Paberikuju

Õpilaste kunstiteoste juhend

Worker - 2010

Nimi Klass Kuupäev

reza rahimi lasko, Worker - 2010 (2010). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
reza rahimi lasko wahooart.com/et/artists/reza-rahimi-lasko/
Kunstniku eluaastad
1979 – ?
Maalatud
2010
Originaalmõõtud
70 x 50 cm

Kontekstis

Worker - 2010 — reza rahimi lasko

Mis on selle suurus?

Originaalmeasured on 70 × 50 cm (kõrgus × laius), joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010

Varjatud: reza rahimi lasko eluajal (1979–?) ▲ see teos, 2010

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/reza-rahimi-lasko-worker-2010-D2SGPZ-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Putty #c4c4c4

    Salvestatud palett

    • #C4C4C4
    • #AEAEAE
    • #6C6C6C
    • #999999
    Palett
    Monochrome Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Putty
    Intensiivsus
    Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Serene Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Brilliant Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    reza rahimi lasko

    Sündinud Ahvaz, Iran

    A Life Immersed in Realism: The World of Reza Rahimi Lasko

    Reza Rahimi Lasko, born in 1979 in Abadan, Iran, is a contemporary artist whose work resonates with a profound sense of human experience and social observation. His journey into the world of art began at the remarkably young age of twelve, nurtured by an environment that recognized and encouraged his burgeoning talent. It was his mother who proved to be his earliest champion, providing him with the opportunity to study formally under Mr. Majid Arvari in 1997—a pivotal moment that laid the foundation for his future artistic endeavors. This early mentorship instilled not only technical skill but also a deep appreciation for the power of visual storytelling. Rahimi Lasko’s formative years were spent absorbing the sights and sounds of Abadan, an industrial city steeped in history and populated by a diverse working class—a subject matter that would come to define much of his artistic output.

    The Evolution of a Style: From Formal Training to Evocative Portraiture

    Rahimi Lasko’s dedication to art led him to pursue formal education, culminating in a Bachelor of Painting degree from the University of Tehran. He also earned an advanced diploma in Fine Art from NCFE, University of England, broadening his perspective and refining his technical abilities. However, it was his commitment to realism that truly set him apart. His paintings are not merely representations of reality; they are deeply empathetic studies of individuals and their surroundings. The artist’s work often focuses on the lives of laborers, street scenes, and everyday moments—subjects frequently overlooked but imbued with dignity and emotional weight by Rahimi Lasko's skilled hand. He established his own gallery in 2011, providing a platform to showcase his growing body of work and engage directly with audiences. This period also saw him participating in numerous group exhibitions and art fairs, including a notable showing at the Reza Abbasi Museum in 2012 and Hiva Gallery in 2010.

    Recognition and Accolades: A Rising Star on the International Stage

    Rahimi Lasko’s talent has not gone unnoticed. In 2013, he held a successful solo exhibition at Golestan Gallery, further solidifying his reputation within the Iranian art community. His work began to attract international attention with selections featured in an ARC (Art Renewal Center) competition in 2011 and 2012, resulting in publication in an art book dedicated to emerging artists. This recognition continued in 2014 and 2015, with his paintings “The Sound of Taar” and “Painting” receiving awards at the prestigious international ARC competition. These accolades culminated in a significant exhibition at the MEAM (European Museum of Modern Art) in Barcelona, Spain, in 2015—a testament to his growing influence on the global art scene. More recently, he was named a finalist in an International Competition organized by the Florence Biennale, Art Market Magazine and Lens Magazine in 2021.

    A Professor and Advocate: Sharing Knowledge and Promoting Contemporary Iranian Art

    Beyond his own artistic practice, Reza Rahimi Lasko is deeply committed to education and the promotion of contemporary visual art in Iran. He currently serves as a Professor of Painting at the Center for Visual Arts, University of Tehran, sharing his knowledge and expertise with a new generation of artists. He also holds an official painting school license from the Ministry of Islamic Culture and is an active member of the Institute For Promotion of Contemporary Visual Art in Iran—roles that demonstrate his dedication to fostering artistic growth within his community. His commitment extends beyond the classroom; he actively seeks opportunities to publish his work in international art publications, including Spanish Artelibre (2012 & 2014) and through articles like one published by TACC in 2016, ensuring that Iranian contemporary art receives wider recognition on a global scale.

    The Enduring Legacy: Capturing the Soul of Iran

    Reza Rahimi Lasko’s work is more than just skillful representation; it's a poignant commentary on the human condition and a celebration of everyday life in Iran. His paintings offer a glimpse into the lives of ordinary people, imbuing them with dignity, resilience, and emotional depth. Through his dedication to realism, coupled with his commitment to education and artistic advocacy, he has established himself as a significant figure in contemporary Iranian art—an artist whose work continues to captivate audiences worldwide and serves as a powerful testament to the enduring power of visual storytelling. His paintings are not simply images; they are windows into the soul of Iran, offering a profound and moving reflection on its people, culture, and history.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Worker - 2010 allalaadimislehele

    wahooart.com/et/art/download/reza-rahimi-lasko-worker-2010-D2SGPZ-en/

    Viige seda teost allintena

    MLA
    lasko, reza rahimi. Worker - 2010. 2010, https://wahooart.com/et/art/reza-rahimi-lasko-worker-2010-D2SGPZ-en/
    APA
    lasko, reza rahimi (2010). Worker - 2010 [Painting]. https://wahooart.com/et/art/reza-rahimi-lasko-worker-2010-D2SGPZ-en/
    Chicago
    reza rahimi lasko. Worker - 2010. 2010. https://wahooart.com/et/art/reza-rahimi-lasko-worker-2010-D2SGPZ-en/
    Harvard
    lasko, reza rahimi (2010) Worker - 2010. Available at: https://wahooart.com/et/art/reza-rahimi-lasko-worker-2010-D2SGPZ-en/

    Vaata lähedalt

    Worker - 2010 — reza rahimi lasko

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Vaadake tagasi juhendi alguses esitatud teosele Portrait of a Woman (2012). Tooge kaks asja, mis sellel teosel koos sellega ühendavad, ning üks erinevus.
    5. reza rahimi lasko oli selle teose valmimisel umbes 31 aastane. Mis selles teoses viitab kunstniku sellel kujumisel etapel olnud tööle?

    Teie vastus

    Kirjutage sellest teosest lühike lõik. Kasutage selle juhendi varasemate osade faktisid ja oma eelmitud vastuseid.