nicholson Om #7 1932–33 (musical instruments) 1933 · Kettle's Yard 1932 (Au Chat Botté) (1932), Ben Nicholson Om #8 1932 (Au Chat Botté) 1932 1932 (prince and princess) (1932), Ben Nicholson Om #11 1932 (prince and princess) 1932 · Walker Art Gallery 1930 (Christmas night) (1930), Ben Nicholson Om #16 1930 (Christmas night) 1930 · Kettle's Yard

          Geometric 7 teost

          1934 (painted relief) (1934), Ben Nicholson Om #3 1934 (painted relief) 1934 · University of Hertfordshire 1944–5 (painted relief) (1945), Ben Nicholson Om #22 1944–5 (painted relief) 1945 · The Pier Arts Centre 1934 6 (painting still life) (1934), Ben Nicholson Om #50 1934 6 (painting still life) 1934 1932 (Talc de Coty) (1932), Ben Nicholson Om #92 1932 (Talc de Coty) 1932 · The Pier Arts Centre

          British art 6 teost

          1946 (cerulean abstraction) (1946), Ben Nicholson Om #1 1946 (cerulean abstraction) 1946 · Pallant House Gallery 1927 (Winifred and Jake) (1928), Ben Nicholson Om #14 1927 (Winifred and Jake) 1928 · Pallant House Gallery 1925 (paisaj) (1925), Ben Nicholson Om #17 1925 (paisaj) 1925 · Pallant House Gallery 1917 (portrait of Edie) (1919), Ben Nicholson Om #20 1917 (portrait of Edie) 1919

          Abstract 6 teost

          1932 (Auberge de la Sole Dieppoise) (1932), Ben Nicholson Om #10 1932 (Auberge de la Sole Dieppoise) 1932 Still Life (1950), Ben Nicholson Om #82 Still Life 1950 · MAM Rio 1934 (painted relief) (1934), Ben Nicholson Om #3 1934 (painted relief) 1934 · University of Hertfordshire 1944–5 (painted relief) (1945), Ben Nicholson Om #22 1944–5 (painted relief) 1945 · The Pier Arts Centre

          Kust näha Ben Nicholson Om maale

          Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

          Muuseumid Linn Ben Nicholson Om teosid Selle nimekirja maalid
          Kettle's Yard, CambridgeKettle's Yard Cambridge 17 1932–33 (musical instruments), c.1922 (Balearic Islands), 1930 (Christmas night)
          The Pier Arts Centre, StromnessThe Pier Arts Centre Stromness 9 1944–5 (painted relief), 1929 (fireworks), 1935 (painting)
          Pallant House Gallery, ChichesterPallant House Gallery Chichester 8 1946 (cerulean abstraction), 1927 (Winifred and Jake), 1925 (paisaj)
          The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 5 December 13-17 1947 (Trendine 2), March 17 1950 (still life), February 1955 (talisman)
          British Council Collection, LondonBritish Council Collection London 4 March 1949 (Trencrom), 1926 (still life with fruit – version 2)
          Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 1932 (crowned head the queen), 1930–1936 (composition still life)
          Dudmaston HallDudmaston Hall 2 Composition, Four Squares, Two Circles
          Arts Council Collection, LondonArts Council Collection London 3 May 1956 (hendrifter)

          Ben Nicholson Om aastakate kaupa: iga perioodi olulisim teos

          1. 1910s
          2. 1920s
          3. 1930s
          4. 1940s
            1946 (cerulean abstraction) (1946) autor Ben Nicholson Om
            Nr 1 100st

            1946 (cerulean abstraction)

            Vanus 46–55 · Pallant House Gallery

            Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion…

          5. 1950s
            May 1956 (hendrifter) (1956) autor Ben Nicholson Om
            #12 / 100

            May 1956 (hendrifter)

            Vanus 56–65 · Arts Council Collection

            To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

          6. 1960s

          Ben Nicholson Om meistriteosed: küsimused ja vastused

          Millist maali on Ben Nicholson Om kõige tuntum?Näita vastus

          1946 (cerulean abstraction) (1946), Pallant House Gallery, Chichester. Järgnevad 1933 (St Rémy self portrait with Barbara Hepworth) (1933) ja 1934 (painted relief) (1934).

          Kui vana Ben Nicholson Om oli teose 1946 (cerulean abstraction) maalimise ajal?Näita vastus

          52 aastat vanus: teos 1946 (cerulean abstraction) on aastatest 1946 ja kunstnik Ben Nicholson Om on sündinud aastal 1894.

          Mis on Ben Nicholson Om kümneks suuremat maalidust?Näita vastus

          1946 (cerulean abstraction), 1933 (St Rémy self portrait with Barbara Hepworth), 1934 (painted relief), 1928 (Walton Wood cottage no.1), 1948 (still life), 1924 (first abstract painting, Chelsea), 1932–33 (musical instruments), 1932 (Au Chat Botté), Jan 27 1933 ja 1932 (Auberge de la Sole Dieppoise). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

          Kui palju teoseid Ben Nicholson Om on maalinud?Näita vastus

          Meie kataloogis on 127 teost kunstnikult Ben Nicholson Om, aastatest 1914 kuni 1969.

          Mitteks muuseumides võib näha Ben Nicholson Om meistriteoseid?Näita vastus

          Enamik neist asub Kettle's Yard (Cambridge), The Pier Arts Centre (Stromness) ja Pallant House Gallery (Chichester). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

          Millal lõi Ben Nicholson Om oma meistriteosed?Näita vastus

          Ajalisel perioodil 1930s: 40 100 sellel lehel olevat teost on sellest ajast, მათhulgas 1933 (St Rémy self portrait with Barbara Hepworth).

