Franz Ehrlich, 1907 – 1984

Franz Ehrlich kõige kuulsam 100 maalist

Teos, mis tegi Franz Ehrlich kuulsaks, on 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan); see ripub Bauhaus Dessau Foundation-is, Dessau-Roßlau. LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand) (1949) ja 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin) järgnevad nende järel samas kogumiste ja muuseumi külastajate lemmikes Sellest 101 teosest, mis Franz Ehrlich teosena meie kataloogis on, on need 100 kõige imetlevamat, millist igaüks on esitatud koos kuupäeva, museumi ja oma eripärase tähelepanekuga.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026.

Franz Ehrlich portree
Franz Ehrlich · 1907 – 1984
Sündinud · surnud
1907 – 1984, Reuth
Suunata
Bauhaus
Meie kataloogis olevad teosed
101
Kõige tuntud
3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)
Enamasti teoseid on
Bauhaus Dessau Foundation

Franz Ehrlich: kümneks suurimaks teoseks

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan) autor Franz Ehrlich
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3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)

Acrylic On Canvas · Bauhaus Dessau Foundation, Dessau-Roßlau

A Blueprint for Utopia: Examining Franz Ehrlich’s “3rd FLOOR” The architectural drawing titled “3rd FLOOR,” created by Franz Ehrlich in 1956, transcends mere technical documentation; it embodies the aspirations of a nation grappling with its identity after decades under Nazi oppression and subsequent Soviet influence. This meticulously crafted plan for a foreign representation of the German Democratic Republic—specifically designed for the Leipzig Trade Fair—offers a fascinating glimpse into the ethos…

LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand) (1949) autor Franz Ehrlich
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LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand)

1949 · Ink On Paper · Bauhaus Dessau Foundation, Dessau-Roßlau

To gaze upon this drawing is not merely to observe lines on paper; it is to step into the very sinews of early 20th-century commerce and innovation. This plan view, documenting the LBH Building Machinery Woodworking Machinery Hall 5 at the Leipzig Trade Fair in 1949, transports us directly to a moment when industry was meticulously laid bare for public scrutiny. The work by Franz Ehrlich possesses an almost archaeological…

4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin) autor Franz Ehrlich
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4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin)

Acrylic On Canvas · Bauhaus Dessau Foundation, Dessau-Roßlau

Franz Ehrlich (1907–1984), a German architect, calligrapher, and graphic designer whose work spanned Bauhaus principles to communist affiliation, remains an enigmatic figure in the annals of modernist design. While his name might not resonate with mainstream audiences today, Ehrlich’s contribution to architectural thought and artistic expression—particularly embodied in “4 Armchairs. 1 Bench,” a meticulously rendered drawing conceived for the Office of the Vice President of the Academy of Sciences of…

Bookshop Hauptstraße / Transversal section (FDGB Bookshop (1949) autor Franz Ehrlich
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Bookshop Hauptstraße / Transversal section (FDGB Bookshop

1949 · Acrylic On Canvas · Bauhaus Dessau Foundation, Dessau-Roßlau

Franz Ehrlich's pencil drawing, "Bookshop Hauptstraße / Transversal Section," transcends mere architectural representation; it embodies a profound stillness and intellectual curiosity—qualities intrinsically linked to the spaces of learning. Executed in 1949 during the formative years of Bauhaus Dessau’s influence on German art and design, this piece speaks volumes about the era's commitment to clarity, functionality, and understated elegance.

