Hans Sutter kõige kuulsam teos on Self-Portrait with Cigarette (1909), mis asub museumis Staatliche Kunsthalle Karlsruhe, linnas Karlsruhe. koos Self-Portrait (1910) ja Coast near St. Tropez (1911) moodustavad need kolm teost, mis on kõigile tuttavad. Meie kataloogis on 4 teost kunstnikult Hans Sutter; alljoonas on 4 kõige vaadeldavamat teost koos nende loomisaea, säilitaja museumi ja olulisuse selgitusega.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseum | Linn | Hans Sutter teosed | Selle nimekirja maalid |
|---|---|---|---|
| Karlsruhe | 3 | Self-Portrait with Cigarette, Self-Portrait, Landscape near St.Tropez | |
| München | 1 | Coast near St. Tropez |
Hans Sutter ajutööde azoo on jaotatud 3 aastasse, 1909 kuni 1911: siin on iga aasta kõige kuulsamad maalid.
Self-Portrait with Cigarette (1909), Staatliche Kunsthalle Karlsruhe, Karlsruhe. Järgnevad Self-Portrait (1910) ja Coast near St. Tropez (1911).
22 aastat vanus: teos Self-Portrait with Cigarette on aastatest 1909 ja kunstnik Hans Sutter on sündinud aastal 1887.
Meie kataloogis on 4 teost kunstnikult Hans Sutter, aastatest 1909 kuni 1911.
Enamik neist asub Staatliche Kunsthalle Karlsruhe (Karlsruhe) ja Bavaria riiklikud maalidema kogumikud (München). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Ajast 1911: 2 4 sellel lehel olevat teost pärineb sellest ajastu teosest, nende hulgas on Coast near St. Tropez.
Sellel lehel on kõige vanem teos Self-Portrait with Cigarette (1909) ja kõige uuem Coast near St. Tropez (1911).
Self-Portrait with Cigarette, Self-Portrait ja Landscape near St.Tropez on üks 3 teosest sellel lehel, mida hoiab Staatliche Kunsthalle Karlsruhe, Karlsruhe.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Hans Sutter arrived in the world in 1887 in Mainz, Germany. His early years in the Rhineland-Palatinate region laid the foundation for a life dedicated to the visual arts. By 1905, his talent led him to the Karlsruhe Academy, where he studied under the guidance of Wilhelm Trübner. This period of formal training shaped his ability to work across various mediums, from the delicate precision of draughtsmanship to the more fluid applications of painting and lithography.
His path was one of movement and discovery. In 1907, a study trip to Lake Garda offered him new perspectives on landscape and light. Later, in 1911, his travels took him to Paris and southern France. It was during these years that he encountered Pierre Bonnard, an encounter that surely left its mark on his approach to color and composition. By 1913, Sutter had moved to Frankfurt am Main, continuing his work as a painter, graphic artist, and commercial artist.
Sutter’s output was diverse, reflecting a man comfortable with both the fine arts and the practical demands of commercial design. He possessed a keen eye for the natural world, often turning his attention to the coastal beauty of France. His sketches and paintings from this era capture specific moments in time, such as:
In his self-portraits, one finds a more intimate side of the artist. These works, including his 1910 portrait held in the Staatliche Kunsthalle Karlsruhe, reveal a person deeply engaged with his own identity and the act of seeing. His ability to transition between the structured world of lithography and the expressive nature of painting allowed him to explore many different facets of the human experience.
The trajectory of Sutter's life was cut short far too soon. He passed away on 31 August 1916, in Maurepas, France. His death occurred during a period of immense global upheaval, leaving behind a body of work that remains a quiet record of his travels and his observations. Though his career was brief, the traces of his time in Germany and France live on through his drawings and paintings, capturing the light of the Mediterranean and the quiet reflections of a man at work.