Teos, mis tegi Adam Pendleton kuulsaks, on History (Lab 1964 Grey) (2005); see ripub Carnegie Kunstimuuseum-is, Pittsburgh. Sellest 1 teosest, mis Adam Pendleton teosena meie kataloogis on, on need 1 kõige imetlevamat, millist igaüks on esitatud koos kuupäeva, museumi ja oma eripärase tähelepanekuga.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026.
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Adam Pendleton teosid | Selle nimekirja maalid |
|---|---|---|---|
 Carnegie Kunstimuuseum |
Pittsburgh | 1 | History (Lab 1964 Grey) |
Kõik sellel lehel olevad Adam Pendleton kuupäevaga meistriteosed kuuluvad aastale 2005: siin on need.
History (Lab 1964 Grey) (2005)
21 aastat vanus: teos History (Lab 1964 Grey) on aastatest 2005 ja kunstnik Adam Pendleton on sündinud aastal 1984.
Meie kataloogist leiate 1 teost kunstnikult Adam Pendleton.
Enamik neist asub Carnegie Kunstimuuseum (Pittsburgh). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: