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The Knife Grinder and his Family
Käsitööna maalatud õlireproduction alates $256 37 × 27 cm
Originaadi suurusega $268 45 × 31 cm Telli originaalkoguses →
The Knife Grinder and his Family (1770) on Alexandre Moitte kuulsaim teos, mis kuulub Stiiitlinburg Hermitage muuseum kogumikus. Alexandre Moitte 1 teoseaga meie kataloogist on siin 1 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Alexandre Moitte teosid | Selle nimekirja maalid |
|---|---|---|---|
 Hermitage muuseum |
Stiiitlinburg | 1 | The Knife Grinder and his Family |
1770 on iga sellel lehel esitatud Alexandre Moitte meistriteose kuupäev; siin on need kuupäevast tulnud teosed kubus järjekorras.
The Knife Grinder and his Family (1770)
20 aastat vanus: teos The Knife Grinder and his Family on aastatest 1770 ja kunstnik Alexandre Moitte on sündinud aastal 1750.
Meie kataloogist leiate 1 teost kunstnikult Alexandre Moitte.
Enamik neist asub Hermitage muuseum (Stiiitlinburg). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Born in Paris, Alexandre Moitte grew up within a family deeply connected to the visual arts. His father, Pierre-Étienne Moitte, was a painter and a royal engraver, providing a domestic environment where the technicalities of line and form were part of daily life. This lineage likely shaped Alexandre's early understanding of his craft. He eventually sought formal training at the Académie royale de peinture et de sculpture, a step that solidified his place within the French artistic tradition of his era.
His personal life was anchored by his marriage to Charlotte Deruelle. Together, they raised several children, including Antoine Guillaume Alexandre, Auguste Pierre Charles, Flore, and Adrien Jules Philibert. These family connections reflect a life lived amidst the social and professional structures of late eighteenth-century France.
Moitte’s work often turned its gaze toward the people and the labor that defined the era. One of his notable pieces, The Knife Grinder and his Family, created in the 1770s, offers a glimpse into the domestic and professional realities of the time. Painted in oil on a panel, the work captures a specific moment of communal existence. It is a scene of quiet industry, showing the intersection of work and family life.
His technique relied on a careful application of oil to panel, a medium that allowed for a certain level of detail in the textures of clothing and tools. This piece, which remains part of a private collection, demonstrates his ability to find meaning in the mundane activities of common people. He did not look for grand spectacles, but rather for the steady rhythm of life as it was lived in the streets and homes of France.
Though his name may not carry the weight of the most famous painters of the period, Moitte’s contributions remain part of the historical record of French art. His work survives in collections that preserve the visual language of the eighteenth century. His life and his art provide a window into a period of transition, seen through the eyes of a man who understood both the precision of engraving and the softness of oil painting.