The new city is built on labour... (Design for competition Dresden) (1952) autor Franz Ehrlich
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The new city is built on labour... (Design for competition Dresden)

1952 · Acrylic · Bauhaus Dessau Foundation, Dessau-Roßlau

Franz Ehrlich's 1952 sketch, "The New City is Built on Labour...", isn’t merely a design proposal for a competition in Dresden; it’s a poignant testament to post-war reconstruction and the enduring spirit of a city striving to rebuild itself. Captured with a restrained graphite palette against aged paper, the image possesses an immediate intimacy – as if we've stumbled upon a forgotten blueprint, imbued with the hopes and anxieties of…

Untitled (Leipzig Spring Trade Fair 1949, plan view exhibition stand SANAR) (1949) autor Franz Ehrlich
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Untitled (Leipzig Spring Trade Fair 1949, plan view exhibition stand SANAR)

1949 · Graphite Pencil · Bauhaus Dessau Foundation, Dessau-Roßlau

To gaze upon this piece is not merely to look at an old drawing; it is to step directly into the meticulous, hopeful atmosphere of post-war reconstruction. This architectural plan, documenting the exhibition stand for SANAR at the Leipzig Spring Trade Fair in 1949, transcends its function as a mere technical diagram. It captures a moment of profound societal yearning—the desire to rebuild, to trade, and to establish normalcy after…

110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure) (1949) autor Franz Ehrlich
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110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure)

1949 · Print · Bauhaus Dessau Foundation, Dessau-Roßlau

This arresting piece, "110.4% plan fulfilment in Leipzig. Report by Leipzig City Council," offers more than just a depiction; it presents a carefully curated moment of civic aspiration frozen in time. Created in 1949, this work emerges from the immediate aftermath of global upheaval, carrying the weight and earnest optimism characteristic of post-war German art. The very title suggests an adherence to collective goals—a tangible measure of success presented as…

A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) (1976) autor Franz Ehrlich
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A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan)

1976 · Drawing · Bauhaus Dessau Foundation, Dessau-Roßlau

To gaze upon this drawing is not merely to observe lines on paper; it is to step into the very sinews of thought and collaboration. This depiction, titled A.D.W. Main Building Ground Floor 1Rst Working Design V.2, offers a meticulous glimpse into an academic heart—the Academy of Sciences. It functions as more than just a floor plan; it is a captured moment of intellectual potential, a diagram of human endeavor…

63 - 64 (Painting with violin, New Year (1964) autor Franz Ehrlich
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63 - 64 (Painting with violin, New Year

1964 · Colored Pencil · Bauhaus Dessau Foundation, Dessau-Roßlau

This captivating piece, "63 - 64 (Painting with violin, New Year)," immediately draws the viewer into a realm of delicate fantasy. It is a truly unique confluence where the structured elegance of a musical instrument meets the unrestrained vitality of nature's bloom. At its heart lies a violin, not merely depicted, but seemingly grown—a beautiful marriage of crafted wood and organic life. The composition centers around this focal point, from…

Veel Franz Ehrlich meistriteoseid, 11 kuni 100

1933 (photo-sculptural advertising project) (1933) autor Franz Ehrlich
#11

1933 (photo-sculptural advertising project)

1933 · Bauhaus Dessau Foundation

The image presents a black and white photograph of a work titled 1933, which functions as a photo-sculptural advertising project. The composition is centered on a clock face…

2-family house (Floor plan) (1939) autor Franz Ehrlich
#12

2-family house (Floor plan)

1939 · Bauhaus Dessau Foundation

To gaze upon this architectural rendering by Franz Ehrlich is not merely to look at lines on paper; it is to step into the very blueprint of a…

Painting with violin (1979) autor Franz Ehrlich
#14

Painting with violin

1979 · Bauhaus Dessau Foundation

A violin rests at the center of a quiet, structured world. It is a shape of curves caught within a grid of straight lines. The instrument is not…

Floor plan Sleeping room (with interior furnishings) (1962) autor Franz Ehrlich
#16

Floor plan Sleeping room (with interior furnishings)

1962 · Bauhaus Dessau Foundation

A Quiet Reflection on Space: Franz Ehrlich’s Floor Plan for “Neues Leben – Neues Wohnen” Franz Ehrlich's "Floor plan Sleeping room (with interior furnishings, for the exhibition neues…

