Paberikuju

Õpilaste kunstiteoste juhend

Squirrel on Grapevine

Nimi Klass Kuupäev

Shibata Zeshin, Squirrel on Grapevine (801). Avalik omand

Faktid

Kunstnik
Shibata Zeshin wahooart.com/et/artists/shibata-zeshin/
Kunstniku eluaastad
1807 – 1891
Maalatud
801
Originaalmõõtud
105.4cm x 139.7cm
Liikumine
Japanese Traditional

Kontekstis

Squirrel on Grapevine — Shibata Zeshin

Mis on selle suurus?

Originaalmeasured on 105 × 140 cm (kõrgus × laius), joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 800
  2. 880
  3. 960
  4. 1040
  5. 1120
  6. 1200
  7. 1280
  8. 1360
  9. 1440
  10. 1520
  11. 1600
  12. 1680
  13. 1760
  14. 1840

Varjatud: Shibata Zeshin eluajal (1807–1891) ▲ see teos, 801

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/shibata-zeshin-squirrel-on-grapevine-D2W645-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Driftwood #92734a

    Salvestatud palett

    • #92734A
    • #A78A60
    • #AFA496
    • #5E432A
    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Driftwood
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Unified Palette Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Balanced Soft Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Shibata Zeshin

    A Singular Vision: Shibata Zeshin (1807-1891)

    Shibata Zeshin stands apart in the annals of Japanese art history—a figure simultaneously lauded as a revolutionary innovator and dismissed as stubbornly traditional. Born in Edo (modern Tokyo) in 1807, he descended from a lineage steeped in craftsmanship; his grandfather was a shrine carpenter, and his father, Ichigoro Shibata, possessed considerable skill as an ukiyo-e painter, having studied under Katsukawa Shunshō—a formative influence that instilled within him the values of meticulous observation and artistic discipline. This early exposure to both woodworking and painting would prove instrumental in shaping Zeshin’s distinctive oeuvre.

    Early Apprenticeship & Suzuki Nanrei:

    The Pursuit of Mastery: Studying Under Nanrei

    Zeshin's Artistic Persona: “This Is True” – The Significance of His Name

    At the tender age of eleven, Zeshin began his formal artistic training as an apprentice to Komā Kansai II, a renowned lacquerer. Recognizing the importance of grounding his craft in foundational skills, Kansai insisted that Zeshin cultivate sketching abilities and experiment with painting techniques—a decision that would propel him toward a path of artistic exploration. This dedication led him to Suzuki Nanrei, a celebrated Shijō school painter who further honed Zeshin’s observational prowess and instilled in him the principles of capturing fleeting moments of beauty. It was during this period that he adopted the name “Reisai,” combining Nanrei's influence with Kansai’s guidance—a symbolic gesture reflecting his commitment to artistic excellence.

    Innovation Amidst Tradition: Zeshin’s Distinctive Style

    Zeshin’s artistic style is characterized by a remarkable blend of meticulous realism and subtle expressive nuance. While adhering to established conventions of Sumi-e painting—particularly the depiction of landscapes and animals—he pushed boundaries through his masterful use of maki-e, a technique involving applying metallic pigments onto lacquer surfaces. This innovative approach allowed him to imbue his works with shimmering luminescence and textural depth, elevating them beyond mere representation into embodiments of spiritual contemplation. His paintings frequently explored themes of Buddhist serenity and harmony, reflecting the prevailing intellectual currents of the Meiji era.

    Landscapes & Tigers: Capturing Nature’s Essence

    Maki-e Technique: Light & Texture in Japanese Lacquer Art

    Among Zeshin's most iconic creations are monumental landscapes featuring cascading waterfalls and tranquil mountain vistas—executed with breathtaking precision and conveying a profound sense of stillness. Equally compelling are his depictions of tigers, rendered with striking detail and imbued with symbolic significance representing strength and resilience. However, it was Zeshin’s pioneering application of maki-e that cemented his reputation as a visionary artist. He skillfully manipulated gold leaf and other metallic pigments to create surfaces that seemed to radiate inner light—a technique that would inspire generations of lacquer artists and establish him as a cornerstone of Japanese artistic heritage.

    Legacy & Recognition: Zeshin’s Enduring Influence

    Despite criticisms leveled against his perceived conservatism within Japan, Shibata Zeshin achieved considerable acclaim in the West, particularly in England and the United States. His works were exhibited internationally, garnering admiration for their aesthetic beauty and technical virtuosity—a testament to his artistic genius and a reflection of the burgeoning interest in Japanese art during the late nineteenth century. Today, Zeshin’s paintings continue to captivate audiences worldwide, serving as enduring symbols of Japan's artistic tradition and demonstrating the transformative power of blending meticulous observation with innovative technique. His legacy persists as an exemplar of artistic integrity and unwavering devotion to craft—a singular vision that resonates across time and culture.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Squirrel on Grapevine allalaadimislehele

    wahooart.com/et/art/download/shibata-zeshin-squirrel-on-grapevine-D2W645-en/

    Viige seda teost allintena

    MLA
    Zeshin, Shibata. Squirrel on Grapevine. 801, https://wahooart.com/et/art/shibata-zeshin-squirrel-on-grapevine-D2W645-en/
    APA
    Zeshin, Shibata (801). Squirrel on Grapevine [Painting]. https://wahooart.com/et/art/shibata-zeshin-squirrel-on-grapevine-D2W645-en/
    Chicago
    Shibata Zeshin. Squirrel on Grapevine. 801. https://wahooart.com/et/art/shibata-zeshin-squirrel-on-grapevine-D2W645-en/
    Harvard
    Zeshin, Shibata (801) Squirrel on Grapevine. Available at: https://wahooart.com/et/art/shibata-zeshin-squirrel-on-grapevine-D2W645-en/

    Vaata lähedalt

    Squirrel on Grapevine — Shibata Zeshin

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Meie kataloog liigitab seda teost kategooria japanese landscape, squirrel motif, grapevine scene alla. Kas olete nõus? Mida te lisaksin või eemaldasite?
    5. Vaadake tagasi juhendi alguses esitatud teosele Inkstone Case and Stationery Box (suzuri-bako and ryoshi-bako ) (1800). Tooge kaks asja, mis sellel teosel koos sellega ühendavad, ning üks erinevus.

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.