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Portræt af en ung pige
Käsitööna maalatud õlireproduction alates $181 28 × 35 cm
Originaadi suurusega $254 53 × 64 cm Telli originaalkoguses →
Teos, mis tegi Peter Copmann kuulsaks, on Portræt af en ung pige (1824); see ripub Statens Museum For Kunst-is, Kooberemaa. Sellest 1 teosest, mis Peter Copmann teosena meie kataloogis on, on need 1 kõige imetlevamat, millist igaüks on esitatud koos kuupäeva, museumi ja oma eripärase tähelepanekuga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Peter Copmann teosid | Selle nimekirja maalid |
|---|---|---|---|
 Statens Museum For Kunst |
Kooberemaa | 1 | Portræt af en ung pige |
Kõik sellel lehel olevad Peter Copmann kuupäevaga meistriteosed kuuluvad aastale 1824: siin on need.
Portræt af en ung pige (1824)
30 aastat vanus: teos Portræt af en ung pige on aastatest 1824 ja kunstnik Peter Copmann on sündinud aastal 1794.
Meie kataloogist leiate 1 teost kunstnikult Peter Copmann.
Enamik neist asub Statens Museum For Kunst (Kooberemaa). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.