TABLE AND UPHOLSTERED BENCH (1955) autor Franz Ehrlich
#64

TABLE AND UPHOLSTERED BENCH

1955 · Bauhaus Dessau Foundation

In the quiet precision of Franz Ehrlich’s 1955 drawing, Table and Upholstered Bench, we encounter a profound dialogue between structural integrity and domestic comfort. This graphite pencil work…

PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan) (1962) autor Franz Ehrlich
#75

PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan)

1962 · Bauhaus Dessau Foundation

In the quiet intersection of architecture and fine art lies the profound beauty of PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan), a masterful work by the German visionary…

SALES COUNTER (1957) autor Franz Ehrlich
#77

SALES COUNTER

1957 · Bauhaus Dessau Foundation

In the delicate lines of "SALES COUNTER," created in 1957 by the visionary German artist Franz Ehrlich, we are transported to a moment frozen in time. This captivating…

2 SINGLE BEDS B RANGE (Standardized unit furniture (1966) autor Franz Ehrlich
#78

2 SINGLE BEDS B RANGE (Standardized unit furniture

1966 · Bauhaus Dessau Foundation

In the quiet, monochromatic realm of Franz Ehrlich’s 1966 drawing, 2 SINGLE BEDS B RANGE, we are invited into a space where utility and elegance exist in perfect,…

ARMREST CHAIR (with tubular steel frame) (1970) autor Franz Ehrlich
#79

ARMREST CHAIR (with tubular steel frame)

1970 · Bauhaus Dessau Foundation

Franz Ehrlich's 1970 drawing, "ARMREST CHAIR (with tubular steel frame)," isn’t merely a schematic of a chair; it’s a distilled essence of mid-century modern design philosophy. Created during…

1970 (New Year (1970) autor Franz Ehrlich
#80

1970 (New Year

1970 · Bauhaus Dessau Foundation

In the quiet intersection of memory and minimalism, Franz Ehrlich’s "1970 (New Year)" stands as a profound meditation on the passage of time. This evocative work, captured through…

LIVING ROOM CABINET autor Franz Ehrlich
#99

LIVING ROOM CABINET

Bauhaus Dessau Foundation

In the quiet intersection of functional design and artistic expression lies the Living Room Cabinet, a captivating study by the German master Franz Ehrlich. This particular piece, extracted…

Painting with violin (1973) autor Franz Ehrlich
#100

Painting with violin

1973 · Bauhaus Dessau Foundation

Painting with Violin – An Exploration of Geometric Abstraction The artwork presented here—a watercolor on paper depiction titled “Painting with Violin”—offers a glimpse into the artistic sensibilities of…

Franz Ehrlich maalid ajastuse kaupa

Teemad, mida Franz Ehrlich kõige rohkem maalis

Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.

Kust näha Franz Ehrlich maale

Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.

Muuseumid Linn Franz Ehrlich teosid Selle nimekirja maalid
Bauhaus Dessau Foundation, Dessau-RoßlauBauhaus Dessau Foundation Dessau-Roßlau 100 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand), 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin)

Franz Ehrlich aastakate kaupa: iga perioodi olulisim teos

  1. 1930s
    1933 (photo-sculptural advertising project) (1933) autor Franz Ehrlich
    Nr 11 100st

    1933 (photo-sculptural advertising project)

    Vanus 23–32 · Bauhaus Dessau Foundation

    The image presents a black and white photograph of a work titled 1933, which functions as a photo-sculptural advertising project. The composition is centered on a clock face…

  2. 1940s
  3. 1950s
  4. 1960s
  5. 1970s
  6. 1980s

Franz Ehrlich meistriteosed: küsimused ja vastused

Millist maali on Franz Ehrlich kõige tuntum?Näita vastus

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), Bauhaus Dessau Foundation, Dessau-Roßlau. Järgnevad LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand) (1949) ja 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin).

