Edward Lear, 1812 – 1888

Edward Lear maalid: 100 kuulsumat teost järjestatud

Edward Lear kõige kuulsam teos on Cogoleto, Italy. koos Crescenza ja Blue And Yellow Macaw moodustavad need kolm teost, mis on kõigile tuttavad. Meie kataloogis on 419 teost kunstnikult Edward Lear; alljoonas on 100 kõige vaadeldavamat teost koos nende loomisaea, säilitaja museumi ja olulisuse selgitusega.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.

Edward Lear portree
Edward Lear · 1812 – 1888
Sündinud · surnud
1812 – 1888, London
Suunata
Romanticism
Meie kataloogis olevad teosed
419
Kõige tuntud
Cogoleto, Italy
Enamasti teoseid on
Yale Center for British Art

10 kõige kuulsumat Edward Lear maali

Cogoleto, Italy autor Edward Lear
1

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

Käsitööna maalatud õlireproduction alates $181 39 × 26 cm
Crescenza autor Edward Lear
2

Crescenza

Watercolor

Edward Lear’s Crescenza presents a hilly terrain defined by rolling elevations and a prominent fortress perched atop one of the heights. This landscape, likely inspired by Lear's travels through Europe or the Middle East, focuses on the relationship between the natural topography and the man-made structure. The castle dominates the background, overlooking the terrain below.

Käsitööna maalatud õlireproduction alates $181 46 × 22 cm
Blue And Yellow Macaw autor Edward Lear
3

Blue And Yellow Macaw

Watercolor

The painting Blue And Yellow Macaw brings a vivid presence to the viewer, capturing a moment of stillness in the life of a bird. Created by the artist Edward Lear, this work focuses on the striking features of a Blue-and-yellow Macaw. This particular subject is also recognized by the name Blue-and-gold Macaw. The bird sits poised, its plumage a central focus of the composition.

Käsitööna maalatud õlireproduction alates $181 26 × 39 cm
View of Taormina in Sicily with Etna in the distance (1852) autor Edward Lear
4

View of Taormina in Sicily with Etna in the distance

1852 · Oil On Canvas

This 1852 oil on canvas presents a wide-angle view of the Sicilian landscape, looking toward the silhouette of Mount Etna. The composition is organized through a series of receding planes. In the immediate foreground, the terrain is rugged and rocky, rendered in shades of ochre, terracotta, and sienna. Small figures and animals occupy this lower section, providing a sense of scale against the stone. The middle ground contains the remains…

Käsitööna maalatud õlireproduction alates $181 40 × 25 cm Originaadi suurusega $278 82 × 51 cm Telli originaalkoguses →
View of Bethlehem (1859) autor Edward Lear
5

View of Bethlehem

1859 · Oil On Canvas · Israel Muuseum, Jeruusalemma

The scene known as View of Bethlehem emerges from the brush of Edward Lear. This oil on canvas captures a specific moment in time, dated 1861. The work stretches across a surface measuring 71 x 115 cm, offering a wide window into a quiet, rural existence. One feels the weight of the atmosphere through the medium of oil, which allows for a delicate layering of color and light.

Käsitööna maalatud õlireproduction alates $181 39 × 26 cm
The Pyramids of Ghizeh (1873) autor Edward Lear
6

The Pyramids of Ghizeh

1873 · Watercolor

In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong visual anchor for the entire scene. Below them, a body of water occupies the foreground, its surface reflecting the soft colors of the landscape. A line of small figures in boats is positioned along the water’s edge, offering a sense of scale…

Käsitööna maalatud õlireproduction alates $206 45 × 22 cm
The Temple of Apollo at Bassae (1855) autor Edward Lear
7

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Käsitööna maalatud õlireproduction alates $181 40 × 25 cm Originaadi suurusega $1159 230 × 146 cm Telli originaalkoguses →

Edward Lear, maalid 11 kuni 100

Philae, Egypt (1863) autor Edward Lear
#14

Philae, Egypt

1863 · Yale Center for British Art

Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

Telli reproduktsiooni alates $181 →
The Mountains of Thermopylae (1852) autor Edward Lear
#18

The Mountains of Thermopylae

1852 · Bristol Museum - Art Gallery

Edward Lear’s Thermopylae: A Landscape of Quiet Resolve Edward Lear (1812–1888), a figure largely remembered for his delightfully absurd verse and whimsical illustrations—particularly “The Owl and the Pussy…

Telli reproduktsiooni alates $181 →
Thermopylae (1872) autor Edward Lear
#45

Thermopylae

1872 · The Ashmolean Museum of Art And Archaeology

In his 1872 masterpiece, Thermopylae, Edward Lear invites the viewer to step beyond the boundaries of the everyday and into a realm where the majesty of the earth…

Tooge see koju alates $181 →

Teemad, mida Edward Lear kõige rohkem maalis

Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.

