Daniel Saint, 1778 – 1847

Daniel Saint: 5 kuulsumat maali

Portrait de Mme Savary, duchesse de Rovigo (1840) on Daniel Saint kõige kuulsam teos. Portrait of the duchess of berry ja Unknown Man on järgmised kaks maailmas kõige tuntumat teost. Daniel Saint 7 teoseaga meie kataloogist on siin 5 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.

Daniel Saint portree
Daniel Saint · 1778 – 1847
Sündinud · surnud
1778 – 1847, Saint-Lô
Meie kataloogis olevad teosed
7
Kõige tuntud
Portrait de Mme Savary, duchesse de Rovigo (1840)
Enamasti teoseid on
Nationalmuseum

Top 10: Daniel Saint kõige tuntumad maalid

Lady with a Greyhound (1842) autor Daniel Saint
5

Lady with a Greyhound

1842

Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

Käsitööna maalatud õlireproduction alates $181 24 × 41 cm

Kust näha Daniel Saint maale

Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Daniel Saint teosid Selle nimekirja maalid
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

Daniel Saint aastate jooksul: iga aasta meistriteosed

Aastate 1840 ja 1842 vahel, kokku 3 aastat, on kunstnik Daniel Saint loonud kõik sellel lehel olevad dateeritud teosed: siin on need aastaaegne ülevaade.

  1. 1840
  2. 1842
    Lady with a Greyhound (1842) autor Daniel Saint
    Reede 5 / 5

    Lady with a Greyhound

    Vanus 64

    Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

Daniel Saint maalid: korduvad küsimused

Mis on kõige kuulsam Daniel Saint maal?Näita vastus

Portrait de Mme Savary, duchesse de Rovigo (1840). Järgnevad Portrait of the duchess of berry ja Unknown Man.

Mis vanuses trükkis Daniel Saint teose Portrait de Mme Savary, duchesse de Rovigo valmis?Näita vastus

62 aastat vanus: teos Portrait de Mme Savary, duchesse de Rovigo on aastatest 1840 ja kunstnik Daniel Saint on sündinud aastal 1778.

Kui palju on kunstniku Daniel Saint maale?Näita vastus

Meie kataloogis on 7 teost kunstnikult Daniel Saint, aastatest 1840 kuni 1842.

Kust saan näha kõige kuulsamaid Daniel Saint maale?Näita vastus

Enamik neist asub Nationalmuseum (Stockholm) ja Château de Chambord (Chambord). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

Mis on esimene kuulus Daniel Saint maal ja milline on viimane?Näita vastus

Sellel lehel on kõige vanem teos Portrait de Mme Savary, duchesse de Rovigo (1840) ja kõige uuem Lady with a Greyhound (1842).

Milliseid Daniel Saint maale Nationalmuseum kogumuses on?Näita vastus

Unknown Man ja Charles X, King of France and Navarre on üks 2 teosest sellel lehel, mida hoiab Nationalmuseum, Stockholm.

Kust saan osta Daniel Saint reproduktsiooni?Näita vastus

Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.

Daniel Saint: biograafia

The Delicate Touch of Parisian Miniature Painting

Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

A Revolution of Light and Texture

What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

Legacy and Imperial Recognition

The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

  • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
  • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
  • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
  • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.