Mis on Franz Ehrlich kümneks suuremat maalidust?Näita vastus

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand), 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin), Bookshop Hauptstraße / Transversal section (FDGB Bookshop, The new city is built on labour... (Design for competition Dresden), CABINET DISPLAY CASE, Untitled (Leipzig Spring Trade Fair 1949, plan view exhibition stand SANAR), 110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure), A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) ja 63 - 64 (Painting with violin, New Year. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid Franz Ehrlich on maalinud?Näita vastus

Meie kataloogis on 101 teost kunstnikult Franz Ehrlich, aastatest 1933 kuni 1981.

Mitteks muuseumides võib näha Franz Ehrlich meistriteoseid?Näita vastus

Enamik neist asub Bauhaus Dessau Foundation (Dessau-Roßlau). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

Millal lõi Franz Ehrlich oma meistriteosed?Näita vastus

Ajalisel perioodil 1960s: 32 100 sellel lehel olevat teost on sellest ajast, მათhulgas CABINET DISPLAY CASE.

Mis on Franz Ehrlich esimene ja viimane kuuls fama maalaus?Näita vastus

Sellel lehel on kõige vanem teos 1933 (photo-sculptural advertising project) (1933) ja kõige uuem 1 piece filing cabinet (with tubular steel feet and marble tabletop) (1981).

Mis olid Franz Ehrlich lemmikteemad?Näita vastus

Architecture (16), Floor plan (14) ja Technical drawing (10), 100 teose seas sellel lehel.

Millist tehnikat Franz Ehrlich eelistas?Näita vastus

Drawing: 12 100 teosest sellel lehel.

Millises kunstisuunnas Franz Ehrlich kuulub?Näita vastus

nagu sellel lehel olevad maalid näitavad Bauhaus.

Kumba Franz Ehrlich meistriteoseid saab näha Bauhaus Dessau Foundation kogumuses?Näita vastus

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), LBH BUILDING MACHINERY WOODWORKING MACHINERY HALL 5 (Leipzig Trade Fair, plan view exhibition stand) ja 4 armchairs. 1 Bench. Office of the vice president (of the Academy of Sciences of the GDR in Berlin) on üks 100 teosest sellel lehel, mida hoiab Bauhaus Dessau Foundation, Dessau-Roßlau.

Franz Ehrlich elu

varase elu ja haridus

Franz Ehrlich, tuntud saksa arhitekt, kalligraaf ja graafiline disainer, sündis aastal 1907. Tema kujunusaastad olid iseloomulikud loomulisele kalduvusele kunstide suunas, mis viis teda aastatel 1eks 1930 õppima Dessau Bauhaus institutsionisse. See prestiižne asutus mängis võtuvrolli Ehrlichi kunstilise vaatepiigi vormimisel, tutvustades talle selle ajastu avantgardseid suuntruid.

kunstiline karjäär ja kommunistlik kuuluvus

Ehrlichi seos kommunistliku partiiga avaldas sügav mõju nii tema elule kui ka karjäärile. Aastal 1935 arrestas ja vangistas natsirežim teda, mis oli sündmus, mis muutas märkimisväärselt tema kunstiliste ambitsioonide kuldegraafikut. Vaatamata neile väljakutsetele jätkas Ehrlich oma panust kunstimaailma, jättides järele pärandi, mis on koroonas nii inspireeriv kui ka mõtlepuv.

olulised teosed

Ehrlichi kõige silmapaistvamate teostega on:

muuseumid ja kogumised, kus Ehrlichi töud esindatud on

WahooArt.com pakub laia valikut Ehrlichi teoseid, sealhulgas neid, mida eespool mainiti. Samuti on oluline tema kunstiliste püüdete hoidja Bauhaus Dessau SAAD (Dessau-Roßlau, Saksamaa).

pärand ja mõju

Franz Ehrlichi panus kunstimaailma on mitmekülgne, peegeldades tema laia huviala ja talenti. Tema kogemused, nii loomingulised kui ka isiklikud, pakuvad väärtuslikku vaadet kunsti ja poliitika ristumisele Saksa ajaloo määrava hetkega.