Kust näha Edward Lear maale

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Edward Lear teosid Selle nimekirja maalid
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondonGovernment Art Collection London 4 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
The Ashmolean Museum of Art And Archaeology, OxfordThe Ashmolean Museum of Art And Archaeology Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Israel Muuseum, JeruusalemmaIsrael Muuseum Jeruusalemma 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Mountains of Thermopylae
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Edward Lear kõige kuulsam maala igas kümnendis

  1. 1830s
  2. 1840s
    Between Olavano and Civitella (1842) autor Edward Lear
    #16 / 100

    Between Olavano and Civitella

    Vanus 28–37 · Yale Center for British Art

    Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

  3. 1850s
  4. 1860s
    Philae, Egypt (1863) autor Edward Lear
    #14 / 100

    Philae, Egypt

    Vanus 48–57 · Yale Center for British Art

    Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

  5. 1870s
    The Pyramids of Ghizeh (1873) autor Edward Lear
    Reede 6 / 100

    The Pyramids of Ghizeh

    Vanus 58–67

    In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong…

  6. 1880s
    The Plains of Lombardy from Monte Generoso (1880) autor Edward Lear
    Reede 15 / 100

    The Plains of Lombardy from Monte Generoso

    Vanus 68–76 · The Ashmolean Museum of Art And Archaeology

    In the quiet majesty of The Plains of Lombardy from Monte Generoso, we are invited to stand upon a precipice of history and nature. Created in 1880 by…

Küsimused Edward Lear maalide kohta

Mis on Edward Lear kõige kuulsam maaliam?Näita vastus

Cogoleto, Italy. Järgnevad Crescenza ja Blue And Yellow Macaw.

Millised on Edward Lear 10 kõige populaarsemat maalatist?Näita vastus

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy ja Ithaca, Ionian Islands. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju maali Edward Lear teinud on?Näita vastus

Meie kataloogis on 419 teost kunstnikult Edward Lear, aastatest 1839 kuni 1882.

Kus asuvad Edward Lear kõige kuulsamad maalid?Näita vastus

Enamik neist asub Yale Center for British Art (New Haven), Government Art Collection (London) ja The Ashmolean Museum of Art And Archaeology (Oxford). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

Millal maalas Edward Lear oma kuulsamaid teoseid?Näita vastus

Ajalisel perioodil 1860s: 14 100 sellel lehel olevat teost on sellest ajast, მათhulgas Philae, Egypt.

Millised on Edward Lear esimesed ja viimad kuulsad maalid?Näita vastus

Sellel lehel on kõige vanem teos Civita Castellana (1839) ja kõige uuem The Marble Rocks - Nerbudda Jubbolpore (1882).

Mida Edward Lear kõige enam maalis?Näita vastus

Landscape (12), Scenes (11) ja Italy (11), 100 teose seas sellel lehel.

Mida Edward Lear kõige rohkem kasutas?Näita vastus

Watercolor: 5 100 teosest sellel lehel.

Millisse toidunäidule Edward Lear kuulub?Näita vastus

nagu sellel lehel olevad maalid näitavad Romanticism.

Milliseid Edward Lear maale saan näha Yale Center for British Art muuseumis?Näita vastus

Philae, Egypt, Between Olavano and Civitella ja A Study of Ferns, Civitella on üks 14 teosest sellel lehel, mida hoiab Yale Center for British Art, New Haven.

Kas ma saan osta Edward Lear maali reproduktsiooni?Näita vastus

Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.

Info Edward Lear kohta

Edward Lear (1812–1888): The Poet of Nonsense

Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, Middlesex, England, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing. Lear's artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep connection with the natural world – a connection that would permeate his later landscapes. His dedication to scientific illustration instilled in him a disciplined approach to observation and representation, shaping his artistic sensibilities for decades to come. He meticulously rendered specimens of birds, reptiles, and mammals, capturing their textures and contours with remarkable accuracy—a testament to his technical prowess.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic development took a significant turn when he embarked on extensive travels throughout Europe and beyond. Italy became a particular haven, offering not only respite for his health but also an abundance of inspiring vistas. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork. His landscapes are imbued with a palpable sense of emotion—a reflection of his own contemplative spirit—and demonstrate a masterful command of watercolor technique. Unlike many artists of his time who sought to depict nature in idealized form, Lear embraced its imperfections, capturing the subtle nuances of light and shadow with sensitivity and nuance. He wasn’t merely recording what he saw; he was conveying an inner vision—a communion with the beauty and mystery of the natural world.

The Poet of Nonsense: A World Unbound

Lear's literary contributions cemented his place in artistic history, establishing him as a pioneer of “nonsense” poetry – particularly limericks. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," revolutionized children’s literature and captivated audiences of all ages. This collection introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren't merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear’s limericks explored themes of loneliness, longing, and the absurdity of existence—cloaked within a veneer of whimsicality—challenging readers to question assumptions about reality and embrace imaginative freedom. He didn’t simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting audiences to suspend disbelief and revel in the joy of playful experimentation. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic—its enduring appeal stemming from its lyrical rhythm and evocative imagery.

A Legacy of Innovation and Enduring Charm

Lear’s influence extends far beyond the realm of children's literature. He championed a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique—a skill honed through years of observation and practice. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. His work continues to inspire artists, writers, and dreamers alike, reminding us that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit. He achieved considerable renown as an illustrator, notably contributing to publications by John Ruskin and Tennyson, showcasing his versatility and artistic vision. Lear’s paintings can be found in esteemed collections like The Ashmolean Museum, Oxford—a testament to his skill as a landscape artist and his enduring contribution to Victorian art.