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The Mill Valley, Karekare Bay
Käsitööna maalatud õlireproduction alates $181 40 × 25 cm
Originaadi suurusega $453 126 × 80 cm Telli originaalkoguses →
The Mill Valley, Karekare Bay (1899) on Frank Wright kuulsaim teos, mis kuulub Auckland Auckland Art Gallery Toi o Tāmaki kogumikus. The Close of day (1909) ja Morning after rain (1912) on järgmised kaks maailmas kõige tuntumat teost. Frank Wright 5 teoseaga meie kataloogist on siin 5 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Frank Wright teosid | Selle nimekirja maalid |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland. Järgnevad The Close of day (1909) ja Morning after rain (1912).
39 aastat vanus: teos The Mill Valley, Karekare Bay on aastatest 1899 ja kunstnik Frank Wright on sündinud aastal 1860.
Meie kataloogis on 5 teost kunstnikult Frank Wright, aastatest 1899 kuni 1912.
Enamik neist asub Auckland Art Gallery Toi o Tāmaki (Auckland) ja Te Whare O Rehua Sarjeant Gallery. Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Ajalisel perioodil 1910s: 2 5 sellel lehel olevat teost on sellest ajast, მათhulgas Morning after rain.
Sellel lehel on kõige vanem teos The Mill Valley, Karekare Bay (1899) ja kõige uuem Morning after rain (1912).
The Mill Valley, Karekare Bay, The Close of day ja Morning after rain on üks 4 teosest sellel lehel, mida hoiab Auckland Art Gallery Toi o Tāmaki, Auckland.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.