Robert Eigenberger, 1890 – 1979

Robert Eigenberger: 4 kuulsumat maali

The Myth of Man Is Over (1950) on Robert Eigenberger kõige kuulsam teos. The Sensual One (1929) ja Saint Sebastian (1934) on järgmised kaks maailmas kõige tuntumat teost. Robert Eigenberger 4 teoseaga meie kataloogist on siin 4 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026.

Robert Eigenberger portree
Robert Eigenberger · 1890 – 1979
Sündinud · surnud
1890 – 1979, Sedlec
Meie kataloogis olevad teosed
4
Kõige tuntud
The Myth of Man Is Over (1950)

Top 10: Robert Eigenberger kõige tuntumad maalid

Robert Eigenberger aastakatega: üks meistriteos igal dekadel

  1. 1920s
  2. 1930s
  3. 1940s
  4. 1950s

Robert Eigenberger maalid: korduvad küsimused

Mis on kõige kuulsam Robert Eigenberger maal?Näita vastus

The Myth of Man Is Over (1950). Järgnevad The Sensual One (1929) ja Saint Sebastian (1934).

Mis vanuses trükkis Robert Eigenberger teose The Myth of Man Is Over valmis?Näita vastus

60 aastat vanus: teos The Myth of Man Is Over on aastatest 1950 ja kunstnik Robert Eigenberger on sündinud aastal 1890.

Kui palju on kunstniku Robert Eigenberger maale?Näita vastus

Meie kataloogis on 4 teost kunstnikult Robert Eigenberger, aastatest 1929 kuni 1950.

Mis on esimene kuulus Robert Eigenberger maal ja milline on viimane?Näita vastus

Sellel lehel on kõige vanem teos The Sensual One (1929) ja kõige uuem The Myth of Man Is Over (1950).

Robert Eigenberger: biograafia

The Life and Academic Career of Robert Eigenberger

Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.

Artistic Practice and Pseudonym

In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:

His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.