          Mis on Ben Nicholson Om esimene ja viimane kuuls fama maalaus?Näita vastus

          Sellel lehel on kõige vanem teos 1914 (the striped jug) (1914) ja kõige uuem 1969 (Holkham Sands No. 1) (1969).

          Mis olid Ben Nicholson Om lemmikteemad?Näita vastus

          Geometric shapes (10), Geometric (7) ja British art (6), 100 teose seas sellel lehel.

          Millist tehnikat Ben Nicholson Om eelistas?Näita vastus

          Oil On Canvas: 14 100 teosest sellel lehel.

          Millises kunstisuunnas Ben Nicholson Om kuulub?Näita vastus

          nagu sellel lehel olevad maalid näitavad Cubism.

          Kumba Ben Nicholson Om meistriteoseid saab näha Kettle's Yard kogumuses?Näita vastus

          1932–33 (musical instruments), c.1922 (Balearic Islands) ja 1930 (Christmas night) on üks 9 teosest sellel lehel, mida hoiab Kettle's Yard, Cambridge.

          Ben Nicholson Om elu

          Ben Nicholson OM: Elu abstraktses kunstis

          • Sündinud: 10. aprill 1894, Denham, Buckinghamshire, Ühendusriik
          • Suri: 6. veebruar 1982, London, Ühendusriik

          Varajane elu ja kunstiline haridus

          • Ben Nicholson sündis kunstilisse peresse; tema isa, Sir William Nicholson ja ema, Mabel Pryde, olid mõlemad erakordselt andekad maalariid. See keskkond südastis temas sügavat kunsti austamist juba noorelt.
          • Tema algusõpetus toimus Tyttenhangar Lodge ettevalmistav Kool Seafordis, Heddon Courtis Hampsteadis ja Gresham's Schoolis Holtis, Norfolkis.
          • Nicholson õppis ametlikult Slade School of Fine Art koolis (1910-1911), kus ta tegeles samaaegselt selliste märkimistekas kunstikuid nagu Paul Nash, Stanley Spencer, Mark Gertler ja Edward Wadsworth. Lugudena räägitakse, et sel perioodil veetas ta märkimisväärset aega biljardi mängides, leidma mängu geomeetriast ja liikumusest esteetilist naudingut.

          Kunstiline areng ja mõjutid

          • Algased teosed: Nicholsoni esimesed kunstilised katslamused hõlmasid naturalistlikke stillelife, mis olid tugevalt mõjutatud tema isa stiilist.
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          • Kubistiline mõju: Umbes 1926. aastal hakkas ta uurima abstraktset kunsti, olles tuulest mõjutatud sündlikust kubismist ja Pablo Picassoni loomingust.
          • Neoplastitsism ja primitiivne stiil: Kohtumine Piet Mondrianiga tutvustas talle neoplastitsismi, samas kui Henri Rousseau avastamine tekitas huvi primitiivse stiili vastu. Need mõjud kujundasid märkimisväärselt tema kunstilist suunda.
          • Olulised liikumised: Nicholson osales mitmetes ajastu olulistes kunstiliikumistes, sealhulgas Seven and Five Society (mille esimees ta oli), Unit One ja Abstraction-Création.

          Peateosed ja kunstiline stiil

          • Reljefid: Nicholson on eriti kuulus oma abstraktsete reljefide poolest, mis algasid 1933. aastal. Need teosed ühendasid maali ja skulptuurilised elemendid, luues unikaalse visuaalse kogemuse. 1930. aastate keskmise osa valged reljefid loetakse tema kõige olulisemate saavutuste hulka.
          • Stillelife ja maastikud: Kuigi ta on tuntud abstraktiooni eest, lõi Nicholson ka kaasahaaravaid stillelife ja maastikke, kasutades sageli geomeetrilisi vorme ja pehmeid värve.
          • Nicholsoni sein: Üks märkimisväärne avalik teos on "Nicholsoni sein" – fresko, mis loodi Sutton Place'i aiasse Guildfordis, Surrey, demonstreerides tema usku, et abstraktne kunst peaks olema kättesaadav laiemale publikule.
          • Materjalid ja tehnikad: Ta eksperimenteeris erinevate materjalide ja tehnikatega, sealhulpi õlimaal, pliiats, mull ja masonite, ühendades neid sageli innovaatilisel viisil.

          Pärand ja ajalooline tähendus

          • Kaasaegne Briti kunst: Ben Nicholson on tunnustatud kui murdelis figure kaasaegses Briti kunstis, tuues olulise panuse abstraktiooni ja reljefskulptuuri arendusse.
          • Rahvusvaheline tunnustus: Tema töö leidis rahvusvahelist meeldetuletust näidistega prestiežsızates kohtades nagu Veneetsia bienaal ning retrospektiivsetega suurtes muuseumites üle maailma. Ta sai mitmeid auhindu, sealhulumbi Order of Merit 1ilt 1968. aastal.
          • Müügi rekordid: Nicholsoni maalid müüakse auktsioonidel kõrget poril, peegeldades nende kunstilist väärtust ja ajaloolist olulisust. Näiteks teos "Sept 53 (Balearic)" müüdi 2011. aastal Christie's New Yorkis 1 650 500 dollarile ning "Fiddle and Spanish Guitar" tõi 2012. aastal Christie’s Parisis 3 313 000 eurot.
          • Mõju järgmistele kunstikuid: Nicholsoni innovatiivsel lähenemisel abstraksioonile ning tema uurimisel vormi ja ruumi osas on mõjutanud kunstnikke põlvkondade vältel.

          Kõik 127 teost Ben Nicholson Om →