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The Arrest of Joan of Arc
Käsitööna maalatud õlireproduction alates $256 27 × 36 cm
Originaadi suurusega $515 85 × 112 cm Telli originaalkoguses →
The Arrest of Joan of Arc (1835) on Adèle Martin kõige kuulsam teos. Adèle Martin 1 teoseaga meie kataloogist on siin 1 kõige vaadeldavamat teost, mida sammlerid ja muuseumi külastajad on jälginevad, koos aasta, museumi ja iga teose ajaloolise luguga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
1835 on iga sellel lehel esitatud Adèle Martin meistriteose kuupäev; siin on need kuupäevast tulnud teosed kubus järjekorras.
The Arrest of Joan of Arc (1835)
34 aastat vanus: teos The Arrest of Joan of Arc on aastatest 1835 ja kunstnik Adèle Martin on sündinud aastal 1801.
Meie kataloogist leiate 1 teost kunstnikult Adèle Martin.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
Born in Dijon, France, in 1801, Joséphine Adèle Marie Martin lived a life that saw her move from the quietude of her birthplace to the bustling energy of Paris. Known to many as Adèle Martin or Adèle Dugied, she was a woman who found her voice through the brush. Her presence in the art world was most felt between 1831 and 1847, a period when she established herself as a painter capable of capturing both the dignity of a sitter and the weight of a historical moment.
Her marriage to Pierre Dugied in 1837 marked a chapter in her personal life, yet her identity remained deeply tied to her craft. She navigated the social and professional landscapes of mid-nineteenth-century France, leaving behind works that reflect the era's preoccupation with character and narrative. Her legacy is preserved in collections such as Le musée Magnin de Dijon, where her hand remains visible to those who seek the stories of the past.
Adèle Martin’s work moved between the intimate and the dramatic. She possessed the ability to focus on the subtle nuances of a person's face or the tension of a historical scene. Her repertoire included:
In her portraits, there is a sense of the individual, a way of freezing a moment of quietude or social standing. When she turned her attention to history, as seen in her depiction of Joan of Arc, the scale of her ambition shifted. She sought to translate the gravity of legend into a visual language that her contemporaries could recognize and feel.
Though her active years as a painter were concentrated in a specific window of time, the impact of her work endured. She died in Dijon in 1875, leaving behind a body of work that speaks to the skill of a woman who carved out a space for herself in a demanding profession. Her paintings remain as physical traces of her life, offering a window into the visual culture of nineteenth-century France.