Bridge (1873) on Apollinari Vasnetsov kuulsaim teos, mis kuulub Moskva Tretyakovi kunstgalerii kogumikus. At Vorobyovy Gory (1879) ja Abramtsevo. Yashka's house (1883) on järgmised kaks maailmas kõige tuntumat teost. Apollinari Vasnetsov 44 teoseaga meie kataloogist on siin 44 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
The painting Larch Trees by Apollinari Mikhailovich Vasnetsov is a stunning example of Russian art from the early 20th century. Created in 1905, this watercolor piece is a…
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Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseum | Linn | Apollinari Vasnetsov teosed | Selle nimekirja maalid |
|---|---|---|---|
 Tretyakovi kunstgalerii |
Moskva | 14 | Bridge, Abramtsevo. Yashka's house, Akhtyrka |
 Museum of Moscow |
Moscow | 3 | Book shops on the Spassky Bridge at the 17 century, Voskresensky Bridge in the XVII Century, Traffic on the Resurrection bridge in the 17th century |
 Kostroma Historical and Architectural Museum-Reserve |
1 | At Vorobyovy Gory | |
 Kiievi rahvuspildi galerii |
Kiiev | 1 | After the Rain |
 Odessa Fine Art Museum |
Odesa | 1 | Ballad. Ural |
 Yaroslavl Art Museum |
Yaroslavl | 1 | Vsehsvyatsky Kamenny bridge. Moscow at the end of 17th century |
 Vyatskiy Art Museum |
Kirov | 1 | Cypresses |
 A. A. Bakhrushini riiklik teatri muuseum |
Moskva | 1 | Lake Svetloyar |
Bridge (1873), Tretyakovi kunstgalerii, Moskva. Järgnevad At Vorobyovy Gory (1879) ja Abramtsevo. Yashka's house (1883).
17 aastat vanus: teos Bridge on aastatest 1873 ja kunstnik Apollinari Vasnetsov on sündinud aastal 1856.
Bridge, At Vorobyovy Gory, Abramtsevo. Yashka's house, Akhtyrka, Homeland, After the Rain, A road to the Blagodat mountain, Crimea landscape, Crimea. Aitodor cape ja Morning near Baydar Gate. Crimea. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogis on 44 teost kunstnikult Apollinari Vasnetsov, aastatest 1873 kuni 1926.
Enamik neist asub Tretyakovi kunstgalerii (Moskva), Museum of Moscow (Moscow) ja Kostroma Historical and Architectural Museum-Reserve. Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Ajast 1890s: 6 44 sellel lehel olevat teost pärineb sellest ajastu teosest, nende hulgas on A road to the Blagodat mountain.
Sellel lehel on kõige vanem teos Bridge (1873) ja kõige uuem Traffic on the Resurrection bridge in the 17th century (1926).
Bridge, Abramtsevo. Yashka's house ja Akhtyrka on üks 14 teosest sellel lehel, mida hoiab Tretyakovi kunstgalerii, Moskva.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Apollinary Mikhailovich Vasnetsov (1856 – 1933) stands as one of Russia’s foremost landscape painters and illustrators, a figure inextricably linked to the golden age of Russian art and deeply rooted in the traditions of Vyatka iconography. Born in Kirov Oblast, his artistic journey began under the influence of his father, a priest who instilled in him a profound appreciation for religious symbolism and storytelling – elements that would permeate Vasnetsov’s oeuvre throughout his prolific career.
Vasnetsov’s artistic reputation rests largely upon his breathtaking portrayals of the Vyatka region—his homeland—where he captured the spirit of Slavic folklore with unparalleled sensitivity. Works like “Larch Trees” exemplify his masterful ability to evoke atmosphere and emotion, transporting viewers into a realm of ancient myths and pagan rituals. The artist meticulously researched local traditions and incorporated them into his paintings, creating images that resonate with primal beauty and timeless wisdom.
Beyond his landscapes, Vasnetsov achieved renown for his monumental biblical illustrations—particularly “The Meeting on Bald Mountain,” a dramatic depiction of Vladimir Ilyin’s poem that cemented his place as Russia's foremost artist of religious iconography. His meticulous attention to detail and expressive brushwork brought biblical stories to life with visceral immediacy.
Apollinary Vasnetsov's artistic legacy extends far beyond his individual paintings—he profoundly influenced subsequent generations of Russian artists, shaping the aesthetic sensibilities of the Soviet era and continuing to inspire admiration worldwide. His unwavering devotion to tradition combined with a visionary imagination ensured that his art would endure as a testament to Russia’s spiritual heritage and its enduring fascination with folklore and myth.