John Simpson, 1782 – 1847

John Simpson maalid: 20 kuulsumat teost järjestatud

John Simpson kõige kuulsam teos on The Duke of Wellington (1769–1852), mis asub museumis The Royal Hospital Chelsea, linnas London. koos Clarkson Frederick Stanfield (1829) ja D. Maria II, Queen of Portugal (1819-1853) (1837) moodustavad need kolm teost, mis on kõigile tuttavad. Meie kataloogis on 22 teost kunstnikult John Simpson; alljoonas on 20 kõige vaadeldavamat teost koos nende loomisaea, säilitaja museumi ja olulisuse selgitusega.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.

John Simpson portree
John Simpson · 1782 – 1847
Sündinud · surnud
1782 – 1847, London
Meie kataloogis olevad teosed
22
Kõige tuntud
The Duke of Wellington (1769–1852)
Enamasti teoseid on
National Portrait Gallery

10 kõige kuulsumat John Simpson maali

The Duke of Wellington (1769–1852) autor John Simpson
1

The Duke of Wellington (1769–1852)

Oil On Canvas · The Royal Hospital Chelsea, London

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

Käsitööna maalatud õlireproduction alates $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) autor John Simpson
2

Clarkson Frederick Stanfield

1829 · Oil · National Portrait Gallery, London

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

Käsitööna maalatud õlireproduction alates $181 29 × 35 cm Originaadi suurusega $299 64 × 77 cm Telli originaalkoguses →
D. Maria II, Queen of Portugal (1819-1853) (1837) autor John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

Käsitööna maalatud õlireproduction alates $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) autor John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

Käsitööna maalatud õlireproduction alates $181 28 × 36 cm Originaadi suurusega $551 102 × 130 cm Telli originaalkoguses →
Portrait of the Duke of Terceira (1832) autor John Simpson
5

Portrait of the Duke of Terceira

1832 · Oil · Soares dos Reis riiklik muuseum, Porto

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

Käsitööna maalatud õlireproduction alates $181 29 × 35 cm Originaadi suurusega $301 64 × 77 cm Telli originaalkoguses →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) autor John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

Käsitööna maalatud õlireproduction alates $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) autor John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · Rahvuslik Mereväemuuseum, London

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

Käsitööna maalatud õlireproduction alates $181 29 × 35 cm Originaadi suurusega $299 64 × 76 cm Telli originaalkoguses →
William IV (1765–1837) (1830) autor John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

Käsitööna maalatud õlireproduction alates $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) autor John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

Käsitööna maalatud õlireproduction alates $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) autor John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

Käsitööna maalatud õlireproduction alates $181 24 × 42 cm

John Simpson, maalid 11 kuni 20

Teemad, mida John Simpson kõige rohkem maalis

Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.

Kust näha John Simpson maale

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn John Simpson teosid Selle nimekirja maalid
National Portrait Gallery, LondonNational Portrait Gallery London 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
Rahvuslik Mereväemuuseum, LondonRahvuslik Mereväemuuseum London 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
The Royal Hospital Chelsea, LondonThe Royal Hospital Chelsea London 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Soares dos Reis riiklik muuseum, PortoSoares dos Reis riiklik muuseum Porto 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
Šoti Rahvusportreegalerii, EdinburghŠoti Rahvusportreegalerii Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, LondonEnglish Heritage London 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

John Simpson kõige kuulsam maala igas kümnendis

  1. 1820s
    Clarkson Frederick Stanfield (1829) autor John Simpson
    Reede 2 / 20

    Clarkson Frederick Stanfield

    Vanus 38–47 · National Portrait Gallery

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) autor John Simpson
    #3 / 20

    D. Maria II, Queen of Portugal (1819-1853)

    Vanus 48–57 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) autor John Simpson
    Nr 15 20st

    Sir Charles Napier (1786–1860), Admiral

    Vanus 58–65 · Šoti Rahvusportreegalerii

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

Küsimused John Simpson maalide kohta

Mis on John Simpson kõige kuulsam maaliam?Näita vastus

The Duke of Wellington (1769–1852), The Royal Hospital Chelsea, London. Järgnevad Clarkson Frederick Stanfield (1829) ja D. Maria II, Queen of Portugal (1819-1853) (1837).

Millised on John Simpson 10 kõige populaarsemat maalatist?Näita vastus

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) ja Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju maali John Simpson teinud on?Näita vastus

Meie kataloogis on 22 teost kunstnikult John Simpson, aastatest 1822 kuni 1841.

Kus asuvad John Simpson kõige kuulsamad maalid?Näita vastus

Enamik neist asub National Portrait Gallery (London), Rahvuslik Mereväemuuseum (London) ja The Royal Hospital Chelsea (London). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

Millal maalas John Simpson oma kuulsamaid teoseid?Näita vastus

Ajalisel perioodil 1830s: 9 20 sellel lehel olevat teost on sellest ajast, მათhulgas D. Maria II, Queen of Portugal (1819-1853).

Millised on John Simpson esimesed ja viimad kuulsad maalid?Näita vastus

Sellel lehel on kõige vanem teos Captain Peter Heywood (1773–1831) (1822) ja kõige uuem Sir Charles Napier (1786–1860), Admiral (1841).

Mida John Simpson kõige enam maalis?Näita vastus

Man (13), Dark background (5) ja Portrait (4), 20 teose seas sellel lehel.

Mida John Simpson kõige rohkem kasutas?Näita vastus

Oil On Canvas: 10 20 teosest sellel lehel.

Milliseid John Simpson maale saan näha National Portrait Gallery muuseumis?Näita vastus

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) ja Sir Herbert Taylor on üks 3 teosest sellel lehel, mida hoiab National Portrait Gallery, London.

Kas ma saan osta John Simpson maali reproduktsiooni?Näita vastus

Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.

Info John Simpson kohta

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.