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Charles Bonnet, Swizz Naturalist and Philosopher
Käsitööna maalatud õlireproduction alates $181 31 × 33 cm
Charles Bonnet, Swizz Naturalist and Philosopher (1785) on Henrik Plötz kuulsaim teos, mis kuulub Stockholm Nationalmuseum kogumikus. Portrait of Prince Willem George Frederik (1795) ja Portrait of a woman (1800) on järgmised kaks maailmas kõige tuntumat teost. Henrik Plötz 4 teoseaga meie kataloogist on siin 4 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Henrik Plötz teosid | Selle nimekirja maalid |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway |
 Rijksmuseum |
Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Järgnevad Portrait of Prince Willem George Frederik (1795) ja Portrait of a woman (1800).
38 aastat vanus: teos Charles Bonnet, Swizz Naturalist and Philosopher on aastatest 1785 ja kunstnik Henrik Plötz on sündinud aastal 1747.
Meie kataloogis on 4 teost kunstnikult Henrik Plötz, aastatest 1785 kuni 1800.
Enamik neist asub Nationalmuseum (Stockholm) ja Rijksmuseum (Amsterdam). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Sellel lehel on kõige vanem teos Charles Bonnet, Swizz Naturalist and Philosopher (1785) ja kõige uuem Portrait of a woman (1800).
Charles Bonnet, Swizz Naturalist and Philosopher ja King Khristian VII of Denmark and Norway on üks 2 teosest sellel lehel, mida hoiab Nationalmuseum, Stockholm.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.