Exhumation (1917) on Jos Postmes kuulsaim teos, mis kuulub Maastricht Bonnefanten Museum kogumikus. Jos Postmes 2 teoseaga meie kataloogist on siin 2 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Jos Postmes teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bonnefanten Museum |
Maastricht | 2 | Exhumation, Boy's Head |
1917 on iga sellel lehel esitatud Jos Postmes meistriteose kuupäev; siin on need kuupäevast tulnud teosed kubus järjekorras.
Exhumation (1917)
21 aastat vanus: teos Exhumation on aastatest 1917 ja kunstnik Jos Postmes on sündinud aastal 1896.
Meie kataloogist leiate 2 teost kunstnikult Jos Postmes.
Enamik neist asub Bonnefanten Museum (Maastricht). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Ajalisel perioodil 1917: 2 2 sellel lehel olevat teost on sellest ajast, მათhulgas Exhumation.
Exhumation ja Boy's Head on üks 2 teosest sellel lehel, mida hoiab Bonnefanten Museum, Maastricht.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Jos Postmes lived a life closely tied to the streets and classrooms of Maastricht. Born in 1896, his hands were rarely still, moving between the precision of a draftsperson and the fluid touch of a painter. He spent his early years learning under Rob Graafland at the Stadsteekeninstituut, a time when the weight of a pencil and the texture of paper were becoming his primary language. His path led him from the local Sunday School for Decorative Arts to the Rijksacademie voor Beeldende Kunsten in Amsterdam, where he studied alongside Han Jelinger, Henri Jonas, and Jos Narinx. Under the guidance of Antoon Derkinderen, his technical foundations were laid, shaping a way of seeing that would define his later years.
His work was not confined to a single medium. He moved through the world as a painter, textile artist, draftsperson, graphic artist, lithographer, and etcher. This versatility allowed him to touch many different parts of the visual landscape in the Netherlands.
By 1925, Postmes had earned his qualification for industrial education, a step that allowed him to teach drawing to students in both lower and middle-level vocational schools. He was not merely a creator of images but a builder of skills. In 1927, he took on the role of director at the Middelbare Kunstnijverheidsschool in Maastricht. His presence in the city was felt through his commitment to making Maastricht a center for art and science, a goal that drove his professional life until his death in 1934.
His output left behind specific traces in the local landscape and collections:
The years between 1911 and 1934 saw a steady accumulation of technical mastery and institutional influence. He worked in Maastricht and spent time in Amsterdam between 1916 and 1918, always maintaining a connection to the Dutch landscape. His life was cut short in Maastricht, leaving behind a legacy that was documented in later years by researchers looking into his role as a promoter of art education. He remains a figure of the Maastricht art scene, a man who saw the importance of both the finished work and the hands that learn to make it.