Adèle Romany, 1769 – 1846

Adèle Romany kõige kuulsam 37 maalist

Teos, mis tegi Adèle Romany kuulsaks, on Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); see ripub National Museum of Women in the Arts-is, Washington, D.C.. Madame Coury, Duhamel Widow (1811) ja Portrait of a Young Woman (1804) järgnevad nende järel samas kogumiste ja muuseumi külastajate lemmikes Sellest 39 teosest, mis Adèle Romany teosena meie kataloogis on, on need 37 kõige imetlevamat, millist igaüks on esitatud koos kuupäeva, museumi ja oma eripärase tähelepanekuga.

Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.

Adèle Romany portree
Adèle Romany · 1769 – 1846
Sündinud · surnud
1769 – 1846, Paris
Suunata
Neoclassicism
Meie kataloogis olevad teosed
39
Kõige tuntud
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
Enamasti teoseid on
Library-museum of the Comédie-Française

Adèle Romany: kümneks suurimaks teoseks

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) autor Adèle Romany
1

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

Käsitööna maalatud õlireproduction alates $181 27 × 36 cm Originaadi suurusega $525 97 × 128 cm Telli originaalkoguses →
Madame Coury, Duhamel Widow (1811) autor Adèle Romany
2

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Stockholm

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Käsitööna maalatud õlireproduction alates $181 28 × 36 cm Originaadi suurusega $470 90 × 117 cm Telli originaalkoguses →
Portrait of a Young Woman (1804) autor Adèle Romany
3

Portrait of a Young Woman

1804 · Oil On Canvas · Musée Marmottan Monet, Pariis

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

Käsitööna maalatud õlireproduction alates $181 29 × 35 cm Originaadi suurusega $245 51 × 61 cm Telli originaalkoguses →
Portrait of Julie Candeille (1791) autor Adèle Romany
4

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

Käsitööna maalatud õlireproduction alates $181 29 × 34 cm
Portrait of a Young Harpist (1795) autor Adèle Romany
5

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

Käsitööna maalatud õlireproduction alates $181 28 × 35 cm Originaadi suurusega $354 73 × 92 cm Telli originaalkoguses →
Portrait of a woman (1795) autor Adèle Romany
6

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Pariis

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

Käsitööna maalatud õlireproduction alates $181 29 × 35 cm Originaadi suurusega $294 62 × 76 cm Telli originaalkoguses →
Portrait of Amélie-Justine Pontois (1795) autor Adèle Romany
7

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

Käsitööna maalatud õlireproduction alates $181 28 × 36 cm Originaadi suurusega $243 49 × 61 cm Telli originaalkoguses →
Charles-Antoine d'Artenay (1792) autor Adèle Romany
8

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Château de Versailles, Versailles

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

Käsitööna maalatud õlireproduction alates $181 29 × 35 cm Originaadi suurusega $256 53 × 65 cm Telli originaalkoguses →
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) autor Adèle Romany
9

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

Käsitööna maalatud õlireproduction alates $206 28 × 35 cm Originaadi suurusega $380 73 × 92 cm Telli originaalkoguses →
A young person hesitating to play the piano in front of her family (1804) autor Adèle Romany
10

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

Käsitööna maalatud õlireproduction alates $281 36 × 28 cm Originaadi suurusega $749 146 × 113 cm Telli originaalkoguses →

Veel Adèle Romany meistriteoseid, 11 kuni 37

Portrait of Emilie Leverd (1808) autor Adèle Romany
#21

Portrait of Emilie Leverd

1808 · Library-museum of the Comédie-Française

Portrait of Emilie Leverd by Adèle Romany is a three-quarter length portrait composed with a deliberate sense of balance. The subject is positioned slightly off-center, directing her gaze…

Telli reproduktsiooni alates $181 →
Mlle Raucourt as Agrippine (1812) autor Adèle Romany
#22

Mlle Raucourt as Agrippine

1812 · Library-museum of the Comédie-Française

In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…

Tooge see koju alates $181 →
Baptiste cadet (1832) autor Adèle Romany
#36

Baptiste cadet

1832 · Library-museum of the Comédie-Française

The artwork titled Baptiste cadet is a portrait executed by the artist Adèle Romany. This specific piece was created in 1832. The subject of the painting is a…

Telli reproduktsiooni alates $181 →

Adèle Romany maalid ajastuse kaupa

Teemad, mida Adèle Romany kõige rohkem maalis

Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.

Kust näha Adèle Romany maale

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Adèle Romany teosid Selle nimekirja maalid
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, PariisMusée Marmottan Monet Pariis 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
Musée Jacquemart-André, PariisMusée Jacquemart-André Pariis 1 Portrait of a woman

Adèle Romany aastakate kaupa: iga perioodi olulisim teos

  1. 1790s
  2. 1800s
    Portrait of a Young Woman (1804) autor Adèle Romany
    #3 / 37

    Portrait of a Young Woman

    Vanus 31–40 · Musée Marmottan Monet

    The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

  3. 1810s
    Madame Coury, Duhamel Widow (1811) autor Adèle Romany
    #2 / 37

    Madame Coury, Duhamel Widow

    Vanus 41–50 · Nationalmuseum

    In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

  4. 1830s
    Portrait de Zoé Prévost, de l'Opéra-Comique (1830) autor Adèle Romany
    #32 / 37

    Portrait de Zoé Prévost, de l'Opéra-Comique

    Vanus 61–70 · Musée Magnin

    The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

Adèle Romany meistriteosed: küsimused ja vastused

Millist maali on Adèle Romany kõige tuntum?Näita vastus

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Järgnevad Madame Coury, Duhamel Widow (1811) ja Portrait of a Young Woman (1804).

Kui vana Adèle Romany oli teose Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou maalimise ajal?Näita vastus

26 aastat vanus: teos Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou on aastatest 1795 ja kunstnik Adèle Romany on sündinud aastal 1769.

Mis on Adèle Romany kümneks suuremat maalidust?Näita vastus

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ja A young person hesitating to play the piano in front of her family. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid Adèle Romany on maalinud?Näita vastus

Meie kataloogis on 39 teost kunstnikult Adèle Romany, aastatest 1791 kuni 1836.

Mitteks muuseumides võib näha Adèle Romany meistriteoseid?Näita vastus

Enamik neist asub Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) ja Museum of Fine Arts (Boston). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.

Millal lõi Adèle Romany oma meistriteosed?Näita vastus

Ajalisel perioodil 1800s: 13 37 sellel lehel olevat teost on sellest ajast, მათhulgas Portrait of a Young Woman.

Mis on Adèle Romany esimene ja viimane kuuls fama maalaus?Näita vastus

Sellel lehel on kõige vanem teos Portrait of Julie Candeille (1791) ja kõige uuem Portrait of Voltaire (1836).

Mis olid Adèle Romany lemmikteemad?Näita vastus

Woman (24), Man (14) ja White dress (6), 37 teose seas sellel lehel.

Millist tehnikat Adèle Romany eelistas?Näita vastus

Oil On Canvas: 29 37 teosest sellel lehel.

Millises kunstisuunnas Adèle Romany kuulub?Näita vastus

nagu sellel lehel olevad maalid näitavad Neoclassicism.

Kumba Adèle Romany meistriteoseid saab näha Library-museum of the Comédie-Française kogumuses?Näita vastus

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ja Portrait of Fleury on üks 5 teosest sellel lehel, mida hoiab Library-museum of the Comédie-Française, Paris.

Kas saan omada Adèle Romany meistriteose reproduktsiooni?Näita vastus

Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.

Adèle Romany elu

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.