1
Forest Landscape with Bathing Children
Käsitööna maalatud õlireproduction alates $181 35 × 29 cm
Originaadi suurusega $202 45 × 37 cm Telli originaalkoguses →
Carl Ebert kõige kuulsam teos on Forest Landscape with Bathing Children (1867), mis asub museumis Bavaria riiklikud maalidema kogumikud, linnas München. koos Evening Landscape (1875) ja Landscape society in a park moodustavad need kolm teost, mis on kõigile tuttavad. Meie kataloogis on 5 teost kunstnikult Carl Ebert; alljoonas on 5 kõige vaadeldavamat teost koos nende loomisaea, säilitaja museumi ja olulisuse selgitusega.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Carl Ebert teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Carl Ebert kirjandus vaid 9 aastat, aastast 1867 aastat 1875: jälgige seda kümnest aastat aasta hauragul läbi maalide, mis tema nime kuulsaks tegi.
Forest Landscape with Bathing Children (1867), Bavaria riiklikud maalidema kogumikud, München. Järgnevad Evening Landscape (1875) ja Landscape society in a park.
46 aastat vanus: teos Forest Landscape with Bathing Children on aastatest 1867 ja kunstnik Carl Ebert on sündinud aastal 1821.
Meie kataloogis on 5 teost kunstnikult Carl Ebert, aastatest 1867 kuni 1875.
Enamik neist asub Bavaria riiklikud maalidema kogumikud (München) ja Lenbachhaus (München). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Sellel lehel on kõige vanem teos Forest Landscape with Bathing Children (1867) ja kõige uuem Evening Landscape (1875).
Forest Landscape with Bathing Children ja Evening Landscape on üks 2 teosest sellel lehel, mida hoiab Bavaria riiklikud maalidema kogumikud, München.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.